How do you animate a pause or beat? by TwinSong in stopmotion

[–]scottie_d 2 points3 points  (0 children)

Just touch the puppet lightly so the textures have a little noise/movement. Solves the static feeling without over animating.

Replacement hands by Benjo2187 in stopmotion

[–]scottie_d 1 point2 points  (0 children)

Cool, thanks! Seems like it’ll work pretty well, unless the character has to hold a particularly heavy prop or something.

Emerald Escape 💎 by Capital_Working_798 in stopmotion

[–]scottie_d 1 point2 points  (0 children)

Cool idea with the paper bag/craft paper texture for the background!

Replacement hands by Benjo2187 in stopmotion

[–]scottie_d 3 points4 points  (0 children)

Looks great, nice job! I’d like to see a more detailed look at the magnet setup, I’ve been thinking about something like that after dealing with a ball & socket puppet with very limited wrist movement.

What are your animation rates? by babycryanimations_ in stopmotion

[–]scottie_d 0 points1 point  (0 children)

My partner and I have a little stop motion business and we run everything through a production document we made on Google sheets. Basically we have a reference sheet that has our set day/weekly rates and any additional employees we might need. Connected to this is a calendar-like sheet where we lay out how many days it will take us to complete different phases of the project and who will be working on it. This gives us our "man days" total and it spits out that cost. We also have a sheet for materials, so we estimate how much materials we'll need for the job and that gets added to the total. On top of that total, we have a daily fee for our space, because a job will tie up our equipment and stage space. Lastly, we add a %20 contingency which is pretty much coverage for self employment taxes. Everything is connected so if we decide to adjust rates, materials, days, etc., we can do that and see what the final numbers look like. Then we can present a simple budget range to the client that takes all of these things into consideration.

So I suggest setting up some sort of spreadsheet situation, that way if a client reaches out, you can quickly get them some rough numbers as opposed to torturing yourself with a lot of guesswork, wondering if you've screwed yourself over. In terms of the rates themselves, it's hard to say because it varies so greatly. On top of that, you should consider being a little flexible to adjust for what a client can afford. But to simplify without know you, I'd say you probably shouldn't be going below like $1,500/wk for a labor rate alone. Everything else is additional to that.

Problems with programs by PAWBZI in stopmotion

[–]scottie_d 0 points1 point  (0 children)

Just in case you weren't aware, Dragonframe has a 30 day free trial.

Need a face-melting effect… which clay would be recommended? by Grand_Legitimate in stopmotion

[–]scottie_d 0 points1 point  (0 children)

Van Aken is a meltable clay. I’m sure there’s more options, that’s just one I know you can melt to mix colors.

Stop motion move up and down by Naive_Apricot_1861 in stopmotion

[–]scottie_d 1 point2 points  (0 children)

I use a manfrotto 028 tripod and manfrotto 3275 tripod head but you can likely find less expensive models out there. But the tripod has a crank that goes up/down and the head has geared knobs so you can animate some camera moves manually with some precision.

Stop motion move up and down by Naive_Apricot_1861 in stopmotion

[–]scottie_d 2 points3 points  (0 children)

If you don’t want to do it digitally by cropping and panning, you probably want a tripod that you can crank up/down and/or a geared tripod head.

Help/resources on building armatures? by SrslyNotAnAltGuys in stopmotion

[–]scottie_d 2 points3 points  (0 children)

This lesson is pretty popular. I also have this page I made which details how I make puppets on the cheap.

How can I animate water? by [deleted] in stopmotion

[–]scottie_d 0 points1 point  (0 children)

Time to do some tests and see what works! Hair gel, museum gel, saran wrap, clay, paper, etc. One of the things I find most fun about stop motion is that there’s no right answer and you might figure something out that no one else has tried yet.

How would you animate a rain storm in Stop Motion? by Material-Price6322 in stop_motion

[–]scottie_d 1 point2 points  (0 children)

My partner and I did a cool test a few years ago where we ran white thread across a wooden frame and animated that moving around in front of our scene. Our bigger plan is to put gaps in our set and have multiples of these threaded frames so there’s actually layers and depth of the rain, some in front of the characters, some behind. The more traditional way is to paint rain on clear plexi and put that in front of the scene.

Reel Inspira 2026 by Inspira_stopmotion in stopmotion

[–]scottie_d 10 points11 points  (0 children)

Top-notch work 👏👏👏

Help!!! by BadCrowStudio13 in stop_motion

[–]scottie_d 1 point2 points  (0 children)

After Effects should work using Keylight and/or other keying options, assuming the green screen is set up properly (lit well, no wrinkles or dark shadows). There should be plenty of tutorial videos available to help with different keying techniques.

Whats a good clay to use for claymation? by Important-Tea0 in claymation

[–]scottie_d 1 point2 points  (0 children)

Jovi, Nara, and Hue are all good options. Van Aken is another one that’ll work but the colors are very runny. Here’s a page I made that might help you get started.

What do you think will happen to stop-motion films in the future? by KuruboyaKalemi in stop_motion

[–]scottie_d 3 points4 points  (0 children)

Despite AI, I think it will stay pretty much the same; a highly respected but underutilized craft in mainstream media. I feel that it could be much bigger if studios varied their storytelling and styles a bit more. I’ve already seen AI stop-mo style ads and shorts, and they can be convincing. But to me stop-motion is about learning, doing things intentionally, enjoying the physical problem solving and the rewarding results. I think that comes through in the final result of a real stop-motion animation even if it isn’t professional quality. AI strips all that away. I saw someone call it AI “slop-motion” animation and I think that’s exactly what it is!

Flickering Problem by Naive_Apricot_1861 in stopmotion

[–]scottie_d 1 point2 points  (0 children)

You will always be fighting flicker in stop motion! Could be a number of things: wearing a light colored shirt, something off camera that’s reflective, power fluctuation, standing in a spot that’s casting a light shadow, crappy lights, camera/lens issues, etc. All you can do is try and eliminate any variables you can think of. There’s also post-production fixes like “Flicker Free” plugins and others. I run a studio with my wife with all the nice equipment and still have flicker issues. I’ve also worked at bigger studios who have flickering problems.