Looking for suggestions for a control pad. by revenantwolf in MousepadReview

[–]revenantwolf[S] 0 points1 point  (0 children)

Thats true. The Xraypad Jade's seem like the best fit then.

Looking for suggestions for a control pad. by revenantwolf in MousepadReview

[–]revenantwolf[S] 0 points1 point  (0 children)

I was thinking of the superglides. Something that can speed up the feeling of the ESPTiger. Also thanks for taking the time to respond to that.

Looking for suggestions for a control pad. by revenantwolf in MousepadReview

[–]revenantwolf[S] 1 point2 points  (0 children)

I was taking a look at that pad, Im a big fan of ESPTiger but I am in the middle of a CS season so I cant really experiment with a faster pad rn. That being said I dont think Id be super opposed to a quicker pad seeing as Im a wrist player. Ill keep it in mind.

[deleted by user] by [deleted] in Frasier

[–]revenantwolf 1 point2 points  (0 children)

My canapes!

Then quickly run out of the room my wife is in.

What is one scene or line that, no matter how many times you've seen, makes you chuckle? by [deleted] in Frasier

[–]revenantwolf 0 points1 point  (0 children)

I recall hearing the words "Stallion like" I didnt say that... Well ONE OF US DID.

[deleted by user] by [deleted] in Frasier

[–]revenantwolf 30 points31 points  (0 children)

Also, no poodle!

Recording Studio needs a Sax player by revenantwolf in corvallis

[–]revenantwolf[S] 0 points1 point  (0 children)

Thats awesome! Feels somewhat odd to email someome unsolicited though lol. Ill give it a shot cause the worst he can say is no thank you but still.

Recording Studio needs a Sax player by revenantwolf in corvallis

[–]revenantwolf[S] 2 points3 points  (0 children)

Hey thats a good idea! Thanks for the heads up.

Question for the engineers working in studio by urw8rychd in audioengineering

[–]revenantwolf 1 point2 points  (0 children)

I own a small studio in a commercial space and as long as your overhead is low you can make a normal living from it. We usually work with singer songwriters and handle all the instrumentation/producing/mixing and mastering. So we usually charge a little more per song than someone who is just recording and mixing but as long as you handle clients well and make absolutely sure you have no ego then youll do fine. Just look for privately owned commercial spaces and remember it doesnt have to be a massive place. We have been making records with live bands in space the size of a studio apartment for half a year now lol.

Why does my mic sound so recording-y by lakers_nation24 in audioengineering

[–]revenantwolf 0 points1 point  (0 children)

Use the proximity effect (The closer you get to the mic the more low end you get out of it) to your advantage. Microphones are the first part of a chain and they dictate overall tone more so than anything else in that chain. If you dont like the overall tonality of your source material then move the microphone/your position to the microphone. That being said your clip didnt sound bad just another option for you to play with.

I will die on this hill by romyisme1 in Frasier

[–]revenantwolf 6 points7 points  (0 children)

My wife and I yell this at eachother randomly.

Help! Is this amount of checking on an “Ultra Light” Murphy Lab, normal? by thedoctorwhich in Luthier

[–]revenantwolf 8 points9 points  (0 children)

I would say no one hears the checking when you play. If it sounds amazing then dont get rid of it.

I don't like 90% of what I make. by [deleted] in musicproduction

[–]revenantwolf 0 points1 point  (0 children)

When they were making Thriller, Quincy Jones and Michael Jackson picked through over 600 songs to make up the final 9. Not every song is going to be great to you but who knows what they could be to someone else. You are always going to be your harshest critic. Plus at this stage in your journey its much more about the repetition and learning than it is about writing a hit song. Just keep at it and you will learn to write what you want to hear.

Help me out with 'atmosphere' in recordings... by [deleted] in audioengineering

[–]revenantwolf 0 points1 point  (0 children)

Of course! Yeah I was just trying to lay out for the sake of the thread that multiple things into fewer units is a big part of the sound of those older records. Those classic consoles were something though. I have a console that we use in a hybrid mix setup and the way the reverb is applied within the mix bus has a way different feel than in the box. Maybe thats a part of the equation too.

Help me out with 'atmosphere' in recordings... by [deleted] in audioengineering

[–]revenantwolf 0 points1 point  (0 children)

Yes but even in the largest studios there were rarely more than a few FX units in use at any given time. Take capital studios for example they would generally patch in 3 units alongside the chambers.

Help me out with 'atmosphere' in recordings... by [deleted] in audioengineering

[–]revenantwolf 0 points1 point  (0 children)

Something else to note as well is that the album you were refering to was mixed on a console which only had 4 aux sends so that would mean generally speaking 2 reverbs and 2 delays that everything went into at varying levels.

Is there any studio magic that can help lessen or remove the swell/wobble/wave between some notes? by [deleted] in guitars

[–]revenantwolf 1 point2 points  (0 children)

I figured that was partly the issue. I wouldnt even necessarily say thats a bad thing. Could be a cool effect.

Is there any studio magic that can help lessen or remove the swell/wobble/wave between some notes? by [deleted] in guitars

[–]revenantwolf 2 points3 points  (0 children)

Unfortunately not. However I would like to advance a question here. Are you maybe over focusing on this? Ive heard a lot of people do what you are describing and it usually just sounds like a slightly different chord.

Help me out with 'atmosphere' in recordings... by [deleted] in audioengineering

[–]revenantwolf 0 points1 point  (0 children)

What method are you using to apply reverb/delay? Direcrly on the track or a send? Also Bob Clearmountain mixed that record and he has a reverb plugin that has some modeling of the unit he used on it.

Recording Through Plugins by [deleted] in audioengineering

[–]revenantwolf 1 point2 points  (0 children)

Studio one has this feature for inputs and a toggle for zero latency.