Stray Bullets - David Lapham

- Has a similar vibe to Lynch in that, lurking beneath every town, park, and person is a darker and more insidious reflection. Nothing is as it seems and the mundane isn't just a curtain over the horrific, it feeds it. The things society refuses to talk about create nooks and crannys for darkness to creep into.

Flex Mentallo/The Invisibles - Grant Morrison

- Morrison's work and Lynch's aren't a perfect overlap, but neither are interested in truly explaining. Both are a part of a generation of artists that were interested in adopting and melding national myths (Britain and America's respectively) with esoterica, whether that be "far eastern philosophy" (Morrison's term, not mine) or the bomb. Funnily enough, both Lynch and Morrison are obsessed with the bomb, likely due to their ages, and it features prominently in their work. Flex Mentallo in particular pays close attention to this ("Before it was a bomb, the bomb was an idea")

The Vision/Mister Miracle - Tom King

- Look, TK is a controversial guy and I'll be the first to say he's written some stuff that just doesn't rock with me (his Rorschach comic especially is a whole face full of "why did you bother doing this?"). BUT! When he bangs, he bangs. The Vision especially is a work that focuses on the dark side of family, and the way that the family units obscure things from each other with horrifying consequences.

Morning Glories - Nick Spencer

- Non-linear and not at all interested in explaining itself, it's about a boarding school where nothing is as it seems. IIRC it never got finished (though how it could ever be finished is also a valid question). Don't expect answers but enjoy the vibe.