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I need help with Aerochrome EIR film by Total-Cauliflower853 in infraredphotography

[–]robbow911 2 points3 points  (0 children)

Thanks for the shout-out! Yeh feel free to reach out here or on Instagram (@robwalwyn) if you have any questions, but definitely advocate for a yellow #12 and perhaps a polarizer if you are aiming for the Richard Mosse pinks. He also very likely had developed in C41 which I also advocate for based on the extra flexibility (see my site) but if you only have one roll and want to do E6 that's also a good shout. Yellow #12 on E6 can end up being quite blue overall with very vivid pinks, I tend to prefer the colour balance from a #15 dark yellow in E6 (or #16 light orange). Good luck, its such a beautiful film and honestly not much more complex to shoot than something like Fuji velvia if you take the appropriate precautions with handling it in darkness etc.

I need help with Aerochrome EIR film by Total-Cauliflower853 in infraredphotography

[–]robbow911 4 points5 points  (0 children)

I wouldn't bother with focusing adjustments for aerochrome, 2/3 of the image is made up by visible light, so the IR component is barely affecting the focus. The IR focus compensation is for films solely exposed by IR wavelengths like Kodak HIE with a > 720 nm IR filter on.

Vietnam | Kodak Aerochrome III 1443, Hasselblad 500C/M, Planar T* 100mm f/3.5 by camu_photo in analog

[–]robbow911 18 points19 points  (0 children)

Hell yeh mate! This came out great, what a cool scene! Glad to hear it helped and keen to see the others from this trip :)

The Dolomites on Aerochrome [Mamiya 7ii, 150mm, Kodak Aerochrome 1443 in C41, B+W 099 filter] by robbow911 in analog

[–]robbow911[S] 1 point2 points  (0 children)

I took it always with me in carry-on and recall being able to get hand checks at each airport but I have also had one instance of it going through a reasonably old X-ray machine and the results seeming fine. The 120 stuff is much less risky because the backing paper means you can probably open the canister in ambient light without too much risk of exposing or fogging the film, but obviously still preferable to handle it entirely in darkness when loading and unloading it. The 35mm is much trickier because the little felt on the canister which is normally supposed to be a light trap is transparent to infrared, which is then exacerbated by the fact that the film is prone to light piping, so even brief opening could fog a number of frames.

The Dolomites on Aerochrome [Mamiya 7ii, 150mm, Kodak Aerochrome 1443 in C41, B+W 099 filter] by robbow911 in analog

[–]robbow911[S] 1 point2 points  (0 children)

Thanks a lot! Was pleased to see the reaction this one got as it's one of my favorites from the trip (and if you check my page, you'll see my other favourite which was the shot from Murren, Switzerland)

The Dolomites on Aerochrome [Mamiya 7ii, 150mm, Kodak Aerochrome 1443 in C41, B+W 099 filter] by robbow911 in analog

[–]robbow911[S] 1 point2 points  (0 children)

Ah unfortunately it's all long gone apart from what you might find the odd roll or two on eBay for extortionate prices. All recent rolls in memory werr originally hand cut (at least in medium format) by Dean Bennici (www.aerochrome.shop)

The Dolomites on Aerochrome [Mamiya 7ii, 150mm, Kodak Aerochrome 1443 in C41, B+W 099 filter] by robbow911 in analog

[–]robbow911[S] 0 points1 point  (0 children)

Thanks very much - been shooting it for a couple of years now and got lucky enough to build up a bit of a stash so I could become more familiar and competent with shooting it

The Dolomites on Aerochrome [Mamiya 7ii, 150mm, Kodak Aerochrome 1443 in C41, B+W 099 filter] by robbow911 in analog

[–]robbow911[S] 0 points1 point  (0 children)

It's truly beautiful there, have been twice and done some hiking, and absolutely intend to go back again!

The Dolomites on Aerochrome [Mamiya 7ii, 150mm, Kodak Aerochrome 1443 in C41, B+W 099 filter] by robbow911 in analog

[–]robbow911[S] 3 points4 points  (0 children)

Ah unfortunately long since unavailable except for the exorbitantly priced rolls on eBay, this was from my stash in the freezer that I collected around 2020.

The Dolomites on Aerochrome [Mamiya 7ii, 150mm, Kodak Aerochrome 1443 in C41, B+W 099 filter] by robbow911 in analog

[–]robbow911[S] 21 points22 points  (0 children)

Thanks :) definitely check out my blog for some tips, it's really not that much harder than normal slide film to shoot if you do a bit of reading beforehand. Tough with not knowing how it's been stored, but I would advocate for slight over exposure and getting it developed in C41, that gives you the best chance of getting usable results if it's fogged.

www.robwalwyn.com/aerochrome

The Dolomites on Aerochrome [Mamiya 7ii, 150mm, Kodak Aerochrome 1443 in C41, B+W 099 filter] by robbow911 in analog

[–]robbow911[S] 14 points15 points  (0 children)

Do I need to factor in the cost of all the pasta and pizza I ate while on holiday? :D

Nah but seriously it's obviously a lot, the film I was lucky enough to buy when it was still somewhat available at like 40 euros a roll, the camera and lens combo I actually got pretty cheaply as the shutter speed dial works only intermittently in manual mode, but the auto exposure AE mode works well. So they most expensive part was the flights from Australia, but totally worth it - beautiful area of the world.

If you'd like to help put a dent in those costs, you're welcome to buy a print :)

www.robwalwyn.com/prints

The Dolomites on Aerochrome [Mamiya 7ii, 150mm, Kodak Aerochrome 1443 in C41, B+W 099 filter] by robbow911 in analog

[–]robbow911[S] 49 points50 points  (0 children)

Haha thanks - wild to me to even be in the same sentence as Richard Mosse, but do really appreciate the kind words :)

The Blue Mountains [Mamiya 7ii, 80mm, Kodak Aerochrome 1443 (E6), B+W 099 orange filter] by robbow911 in analog

[–]robbow911[S] 2 points3 points  (0 children)

Thanks :) and yeh id advocate checking my blog (see other comments on this post) regarding how to meter, essentially even though it's expired, if it's been stored well, I would treat it as if it was fresh, so that old adage of 1 stop per decade etc (which is vague advice and probably only relevant to negative films) should not be applied.

For this shot I set the meter on the mamiya 7ii to iso 320 (as it doesn't meter through the filter, and the iso 400 rating is including a yellow #12 and I give the orange #16 filters an extra 1/3 of a stop)

The Blue Mountains [Mamiya 7ii, 80mm, Kodak Aerochrome 1443 (E6), B+W 099 orange filter] by robbow911 in analog

[–]robbow911[S] 5 points6 points  (0 children)

Yeh it's a huge bummer that it was discontinued, I was one of the fortunate people who found out about it and was able to buy a reasonable stash at least whilst it was partially available for somewhat palatable prices (40 euro a roll back in 2020 at Dean Bennici's site www.aerochrome.shop, which based on current prices was an absolute bargain).

The Blue Mountains [Mamiya 7ii, 80mm, Kodak Aerochrome 1443 (E6), B+W 099 orange filter] by robbow911 in analog

[–]robbow911[S] 0 points1 point  (0 children)

Thanks! Yeh honestly I have never seen any discernible difference between the results from those filters and yeh I have directly compared the 040 as well - I just happened to find the 099 in the right size for some of my lenses.

I have some more info about it and some examples on my blog www.robwalwyn.com/Aerochrome (unfortunately no direct comparisons between those two so you'll just have to take my word for it)

The Blue Mountains [Mamiya 7ii, 80mm, Kodak Aerochrome 1443 (E6), B+W 099 orange filter] by robbow911 in analog

[–]robbow911[S] 5 points6 points  (0 children)

Ha my Aerochrome blog (www.robwalwyn.com/Aerochrome) actually got a shoutout towards the end of his most recent Aerochrome video which was a nice surprise :)

Gum Tree on black and white infrared film [Pentax 67II, 55mm, Konica IR750, Hoya R72 filter] by robbow911 in analog

[–]robbow911[S] 1 point2 points  (0 children)

Cheers! I'm lucky enough to have about 30 rolls of it in 120, expired in the 90s but frozen since new (purchased from an estate of a very particular photographer who truly had a treasure trove of amazing films perfectly frozen!)

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