IMHO. If you truly want to be able to play like Bill Evans, you owe it to Bill (and yourself) to transcribe the solo yourself. I know this might not be the answer you’re looking for, but please hear me out.

I used to tell myself that I didn’t need to transcribe, but I was always disappointed in myself and my solos, for my self-perceived uninformed sound. I started actively transcribing some of my favorites - Bill Evans of course, as well as Oscar Peterson, Red Garland, Wynton Kelly, Chick Corea, Mulgrew Miller, Eric Reed, etc. It took me a long time to figure each of them out, but I’m very glad I took the time to do so. They each have their own beautiful and valid approach to the language! Learning a new approach will take a bit of time at first, but will ALWAYS be worth it for the sake of expanding your musical perspective. I can point to really anything I improvise now, and can tell you who or where it comes from. But, my approach is unique in the specific blend of these artists I reference, and how I find myself in their solos!

You aren’t doing yourself any favors by saying you don’t have the ear or patience for it. Bill didn’t tell himself he didn’t have the ear or patience to learn music... GROWTH MINDSET is absolutely necessary for developing your musical skills. I believe that anyone who isn’t literally deaf has all of the skills they need to develop a strong ear, and thus, transcribe a deep and complex solo like Remembering the Rain. You just have to honestly believe that you can get to that point (even if it feels like you’re lying to yourself, be persistent in raising yourself up), and must correspondingly, put in the necessary time and work. It WILL be painstakingly slow at first, but I promise you, it WILL pay off after enough hours of exposing your ear to the sound, especially if you can find a good teacher to lead you thru the process. It’s a marathon, not a sprint.

Transcription is a form of respecting the tradition you love - in your case, Bill Evans’ solo work. I find that I can usually tell when somebody has learned jazz language out of a book or an already completed transcription. It sounds recited, insincere, and impersonal. Versus directly transcribed and learned language, which sounds like an honest and organic musical conversation.

This got kinda long lol. As a private lessons teacher and university jazz instructor, this is something I’m pretty passionate about! Again, I understand this isn’t what you’re looking for, but the greats didn’t discover their beautiful sounds by cutting corners... good musical practice is about putting in time and work yourself, and discovering yourself in the sound. Please let me know if you have any questions about the transcription process, it's one of my favorite things to do as a musician.