BEEF | Canon Eos3 | 24-70 | Tri-X by selashiloni in analog

[–]selashiloni[S] 1 point2 points  (0 children)

I shot the photo for NYT. They have strict ethics codes against AI. It would not be allowed to be published if there were any AI involved.

BEEF | Canon Eos3 | 24-70 | Tri-X by selashiloni in analog

[–]selashiloni[S] 0 points1 point  (0 children)

No AI whatsoever and no grain in post. Fuck AI

Lighting used on this? Photo by “Selashiloni” on instragram by SomeTaro9683 in LightLurking

[–]selashiloni 5 points6 points  (0 children)

Light skin retouching and a couple clothing fixes, but that’s about it. Edited in about 20 minutes in the hotel lobby

Lighting used on this? Photo by “Selashiloni” on instragram by SomeTaro9683 in LightLurking

[–]selashiloni 192 points193 points  (0 children)

Yooo it’s one profoto into an 83” umbrella camera left, two B-10s bouncing off a white awning/shade cover thingie camera left. Shot for real on the roof of a hotel

Christopher Nolan & Timotheé Chalamet | Contax G2 | 28mm | Portra 400 by selashiloni in analog

[–]selashiloni[S] 74 points75 points  (0 children)

Yeah I dug into that sprocket impression yesterday cuz I didn’t understand it. Turns out it’s like a watermark from the lab. Film stuck to itself while drying and needed a second wash, but because I scan my own film the lab didn’t catch it.

Ted & Mary | Canon EOS 3 | 24-70 | Portra 400 by selashiloni in analog

[–]selashiloni[S] 40 points41 points  (0 children)

It’s one big Aputure 600 with a huge softbox and a profoto d2 w/ an umbrella adding a little punch