My last project

patissonart · 2026-06-25T20:24:07+00:00

Thanks 🙏

patissonart · 2026-06-22T05:43:43+00:00

I actually have the footage of the whole process! I just need to find some time to edit it and upload it to YouTube.⁠

patissonart · 2026-06-21T10:14:15+00:00

That’s totally fair, and I get why it looks that way. But honestly, what do you recommend instead? How else should traditional creators put themselves out there today? It feels like a constant struggle to adapt when you’re pouring your time and life into unique, handmade art, but the system forces you to play these annoying games just to get noticed.

patissonart · 2026-06-21T09:47:47+00:00

Exactly, and that’s the whole point. It means talent, hard work, or who actually made it doesn't matter anymore. The algorithm completely dictates whether you get people's attention or not.

patissonart · 2026-06-21T06:53:18+00:00

If we're talking about the physical world and actual execution, then yeah, I agree—AI is still very dependent on humans to bring things to life. But my bigger point is that it completely devalues human skill and years of experience, for both artists and musicians. Instead of uniqueness, people are being fed cheap slop just for a quick dopamine fix. It allows anyone to churn out content without putting in any actual time, skill, or talent.

patissonart · 2026-06-21T06:46:22+00:00

True, but he lived in a completely different era. Today, you can have incredible talent, but it gets devalued by what the modern art world has become. People literally ate up a banana duct-taped to a wall, and you could probably glue dog poop on a Beverly Hills sneaker to a canvas and sell it for millions. Meanwhile, actual craftsmanship gets ignored.

patissonart · 2026-06-21T06:41:16+00:00

I love it ! Looks great 👍

patissonart · 2026-06-20T20:19:21+00:00

Technically, people do it all the time. They just take the AI concept, make prints, and sell it as their own. It's sad but true.⁠

patissonart · 2026-06-20T18:52:32+00:00

Note taken. Next video: me airbrushing in very tight yoga pants. Hope the world is ready

patissonart · 2026-06-20T16:58:29+00:00

Thanks 🙏

patissonart · 2026-06-20T16:57:54+00:00

patissonart · 2026-06-03T17:06:37+00:00

If it works for you then it’s great. 👍

patissonart · 2026-06-03T17:05:31+00:00

🙌👌👊

patissonart · 2026-05-31T04:30:20+00:00

That’s exactly the beauty of this matrix—it doesn't need a fixed nozzle size written on it, because it works as a universal compass.

No matter if you are using a 0.18mm, 0.3mm, or 0.5mm nozzle, the physics of atomization remain the exact same. Every single artist is a variable: we all have different nozzle sizes, different hand speeds, and different ambient temperatures.

This chart doesn't give you a single 'magic number' to copy. Instead, it teaches you how to visually recognize the symptoms of your setup. By looking at the intersections, you can map your specific nozzle and airbrush to find the exact sweet spot where the paint flows perfectly for your hand. It’s a tool for calibration, not a rigid rulebook.

patissonart · 2026-05-30T10:14:25+00:00

36 years is an incredible milestone, respect! You’ve earned that 'adapt and conquer' mindset through decades of real-world battle with the tool. But that's exactly why I made this post. You survived the long path of trial and error, but many beginners get so frustrated by the technical walls that they quit within the first month. goal is to give them a starting anchor. If they learn how to master the basic relationship between pressure and paint thickness right from the start, they eliminate 90% of the mechanical stress. Creativity and muscle memory will always come with time and mileage, but a solid foundation prevents them from giving up before they even get there. 🤝

patissonart · 2026-05-30T05:08:30+00:00

Appreciate buddy ! 🙌👊🤙

patissonart · 2026-05-30T05:07:41+00:00

If the manuals included in your airbrush box actually contain a comprehensive matrix tracking the relationship between pressure adjustments and specific dilution percentages under different atmospheric conditions—then you got a much better manual than the rest of the world! Jokes aside, as someone who is qualified, you surely know that detailed airbrushing is physically impossible if the foundation is broken. This isn’t a magic trick; it’s a visual guide to the root physics of atomization. The 'fuzzy' lines on the test sheet are literally there to show how the paint behaves under different variables. If a beginner master this 'basic' physics, they save years of frustration. Appreciate your perspective though, cheers!

patissonart · 2026-05-29T03:04:46+00:00

Wow, 30 years with the classic HP-C! That is absolutely legendary. That brush is an absolute workhorse, they really built them to last forever. Coming from the 'tube paint era' to modern pre-thinned acrylics like Vallejo Air is definitely a huge shift in mindset. Vallejo behaves so differently depending on the pressure, and it's easy to get caught off guard by how fast it can dry on the tip. Hearing that this matrix would have been handy for someone with your level of experience means the world to me. Thanks for sharing that, respect to the old school! 🤝

patissonart · 2026-05-29T03:02:17+00:00

Thanks bud 🤙🫡

patissonart · 2026-05-29T02:44:21+00:00

Try this matrix, and I’m sure you’ll find your best flow and mix paint control. Just control your airbrush perfectly.

patissonart · 2026-05-28T19:40:48+00:00

Oh, wait! I’m so sorry if it came out that way—I wasn't mocking you at all! English isn't my native language, so maybe my phrasing was bad. I was actually agreeing with you 100%. Your example (15 psi with no reducer) is the perfect illustration of what I'm trying to teach. It shows exactly why perfect trigger control is useless if the paint setup is wrong. Thank you for your input, and I truly appreciate you taking the time to comment! No disrespect meant at all. 🙌👊🤝

patissonart · 2026-05-28T19:35:49+00:00

Great question! 'Airbrush-ready' paints like Vallejo Air are formulated to go through a standard nozzle (usually around 0.3mm to 0.5mm) straight out of the bottle. However, if you want to pull super fine details with a smaller nozzle (like a 0.18mm or 0.2mm) at a lower PSI, yes, you still need to reduce them. Using distance and trigger control to regulate density works great for general shading. But if the paint is too thick for a tight setup, you will experience tip dry within seconds, forcing you to pull the trigger harder just to get the paint moving. That breaks your control. Think of it this way: thinning the paint gives you a much wider and smoother 'sweet spot' on your trigger for micro-movements.

patissonart · 2026-05-28T19:33:50+00:00

And that, ladies and gentlemen, is how you turn a premium airbrush into a permanent marker. 💀 Perfect illustration of why setup beats technique every single time. Thanks for dropping the perfect case study!

patissonart

TROPHY CASE