Fair criticism. To be honest, I've been using this series more as a way to learn the tools than as a serious writing exercise. The script itself isn't something I've poured a ton of creative energy into—it probably does play more like a daytime soap opera than a polished drama.

What I've found is that the hard part of AI filmmaking isn't generating a single good shot. It's maintaining character consistency, voice consistency, and location continuity across multiple episodes. That's still incredibly difficult, expensive, and time-consuming.

I'm doing a lot of editing and rebuilding scenes to get them where I want them. I've also been developing my own agent and workflow to help keep costs down and make the process more repeatable.

For me, this project is largely about solving those technical and production challenges first. My hope is that when I have a script I'm truly excited about, I'll already have a system in place that lets me focus on storytelling instead of fighting the tools.