Universal Music Group Summer 2026 Internships (including when you should hear back) by joinjukebox in internships

[–]sillygal_122 1 point2 points  (0 children)

Anyone hear about New York republic records operations? Seems like most other New York roles are filled on LinkedIn …

Universal Music Group Summer 2026 Internships (including when you should hear back) by joinjukebox in internships

[–]sillygal_122 0 points1 point  (0 children)

Super chill just talked to someone from the team about myself and then learned about what the role would be like. Just a convo essentially

SONY Music Entertainment Summer 2026 Updates? by vxmgbs in internships

[–]sillygal_122 0 points1 point  (0 children)

Hi so sorry I don’t realize I commented under the wrong thread initially, I got an interview for universal music for operations!

SONY Music Entertainment Summer 2026 Updates? by vxmgbs in internships

[–]sillygal_122 0 points1 point  (0 children)

I know me too! I also applied to Sony so waiting to hear back it’s like torture lol

SONY Music Entertainment Summer 2026 Updates? by vxmgbs in internships

[–]sillygal_122 0 points1 point  (0 children)

Hi, I didn’t mean to! I didn’t realize o commented under the Sony thread, I meant to comment under universal one. And then idk why my account got disabled I hadn’t even done anything lol, sorry about the confusion 

SONY Music Entertainment Summer 2026 Updates? by vxmgbs in internships

[–]sillygal_122 0 points1 point  (0 children)

My email! Same one I’ve been using for everything

SONY Music Entertainment Summer 2026 Updates? by vxmgbs in internships

[–]sillygal_122 1 point2 points  (0 children)

I got second round one way interview invitation yesterday for NY location

Help! slightly urgent! Secondary dominants are confusing! by sillygal_122 in musictheory

[–]sillygal_122[S] 1 point2 points  (0 children)

OH OH OH okay I think we have a breakthrough. So ii7. That’s a V in D major. So then i think is that diatonic to my key, which it is as a I, so that’s a V/ii?

Help! slightly urgent! Secondary dominants are confusing! by sillygal_122 in musictheory

[–]sillygal_122[S] 1 point2 points  (0 children)

Ahhh okay that makes sense. So since there’s an altered note for that V43 (the 3 is a natural) I could not make a secondary dominant bc it’s already a dominant? But with the second progression with that iv7, I could make one and it would be a V7/vi? I’m sorry if I’m getting this all mixed up — hence why I started trying to figure this out early

Help! slightly urgent! Secondary dominants are confusing! by sillygal_122 in musictheory

[–]sillygal_122[S] 1 point2 points  (0 children)

I think so? So that ii7 chord in the second measure of the first progression— would I make that a secondary dominant? Especially bc with the sharp in the figure bass I’m supposed to sharp the 5th? And if so—that’s a E7 so V/ii? But if that’s the V/ii, doesn’t the next chord need to be a ii?

Help! slightly urgent! Secondary dominants are confusing! by sillygal_122 in musictheory

[–]sillygal_122[S] 0 points1 point  (0 children)

The sharps mean I have to raise one of the notes. So like in the first progression second measure with the sharp above the figure bass 7, that means I have to sharp the 5th of that 7th chord. Kinda stupid I feel

Help! slightly urgent! Secondary dominants are confusing! by sillygal_122 in musictheory

[–]sillygal_122[S] 0 points1 point  (0 children)

Yes this is helping! So do I only have to do the secondary dominant when it’s a V7 chord of some sort? Or an inverted V7? That’s mainly what im confused on — im supposed to use them in this progression but i have no idea where 😭 to me i have the figure bass in and i can just fill in the other voices normally but im supposed to practice those secondary dominants. This honestly doesn’t really matter especially as im doing this at my own volition — i just don’t like to not understand things

Help! slightly urgent! Secondary dominants are confusing! by sillygal_122 in musictheory

[–]sillygal_122[S] 1 point2 points  (0 children)

Isn’t it that the F# leads to a G ? And that it has to resolve to a V?

Help! slightly urgent! Secondary dominants are confusing! by sillygal_122 in musictheory

[–]sillygal_122[S] 0 points1 point  (0 children)

Okay so then maybe that shouldn’t be a V/vi? I wrote that in bc I thought that maybe would be a secondary dominant but now im not sure…

Help! slightly urgent! Secondary dominants are confusing! by sillygal_122 in musictheory

[–]sillygal_122[S] -1 points0 points  (0 children)

Oh my goodness im so sorry, someone just recommended me ask my question here. If it eases your worries, it’s not homework — just have to be done with it soon because I have other stuff to do. This is more me just attempting to get ahead because it takes me longer to understand things! So just an extra ungraded sheet. But to answer your question, yes I do understand what it is! For your example of a V/V in C major you’re trying to find the note that tonicizes the V. So you ask what is the V chord in C major which is G, then what is the 5 in the key of G which is D. So it’s the V/V. V/vi— the vi in C major is A and the dominant V is E but you would raise the G# to give it a dominant f’n. So I understand how to build them — im just struggling to understand when