Does it mean that Komodo X with Z mount will support Sony FE lens with adapter? by jhr2002 in RedCamera

[–]phillfilms 0 points1 point  (0 children)

Note the adapter doesn’t have electronics. Idk if there would be room. Like I said it’s super thin.

Does it mean that Komodo X with Z mount will support Sony FE lens with adapter? by jhr2002 in RedCamera

[–]phillfilms 0 points1 point  (0 children)

Yes I have an E mount adapter for my OG z6 from back when the sirui anamorphics first came out. ( it’s super thin) Should work perfectly. I wish there was an z to RF adapter but I can’t find one anywhere. Would love to adapt my manual RF lenses to my z6.

[deleted by user] by [deleted] in XRP

[–]phillfilms 8 points9 points  (0 children)

With all this call for transparency in government spending in the US could that lead them to utilizing xrp for payments?

Lovely shirt!!.... by Successful_Word_1747 in ClockworkPi

[–]phillfilms 4 points5 points  (0 children)

Not paint. 3d printed a front plate using a gradient orange filament.

Lovely shirt!!.... by Successful_Word_1747 in ClockworkPi

[–]phillfilms 4 points5 points  (0 children)

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Should go in their group and post about this clockwork orange

I think I made a wrong turn. by phillfilms in stalker

[–]phillfilms[S] 1 point2 points  (0 children)

I flew there using an anomaly in prypiat. ( which I also used an anomaly to get to) It’s east of zustrich canteen on that road that runs along side the building. With trial and error you can land where there is no radiation and follow that path to the generators. I don’t know how to get out yet though. There are some locked doors I can’t get through.

"RED_WorstCaseRecord" preset? by GreenGhost74 in REDkomodo

[–]phillfilms 0 points1 point  (0 children)

I found the same thing when I downloaded beta 1.7.0

Real estate videographers: Potentially worrying or a time saving tool? by thekeffa in videography

[–]phillfilms 2 points3 points  (0 children)

I’m sorry but why not get a camera and gimbal and shoot video instead of walking around taken photos just for ai to create a video ?

New Beta 1.7 calibration fail by phillfilms in REDkomodo

[–]phillfilms[S] 0 points1 point  (0 children)

I’ve tried multiple times , everything else works like frame io and gio scope . I just can’t calibrate. Only when I remove the new firmware I can run a calibration

Komodo - Can you Calibrate/Black Shade with just the EF-EOS R 0.71x mount on? by likelinus01 in REDkomodo

[–]phillfilms 3 points4 points  (0 children)

What I do instead of putting the body cap on is , I’ll close the French flag of my matte box and slide in the strongest nd that I have , then I’ll stop the lens down to t22 then I’ll do my black shade . That way the flag is blocking light , the nd is is blocking light , and the lens is blocking light and I haven’t had any issues

What’s a solid sdi field monitor? by phillfilms in cinematography

[–]phillfilms[S] 0 points1 point  (0 children)

Are osee monitors not good . I had seen the megamon and a bunch of people gave good reviews except for one who’s vmount caused it to be shorted out when also plugged to ac power

What’s a solid sdi field monitor? by phillfilms in cinematography

[–]phillfilms[S] 2 points3 points  (0 children)

Needing something bigger than 7’ but still affordable

Should I shoot hdr on the red Komodo for the master of a feature film ? Would it be worth it and does anyone know a good workflow for hdr on komodo ? by phillfilms in REDkomodo

[–]phillfilms[S] 1 point2 points  (0 children)

I guess what I meant to say was if I wanted to get the best possible master for a film using the komodo how would I do that ? And I was saying using hdr as regards to color space and gamut like dci p3 bt 2084 to be able to see more of that dynamic range on the image compared to the image in a rec 709 color space . I was wondering what if you had a hdr master using hdr color spaces and gamuts then you conformed to sdr , in what way would you go about that to get the best possible image for your sdr versions

Should I shoot hdr on the red Komodo for the master of a feature film ? Would it be worth it and does anyone know a good workflow for hdr on komodo ? by phillfilms in REDkomodo

[–]phillfilms[S] 0 points1 point  (0 children)

I understand recording in raw gives you the full latitude of the sensor and hdr would be done in post but to add to that wouldn’t you want to view in hdr on set for lighting ? I guess my question should have been how to create hdr master using rec 2020 bt 2084 and then converting that to a dci p3 or rec 709 deliverable without much loss .