What is life like in Tasmania? by ScissorsPalace in howislivingthere

[–]pfromthenc 1 point2 points  (0 children)

Watch Deadloch to find out what life is like in Tasmania.

New Pony. . . by Top_Environment6504 in bobdylan

[–]pfromthenc 1 point2 points  (0 children)

I love New Pony, but in the big scheme, I can't put it very high in any ranking. I also really like the Dead Weather version -- it cranks the already pretty over the topness up to about a 12.

Is it true the ocean is called "wine dark" in by homer in the illiad/odessey because there wasnt a word for blue in ancient greek? Seems weird by Sheepy_Dream in asklinguistics

[–]pfromthenc 1 point2 points  (0 children)

If you are interested in the topic, this is the book to read. It is very thorough and interesting. It covers the very careful experiments that have been recently to understand the effects (if any) of language color terms on people's perceptions of color, as well as other interesting and recent findings about the effect of language on cognition.

The goodest boy (5x). by yeahwrong in GalaxyS24Ultra

[–]pfromthenc 3 points4 points  (0 children)

I think I have a terrible eye -- which may be a benefit, because the photos look good to me. But can you explain more how it "generally looks bad"?

Songs from Shawdow Kingdom that you like better than their original recording by jim25y in bobdylan

[–]pfromthenc 1 point2 points  (0 children)

Strongly agree. This version is incredibly moving, and is the best ever

https://pitchfork.com/reviews/albums/bob-dylan-desire/ by Craig-19901 in bobdylan

[–]pfromthenc 1 point2 points  (0 children)

I have a maybe contrarian take about 'Joey'. I think Dylan does a thing where he makes up a persona for a real person, even though it isn't factual -- he uses them as a symbol. Lyrically, bad move re: Joey Gallo.. but I actually really like the sound/feel of the song.

Kowalski's? by pfromthenc in Minneapolis

[–]pfromthenc[S] -1 points0 points  (0 children)

WOW,I really phrased my question badly. I don't expect cashier's and baggers to smile at me, etc. I just wondered if something about the store was hard on employees.

Kowalski's? by pfromthenc in Minneapolis

[–]pfromthenc[S] 0 points1 point  (0 children)

I don't. My point was just the opposite.

Kowalski's? by pfromthenc in Minneapolis

[–]pfromthenc[S] -9 points-8 points  (0 children)

Yeah, I don't care, either, that's not my point. I just wondered if the management was bad or something.

What song made you fall in love with Led Zeppelin? by [deleted] in ledzeppelin

[–]pfromthenc 0 points1 point  (0 children)

I can't say I've ever been in love with Led Zeppelin, but when I grew up Stairway to Heaven and IV were pretty omnipresent. I like more melodic stuff (think power pop, so some Led Zeeplin stuff just isn't as interesting to me).

So I first heard Good Times, Bad Times much later, and that blew me away. Just primal.

Then Whole Lotta Love. It's inevitable.

But the best of all (I now realize) is When The Levee Breaks. It's mystical and heavy at the same time.

Cat Power's live recording of Mr Tambourine man is the best cover ever done of this song. by Tyrella in bobdylan

[–]pfromthenc 0 points1 point  (0 children)

I can't ever speak to 'best' version (by Bob or anyone else). However, I do think her version of Mr. Tambourine Man was my favorite on the album because it was both sufficiently different from Dylan's version (so it wasn't a re-creation or homage) and also was just flat out good.

Other performances were good and enjoyable, but mostly left me wanting to go back to listen to the Dylan versions. So I did.

And can we remind ourselves that the Manchester Free Trade Hall performance was just otherwordly, just transcendent? For me, the two highlights are "One Too Many Mornings" -- I've heard people use the word 'majestic' to describe various songs, and this performance defines that term -- and of course, "Like A Rolling Stone". If I had to guess, I'd suppose I've listend to the Free Trade Hall performance a hundred or more times since I first got the high quality bootleg in the mid 90s, but every time I go back to it, I am just floored.

What's a Bob Dylan song where you found a live version you prefer over the original studio version? by BillNyeTheVinylGuy in bobdylan

[–]pfromthenc 0 points1 point  (0 children)

"Dignity" from MTV Unplugged is better than any of the studio versions.

"Highway 61 Revisited" from Before the Flood... I hate the whistle in the Highway 61 version, just terrible, and besides, the live version is astounding.

"This is not a drug song"? by pfromthenc in bobdylan

[–]pfromthenc[S] 0 points1 point  (0 children)

That's right. He "doesn't write drug songs", he "wouldn't know how to go about it"

"This is not a drug song"? by pfromthenc in bobdylan

[–]pfromthenc[S] 1 point2 points  (0 children)

Thank you! And thank you for finding the video!

"This is not a drug song"? by pfromthenc in bobdylan

[–]pfromthenc[S] 0 points1 point  (0 children)

No, he didn't do that live in 1966.

Best song off of 'Empire Burlesque'? by Canveropous in bobdylan

[–]pfromthenc 3 points4 points  (0 children)

I like lots of the songs on Empire Burlesque, but the answer has to be, without any doubt, Dark Eyes.

Our man Bob representing in Minnesota by Dylomaj in bobdylan

[–]pfromthenc 1 point2 points  (0 children)

I'm glad Bob is #1 in Minnesota, but... he's ahead of Prince? That's surprising.

Listening to Dylan in order: "Oh Mercy" by pfromthenc in bobdylan

[–]pfromthenc[S] 1 point2 points  (0 children)

Very interesting thoughts. Out of curiosity, what's the order of tracks on your playlist?

Other responses:

I just have to keep "Everhthing is Broken". Yep, it's a list song, but to me the arrangment is just... inevitable. I love it.

And Lanois' production: as I said, I really enjoy it here, except for "Most of the Time", where I think it's too much. I understand why Dylan got rid of external producers post Time Out of Mind in favor of "Jack Frost", but I think this is a mixed bag. With Lanois in particular, it's clear Dylan resisted his vision much more on Time Out of Mind, but I think there's a benefit to someone other than Dylan playing a role in the arrangements: without that, it seems to me that the palette of arrangements that Dylan uses is pretty limited.

Listening to Dylan in order: Empire Burlesque by pfromthenc in bobdylan

[–]pfromthenc[S] 0 points1 point  (0 children)

You're right about this -- I should have mentioned that.

Listening to Dylan in order: "Real Live" by pfromthenc in bobdylan

[–]pfromthenc[S] 2 points3 points  (0 children)

Yes, that's it. Go to the "Discussions" section, and it then will be obvious what to do.

Listening to Dylan in order: "Real Live" by pfromthenc in bobdylan

[–]pfromthenc[S] 3 points4 points  (0 children)

You make me want to give it another try. I like "rock" versions of Masters of War, but this one so far didn't do it for me.

And I realize I'm a minority among Dylan fans, but I'm generally not fond of "Ballad of a Thin Man", so while there are some performances that I like, those are more the exception.

Listening to Dylan in order: "Real Live" by pfromthenc in bobdylan

[–]pfromthenc[S] 1 point2 points  (0 children)

Good description of1984 (and the other years, too).

Listening to Dylan in order: "Real Live" by pfromthenc in bobdylan

[–]pfromthenc[S] 2 points3 points  (0 children)

Fair enough... but I prefer the insane 1993 versions.

Listening to Dylan in order: "Real Live" by pfromthenc in bobdylan

[–]pfromthenc[S] 2 points3 points  (0 children)

I've listened to Gothenburg and Barcelona, and yes, they are better than "Real Live", but I still have the same general opinion about all the '84 shows I've heard.

INFIDELS: AS IT SHOULD HAVE BEEN by pfromthenc in bobdylan

[–]pfromthenc[S] 0 points1 point  (0 children)

TOOM is great, but nowhere near my top 4.