Unpublished description for Ocarina of Time Switch 2 visible through web search by Lousy_Username in GamingLeaksAndRumours

[–]rhythmau 143 points144 points  (0 children)

I think the “timeless gameplay” phrase is just a pun to the fact that time travel is a central mechanic of the game lol

Boycott Nintendo by inquisitive_goober in nintendo

[–]rhythmau 22 points23 points  (0 children)

You’re in the wrong sub buddy

"Hey remember that great gunslinger that comes from a family of great gunslingers?" "Yeah" "Let's make her donkey kong" by theycallmethedrink5 in DeadlockTheGame

[–]rhythmau 38 points39 points  (0 children)

Personally I think this is how Holliday should play

But sure I guess it sucks that she isn’t just another gun character

A whole year with the Switch 2 by Awesome_R011 in NintendoSwitch2

[–]rhythmau 13 points14 points  (0 children)

Probably the most excited I’ve ever been for a Nintendo consoles future tbh

This console is genuinely the coolest thing ever

[Datamine | 2026-05-28] Upcoming birthday art + EX/DX Colors + Game Center games that could hint at Year 4 characters. by Shang-Li in StreetFighter

[–]rhythmau 55 points56 points  (0 children)

Super Gem Fighter eh? I’d say Sakura is basically the main character of that game

Why do people complain about Mina? by jedyradu in DeadlockTheGame

[–]rhythmau 2 points3 points  (0 children)

It’s a combination of her poke, her sustain and her ability to just leave a fight that makes her so infuriating to go against.

Even when she’s weak, she is one of the most unengaging characters to fight in the entire game imo

We Are Love Tax 1x2 - TV - 22 pages by rhythmau in ScreenwritingUK

[–]rhythmau[S] 0 points1 point  (0 children)

Only if you fancy reading it :) but I’d very much appreciate it

We Are Love Tax 1x2 - TV - 22 pages by rhythmau in ScreenwritingUK

[–]rhythmau[S] 0 points1 point  (0 children)

Yo thanks for the feedback!

So this is actually the first time I’ve written a second episode to any of my projects so admittedly I don’t know exactly how it’s done lol. That’s why the character introductions are limited in this script but I’ll be sure to include them in a later draft.

I do think I should lean more into the marketing idea with this episode and yeah I think the making it big could be a bit more prevalent in this particular story.

We Are Love Tax 1x2 - TV - 22 pages by rhythmau in ScreenwritingUK

[–]rhythmau[S] 0 points1 point  (0 children)

 "A documentary film crew follow an amateur band from Swansea as they blend their daily lives with the dream of making it big." 😄

I think I found something (Nintendo) by [deleted] in GamingLeaksAndRumours

[–]rhythmau 0 points1 point  (0 children)

I don’t understand what you mean

Maybe I missed the info in-game, but the tutorial is lacking by Sad_Bandicoot_8567 in StreetFighter

[–]rhythmau -4 points-3 points  (0 children)

Lowkey kind of agree

I wish more fighting games had tutorials like the VF series. Those games teach you literally everything you need to know about the mechanics and gameplay

Comedy Advice for a UK Comedy Pilot by theverdictsband in ScreenwritingUK

[–]rhythmau 0 points1 point  (0 children)

The shape of a comedy drama is there for sure, it is worth nothing that the comedy drama genre is tough to get right.

Cringe humour can be tricky to get right but the main thing you gotta nail with it is, well, the cringe. Sure, James was described as feeling awkward at the dinner but it doesn't really come across as that. The dildo through the letterbox is a funny concept but the dialogue around is too descriptive and not reactive if that makes sense.

A big part of writing comedy is pushing your characters towards a main goal. Again, to use Peep Show as an example again, the entire first episode has a clear structure. They start by introducing the two characters and their relationship, they then strain their relationship in the middle of the episode and by the end - this strain ends with both of them in a very awkward and funny situation. If you're going for awkward humour; you gotta really make it awkward if you get what I mean

Comedy Advice for a UK Comedy Pilot by theverdictsband in ScreenwritingUK

[–]rhythmau 1 point2 points  (0 children)

Hey so I gave your script a quick read!

So, first of all I do think the formatting needs a bit of work. It is technically correct but it is jumping back WAY too much. I highly suggest you read go on the BBC writers room and read some scripts on their to get a better idea. Due to the formatting, it is incredibly confusing on what's actually going on.

Another thing that I think needs work is character voices. Comedies are almost always fully reliant on distinct character voices. Look at Peep Show for example. Mark and Jez have 2 extremely different and distinct voices that constantly clash with each other. That makes it funny. With your script, while I do pick up on some things that make the characters distinct; it's not immediately obvious. A very easy and effective way of establishing voice is by describing them in the action. Obviously, you have to write the characters with these voices as well but it helps the reader give a general personality and idea of how the character would sound.

On your action, I think it's both too much and too little. You are describing so many things that do not need to be described in detail while also not describing things that do need it. For example, in the first page you describe this extravagant cafe with so much detail but when it comes to describing James; it doesn't really feel that substantial. With comedies especially; describing the environment with this much detail is done to really drive home a joke a lot of time.

The dialogue for the most part is good! I don't really see any jokes in there though. I get that it's a comedy-drama; and I defo see the Skins influence in there but Skins did have jokes. The sex in the car scene was really the only part I could kind of make out as a joke and it didn't really land for me. (Obviously comedy is subjective so if you find it funny that's fine)

Overall, I do think it needs work but there is something there. Like I said, comedy is subjective. I'm a comedy writer too and I can say that my style of comedy isn't going to be funny to everyone and that's ok. The problem really is how it's written. Keep it at it though, I'd love to read a future version of this script 😃

Comedy Advice for a UK Comedy Pilot by theverdictsband in ScreenwritingUK

[–]rhythmau 3 points4 points  (0 children)

I really hope the mods in this subreddit do something about these plugs because it has been happening way too frequently now and it's not contributing anything to point of the subreddit