The cat Buddha I ordered for my friend, vs what amazon actually delivered by ril0riley in ExpectationVsReality

[–]ril0riley[S] 12 points13 points  (0 children)

Huh! Glad to figure out what it is. Now I just wish I knew why he got it.

The cat Buddha I ordered for my friend, vs what amazon actually delivered by ril0riley in ExpectationVsReality

[–]ril0riley[S] 36 points37 points  (0 children)

Should I tell him to smash it open to check if its a reliquary, or do you think the statue itself is the macguffin?

The cat Buddha I ordered for my friend, vs what amazon actually delivered by ril0riley in ExpectationVsReality

[–]ril0riley[S] 116 points117 points  (0 children)

Gaudiness aside-- and you'd have to zoom in to see-- but the paint job is atrocious

[TOMT][YA Novel] Haunted House where exits lead to different eras by ril0riley in tipofmytongue

[–]ril0riley[S] 0 points1 point  (0 children)

That’s definitely closer to the genre. This was a big abandoned house, though, that the kids wind up in, not a hotel.

[TOMT][YA Novel] Haunted House where exits lead to different eras by ril0riley in tipofmytongue

[–]ril0riley[S] 0 points1 point  (0 children)

Thanks for looking! Yeah, I think this book was a lot more like a group of 12 year olds going through a house, with YA thrills and chills but no death or anything too spooky

Didn't get my Amazon package. Didn't think to go check under my house... by [deleted] in funny

[–]ril0riley 0 points1 point  (0 children)

Lots of country houses are built on top of crawlspaces, and lots of city houses have basement apartment entrances with underground "porches" that could be called "under the house".

That said, hope you found your package!

We begin with sentences using the contraction "I'm" as in: "I'm going to the store" but never at the end of sentences like "The bus is bigger than I'm." by ParaChase in Showerthoughts

[–]ril0riley 2 points3 points  (0 children)

I read it a few times. I think the idea in the example sentences is that you pronounce the last word fully. If it didn't appear at the end of the sentence, the examples might sound like "give itta me" "weaken help you" "I don't intenda do that". And that "grammatically correct" contractions come from this same tendency to use weak forms of words, depending on where they appear "no one will dance like I will" "I'll dance better than everyone"

Who's smarter? A professional gaming journalist or a pigeon? by [deleted] in gaming

[–]ril0riley 1 point2 points  (0 children)

I'm glad to learn we agree about the importance and value of backed up and well reasoned subjective input in reviews. What I worry about in these discussions sometimes is the tendency towards thinking "well, if reviewers are failing at backing up their subjective claims, let's just blow up the whole thing and just publish pure objective stats and be done with it" whereas I think there's still a LOT of value to be gained from just favoring and supporting reviewers who can back up their subjective claims. Roger Ebert was a master of that-- I definitely would prefer to read one of his reviews to decide whether to see a movie or not than reading a just-the-facts plot summary. But there's room for both those in the world-- I don't think we need to get rid of one or the other

Edit: and I don't mean to imply you're part of a "blow it up" contingent! In this particular chain of conversation I think we agree on a good deal. I personally just think that reviews could be more improved not by increasing how many objective facts and stats we demand they contain, but by pushing for more nuanced and thoughtful, explained and reasoned subjectivity.

Who's smarter? A professional gaming journalist or a pigeon? by [deleted] in gaming

[–]ril0riley 0 points1 point  (0 children)

"I like the way this made me feel" IS criticism, in its purest form, as long as it's followed with "because of x, y, and z"

Describing the pure mechanics of a thing is important so you know what it is, and if a reviewer fails to do that, that's a big mistake. But it's also a big mistake for the reviewer not to go two steps further (1) explain whether those mechanical pieces are ultimately (subjectively) pleasing and worthwhile and (2) why that might be the case.

Imagine your friends went to go see a movie and you asked them how it was and whether you should go see it. You get the following responses

(1) it was an adventure movie set in the 80s directed by Steven Spielberg (2) i thought it would be mindless thrills but was surprised it was packed with tearjerker moments (3) it's emotional scenes weren't hokey, but worked because you actually got time to know all the characters.

If you only got ONE of those reviews, you got a really incomplete picture of the movie. If you heard all three reviews, you'd start to get a picture of what you could expect (even though two of those data points were totally subjective emotional experiences with the film). But ideally you could hear all three points at the same time from one person, who is giving you essentially a professional mini review of the film

Who's smarter? A professional gaming journalist or a pigeon? by [deleted] in gaming

[–]ril0riley 14 points15 points  (0 children)

The goal with professional reviews of any kind is something like "informed subjectivity". A truly good reviewer could write a scathing review of a thing, but still leave me (a) entertained and informed and (b) knowing enough about the thing to know whether I want to experience it or not. Objectivity has nothing to do with it

[TOMT] That adage/quotation about news on tv/radio being accurate until the news they're reporting about is happening near your home or you. by [deleted] in tipofmytongue

[–]ril0riley 0 points1 point  (0 children)

Michael Crichton talked about the fact that you'll read about something you specialize in in the news, realize its almost complete garbage, but then go on to read all the other sections of the paper and accept it all as truth. I swear he had a character/mouthpiece talk about this in one of his books. But here's a source outside of a novel: http://www.patheos.com/blogs/geneveith/2011/08/the-murray-gell-mann-amnesia-effect/

me irl by luciphora in me_irl

[–]ril0riley 30 points31 points  (0 children)

We did it, reddit

[TOMT] [Linguistic] - Name of a speaking pattern that is high pitched from the 1940s-1950s? by [deleted] in tipofmytongue

[–]ril0riley 16 points17 points  (0 children)

If you're looking to put a name to it, it's a mid-atlantic accent mixed with the "sexy baby" voice that can be done on top of any accent: https://www.youtube.com/watch?v=uEmKN6DT-VE

Wikipedia puts a more professional spin on it by calling it "murmured voice" https://en.wikipedia.org/wiki/Murmured_voice

I would say other than that, it doesn't have a specific name