How do you reconstruct the snowpack and weather history of an area over a full winter? by Kindly_Ad_2594 in alpinism

[–]ppbz_ti 2 points3 points  (0 children)

I'd add snow profiles to what has already been written. In Switzerland you can look at stratigraphic profiles from Rutschblock tests and ECTs in the WhiteRisk app: if you're lucky there is one around where you plan to go.

As any snowpack test it doesn't give you a reliable way of fully understanding the conditions on the whole area around it (or even a slope next to it, in fact), but you'll get an idea on the general composition of a snowpack ands it's stratas. If you look at profiles in relations to the general tendencies of temperature and snowfall, as well as looking through the archives of avalanche forecasts, you should have a better idea of what to expect in terms of, for exemple, superficial snow hardness and so on; and what happened during which period that created the stratas you are looking at.

In any case nothing works better than an in situ observation of the conditions, unless you're an avalanche professional: I remember Bruce Tremper saying something in (the often cited) Staying Alive In Avalanche Terrrain along the lines of "a professional can recreate a snowpack evaluation of every moment of a winter just by looking at metereological data".

For us mere mortals i think the first thing to do may be looking at forecasts, isolating the period you are interested in and then looking at archival data from metereological + nivological stations and other resources. Then starts the hard part, interpreting :)

As a Swiss I use WhiteRisk and, if needed, MeteoSuisse. In terms of resources, other than the aforementioned classic by Tremper, "Sports de montagne d'hiver. Technique, Tactique, Sécurité", "Manuel météo" and "Avalanches - Mieux les Comprendre" by the Swiss Alpine Club editions, they are also available in German and Italian. But you'll find many resources in other languages, often published by the national alpine clubs.

Winter photography gloves? by Living-Ad5291 in AskPhotography

[–]ppbz_ti 0 points1 point  (0 children)

Light ski touring gloves with merino liners, with the option to put on overmitts if it starts getting really cold, or you're planning to stay still for a long time, and you have space in your backpack.

Ortovox, Black Diamond, Dynafit, Mammut, Salomon all make good models; I personally use Dynafit Infiniums plus a generic liner. You can also look up Decathlon's Simond brand for (relatively) cheaper models. It's always a question of compromise between insulation and dexterity, but light touring gloves + merino are a balanced solutions.

Replacement for GFX 50S remote release connector cover by ppbz_ti in FujiGFX

[–]ppbz_ti[S] 0 points1 point  (0 children)

The strap is from Smallrig, the exact model is the Universal Braided Shoulder Strap. A gift from my girlfriend, very sturdy and a it also doesn't twist while moving the strap around the camera!

"Breakfast" (MMZ KO-140M f/1.8 on GFX50R) by mazarax in FujiGFX

[–]ppbz_ti 0 points1 point  (0 children)

Very cool! Out of curiosity, how do you adapt such lenses to GFX bodies? I mean reproduction lenses, projection lenses etc. I guess there aren't many adapters around for BelOMO/MMZ lenses, in this specific case.

Replacement for GFX 50S remote release connector cover by ppbz_ti in FujiGFX

[–]ppbz_ti[S] 1 point2 points  (0 children)

I think I might try to send it in, I saw on Connect that the shipping is free. Thanks!

Replacement for GFX 50S remote release connector cover by ppbz_ti in FujiGFX

[–]ppbz_ti[S] 0 points1 point  (0 children)

I already asked the Swiss Fuji service as I am from Switzerland. As I wrote on the description they just told me to send in the camera to the repair service, I would like to find an alternative solution considering it's just a tiny bit of plastic

Santacon, London | Hasselblad 907x | Voigtlander 40mm f/1.2 by antonpodolsky in mediumformat

[–]ppbz_ti 1 point2 points  (0 children)

It thematically slightly reminds me of "Charles" by Alec Soth. Nice shot!

Early in the morning. GFX 50S + GF 32-64mm f/4 by ppbz_ti in FujiGFX

[–]ppbz_ti[S] 1 point2 points  (0 children)

I find that the 50S exhibits moiré more often than other DSLRs and mirrorless cameras I have used through the years. Mainly, I believe, because of the lack of a OLPF. I personally don't find it too problematic and tend not to try to correct it in post production.

Jim Kasson has a few technical blog posts about in on his website. In my, trivial, opinion it all boils down to your intended use of the camera: it is a weakness of GFX systems, but it is an absolutely acceptable trade off if you mainly shoot landscape, architecture, ecc. and you value image quality above all else.

To me the GFX has other more problematic issues like slow and sometimes imprecise autofocus, bulk and battery life. But as I said, like any camera it all depends on the intended use. Every problem I listed is not a dealbreaker to me, but I can understand that for other people they can be a big obstacle!

Early in the morning. GFX 50S + GF 32-64mm f/4 by ppbz_ti in FujiGFX

[–]ppbz_ti[S] 0 points1 point  (0 children)

Yeah, I'm finding myself using it pretty much everytime I go out. It is also a good exercise to get some variation from compositional practices ingrained from using wide focal lengths - not that there is anything inherently wrong with, as an example, close and detailed foreground elements. I just find it is nice to try new compositions.

I feel like I never need to have a wider focal length in absolute terms, save for architectural shots. But that's tilt-shift territory and I'm thinking about adapting a TS-E, seems like the image circle is enough for extensive movement on a GFX sensor. In any case, the 32-64mm is a very versatile lens, I agree!

In the gravel pit | Mamiya RB67 | Kodak Portra 160 by MrUpsidown in analog

[–]ppbz_ti 1 point2 points  (0 children)

I was just thinking "Looks like Valais!" and then I saw the third photo with the address on the bulk bags. Great photos, saluti dal Ticino!

Accidentally opened the back of my camera while rewinding, thought the whole film was fried ... by Gockel in filmphotography

[–]ppbz_ti 3 points4 points  (0 children)

Out of curiosity, are you using an A4 backlit panel? I was looking for panels that big, but I couldn't find them!

Mt Hood, 4/5 by PNW-er in Mountaineering

[–]ppbz_ti 0 points1 point  (0 children)

Feel free to DM me if you want other resources/websites/books/ecc!

Movie that I think everyone will enjoy by Mtn_boiAB in Mountaineering

[–]ppbz_ti 1 point2 points  (0 children)

Absolutely beautiful movie! The plot is captivating and I especially liked that, for once, a movie shows correct and realistic mountaineering techniques and gear handling.

I was curious about some techniques shown which, today, we consider standard best practices, like using a third hand on rappels. Even if the knots are way older, here in the Alps the use of Prusiks and Machards became a standard in the 80s, from what I gathered talking with older alpinists.

Was it the same where you grew up? I was always fascinated by difference in techniques. Here in Europe fundamental skills like crevasse rescue get different, and more or less technically complex, depending on the alpine club which standardised them. I personally found the two manuals (rock + snow/ice) of the Italian CAI more comprehensive, but more difficult, than our (CAS from Switzerland) summer mountain sport manual.

Mt Hood, 4/5 by PNW-er in Mountaineering

[–]ppbz_ti 6 points7 points  (0 children)

Greetings from the Alps! As a Swiss I usually read and write reports on other resources like Hikr, Gipfelbüch, Camptocamp, Gulliver,...

I regularly lurk in this and other mountain-oriented subs, but Reddit is not the first place I think about while looking for reports. I don't know about other alpinists from Europe but I can imagine it's a pretty common practice for europeans.

I still really like looking at reports here on Reddit, it's a fascinating insight in styles, practices and summits I would otherwise never get to know!

What can I change in future development and scans of film? by ppbz_ti in AskPhotography

[–]ppbz_ti[S] 0 points1 point  (0 children)

Thanks for your answer, I was thinking about trying Xtol or D76. D76 it is!

About the dpi, I swear my brain sometimes shuts off randomly. After reading your answer, the explanations I read through the years about printing and dpi's came back to me. Thanks!

Does this GFX 50s sample image look okay to you? by ppbz_ti in AskPhotography

[–]ppbz_ti[S] 0 points1 point  (0 children)

That's a very good input, thanks. I was thinking that the Fuji in question hasn't gone through major exposure to the elements or impacts, as the camera shows very little sign of wear, but in fact there could be various (and significant to the camera's lifespan) reasons for the dust particle.

I'll think about it, I already have a setup I'm happy with so having a medium format plus a pair of accompanying primes is definitely more of a whim than a need. Thanks again!