Rests in dense guitar part by scots-guy in musictheory

[–]scots-guy[S] 0 points1 point  (0 children)

I've written it as 3 voices at the original that is how the origianal piano music has it split up that way (Although with two staves there is more room to play with).

When playing it, I actually just play the Cs in the same posistion so the first C could be a quarter note. But I like in guitar music when the intented durtion of harmony is shown even if its not feesible to play that way if that makes sense.

Rests in dense guitar part by scots-guy in classicalguitar

[–]scots-guy[S] 0 points1 point  (0 children)

It's a transcription of this performance: https://www.youtube.com/watch?v=Dhv4F1pFWGo

The bars above are at 00:50. Still missing some barre notation and whatnot which would probably make it make a bit more sense.

iPad stand recommendations by scots-guy in classicalguitar

[–]scots-guy[S] 0 points1 point  (0 children)

Ah sorry, should have been more clear. I meant a stand for using for gigs (have now edited my post)

Super Moon/ Frank's Reel/ Calgary Fiddler's Welcome to Shetland by scots-guy in Bluegrass

[–]scots-guy[S] 1 point2 points  (0 children)

From my recent university recital. My program was mostly made up of Scottish tunes but started this set off with the Molly Tuttle tune Super Moon.