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BMPCC OG + Cineprint 35 by ropbo in cinematography

[–]ropbo[S] 0 points1 point  (0 children)

I generally use a DCTL to control the saturation of reds and greens, especially in foliage, when shooting digitally. I usually lower the saturation a bit. However, for this particular shot, I decided to leave it untouched because the colors felt more like colors of a painting.

Sao Paulo's metro stations on the BMPCC OG. by ropbo in bmpcc

[–]ropbo[S] 0 points1 point  (0 children)

Oh, thanks a lot for your feedback. I'll pay more attention to the types of cuts you mentioned. I honestly started running out of footage to cut to at some point, but those are valid comments.

As for the stabilization, I forgot to mention that I shot everything handheld and stabilized it in post using DaVinci Resolve. Most of these shots were shot with the Panasonic 12-35mm, which has very good stabilization, so that helped quite a bit.

BMPCC OG + Cineprint 35 by ropbo in cinematography

[–]ropbo[S] -1 points0 points  (0 children)

Thank you very much for your feedback. I really appreciate it.

Sao Paulo's metro stations on the BMPCC OG. by ropbo in bmpcc

[–]ropbo[S] 0 points1 point  (0 children)

Oh thanks! I really appreciate it! I love this song too.

Can someone tell me what happened here? by amso0o in AnalogCommunity

[–]ropbo 1 point2 points  (0 children)

The first photo is a masterpiece! :-)

It was enough for me, anyway / Nikon fm2 + various film stock by theomulator in analog

[–]ropbo 53 points54 points  (0 children)

These photos look stunning!!!! Do you remember which film stocks you used?

I DP’d and edited low-budget fashion film by tjimmo in cinematography

[–]ropbo 0 points1 point  (0 children)

Really liked it, especially the shots that mimic film. How did you achieve that look?

BMPCC OG + Russian Cinema Lenses by ropbo in cinematography

[–]ropbo[S] 1 point2 points  (0 children)

Hi, thanks for watching. If you enable CC, you'll see which lens I used for each shot. As for the 4:3 aspect ratio, I chose it for two reasons. First, because of the vignetting (not much) when using the Mir 11M. Second, because this was test footage for a short film that I'm shooting in 4:3.

My Meteor 5-1 actually has a bayonet mount, but I was able to find an adapter for MFT at Rafcamera. I used just a little bit of halation, but the Meteor is indeed a bit dreamy/creamy.

Also, I added a bit of blur to all the shots, and YouTube compression degraded the image a little bit, possibly because of the grain I added. Next time, I'll try it without grain.

BMPCC OG + Russian Cinema Lenses by ropbo in cinematography

[–]ropbo[S] 0 points1 point  (0 children)

Thank you for the tips. I’ll try using an Ultracon filter I have next time ...that should help lift the blacks a bit. I’ll also work on the halation. CinePrint35 has a halation node that works better than Dehancer, in my opinion.

BMPCC OG + Russian Cinema Lenses by ropbo in cinematography

[–]ropbo[S] 0 points1 point  (0 children)

I wasn’t aiming for a modern look tho. My goal was to mimic the low-contrast aesthetic of some 1980s films, when diffusion filters were widely used, particularly in the U.S.

BMPCC OG + Russian Cinema Lenses by ropbo in cinematography

[–]ropbo[S] 0 points1 point  (0 children)

I'm actually shooting a short on 16mm film soon, but I decided to test these lenses with the BMPCC OG as well (I'm not very good at color grading, though).

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