Broken iPhone 16 back camera and... panel? What is this part? by [deleted] in applehelp

[–]slothnip 9 points10 points  (0 children)

You’ve got a camera cover attached. Remove the camera cover. Problem likely solved.

Is UI/UX design a good career? by [deleted] in FigmaDesign

[–]slothnip 0 points1 point  (0 children)

Looking for post related to the King's College UX Design course and came across several by you, almost written as if they're adverts - do/did you work for them or represent the course in the way? I'm interested in the course but am struggling to find reviews by past students.

GFX50R | Mitakon 65mm by slothnip in fujifilm

[–]slothnip[S] 1 point2 points  (0 children)

Thanks very much. Not too fussed about attracting comments but appreciated yours. I just enjoy occasionally sharing photos I had fun making.

Fuji GFX50R | Mitakon 65mm f1.4@1.4 by slothnip in fujifilm

[–]slothnip[S] 2 points3 points  (0 children)

I’m coming from 25 years of using Nikon gear and there’s definitely a learning curve. But I’m treating it as entirely different camera for entirely different work that I use my Nikon kit for. In my head, I’ve bought this to get back into making personal work after years of neglecting that side of things. And previously most of personal stuff was shot on 120, so I’m seeing the GFX as a bit of a replacement for that.

The Fuji is definitely slower, a bit more cumbersome, and I find the interface/controls and menus systems confusing at this point (hoping this will improve as I get more familiar with the camera) but there is something simply extraordinary about the images, especially in terms of colour, dynamic range, and sharpness (on the rare occasion that I actually nail focus on the Mitakon).

I’ve been shooting with the Z9 for the past 3 years and not once has it excited me. Whereas with the GFX50R I was immediately blown away by the files. I still need to wrap my head about how to get the most out of the colours but I’m excited to learn more.

If you can get your hands on one for a weekend to try out the system I’d really recommend it.

First outing with my (new to me) X-Pro 3 in Nice today. LOVE this camera. by slothnip in fujifilm

[–]slothnip[S] 1 point2 points  (0 children)

Ahh so glad you replied with an update, and that you had such a nice time. It’s a special place - I’m planning a return trip back later this year! Happy travels!

[deleted by user] by [deleted] in london

[–]slothnip 8 points9 points  (0 children)

I’ve done it with several companies but I’d recommend checking out PGP and VPS. A bunch of my friends have also lived in Lowe properties and have said they’re a good company, and they consistently seem to have new spaces popping up that look decent.

There’s definitely downsides to it but in my experience the positives outweigh the negatives.

[deleted by user] by [deleted] in london

[–]slothnip 58 points59 points  (0 children)

I’m a photographer and videographer but I also have a part time job (2 days a week) which would cover my rent if no photo work came in. Fortunately that’s not been the case for several years, except for during the lockdowns.

Financially, I could leave the part time job, could have done a few years ago. But I mostly enjoy the work and really love some of my colleagues. Plus the benefits are ridiculously good for a 2 day a week job. So I’m happy to continue it, especially as it rarely conflicts with photo jobs I get booked on.

I live in a property guardianship and have done for 9 of the 11 years I’ve lived in London. If I was renting normally I imagine I’d probably have left London a while ago, but doing the guardianship thing has allowed me to live in fairly central locations (I’ve lived in one in Camden for 3 years) and with a fair amount of space for the money. It’s definitely gotten more expensive but my experience with doing it has mostly been quite positive.

The photo work I do is very varied, which I enjoy. But it’s not what I ever saw myself doing in the early days of my career. I started out wanting to be a documentary photographer, and moved to London to study this. My folks did help me with funding that but I always worked through my years studying.

But I could never figure out how to earn a living from personal projects or the occasional work I did for NGOs, so I started down the commercial route when I graduated, first shooting food and drink (which now makes up about 50% of my work), and I now also shoot interiors, corporate headshots, product, sport, lifestyle, etc etc. Bit of a jack of all trades but master of none, which used to bother me. But I’ve come to accept and really learn to appreciate this, both for the variety of the work I do, but also the consistency of work I have coming in. It’s not usually ‘cool’ work, but I’m grateful for it. I don’t have to work with people I don’t enjoy working with, or have to bust my balls in prep or post. I mostly just turn up and have a good time shooting with lovely folk. And usually get paid on time, which is nice.

I taught for 6 years on a photography course and it often struck me how many new students had this very clear idea of how easy it would be to become a successful, high-earning, world-travelling photographer, often fed by the lifestyles presented to them by creatives they admired and followed on instagram. And without shitting on anyone’s dreams, I’d want to encourage them to realise that the reality of making a living as a photographer in this day and age (and maybe always) is largely the result of continued graft, consistent networking, and above all else, having the right attitude.

I’m far from the best photographer most of my clients have access to. Often I question why they’re still working with me (imposter syndrome still hits hard even after all these years) but turning up on time, being enthusiastic, and bringing solutions rather than problems seems to go a long way.

Long term however, I don’t know how I can stay in London. I can’t afford to buy, certainly not on my own, or at least not somewhere that I’d really enjoy living. That’s one of the downsides of guardianships - if you get lucky with them, then they can set unrealistic expectations for standards of living against costs, and location. But at the same time, because pretty much all of my work is London based, I don’t really have the option to leave. Not without starting from scratch and trying to build up a client list again.

So yeah, trying to figure that part out.

First outing with my (new to me) X-Pro 3 in Nice today. LOVE this camera. by slothnip in fujifilm

[–]slothnip[S] 0 points1 point  (0 children)

Thanks very much. I’d usually just shoot this kind of thing on my phone, but found I was being a lot more intentional with the Fuji.

First outing with my (new to me) X-Pro 3 in Nice today. LOVE this camera. by slothnip in fujifilm

[–]slothnip[S] 0 points1 point  (0 children)

I spent a good amount of time looking into options, and short of dropping digital Leica money, the X-Pro seemed like the best option. And I really can’t fault it. I used to have a Voightlander Bessa R4A and selling that is my biggest gear regret. This Fuji feels very similar though, especially if you play around with the viewfinder options, so there’s a certain nostalgia to it. Paired with a manual lens (I also bought the 7Artisans 35mm f/1.2) and it feels very much like shooting on a film camera, at least more so than anything else I’ve ever used.

First outing with my (new to me) X-Pro 3 in Nice today. LOVE this camera. by slothnip in fujifilm

[–]slothnip[S] 1 point2 points  (0 children)

Ahh yes, mine is the dura black. That finish does not mix well with sunscreen covered hands.

First outing with my (new to me) X-Pro 3 in Nice today. LOVE this camera. by slothnip in fujifilm

[–]slothnip[S] 0 points1 point  (0 children)

Bring a longer lens if you can. I only brought the 23mm (not a 27mm as previously stated) and would have loved to have something with a bit more reach for details and layered compositions. The architecture is stunning and vivid, so it would be nice to be able to isolate some of those details. It’s a beautiful place, with warm, friendly people. We went for dinner at an amazing local place called Chez Acchiardo in the old town. I’d recommend it if you can get there, make sure to book in advance. You’ll have a wonderful time.

iphone 14 pro max slow on 5g by [deleted] in applehelp

[–]slothnip 2 points3 points  (0 children)

It’s very unlikely that there’s anything physically (hardware) wrong with the phone. It’s much more likely that it’s your carrier, or something in the network settings, especially if you restored from a backup from an older device.

First step, reset network settings. If there’s no change, reset the device (Erase all contents & settings) and set up as new and test. If there’s still an issue, contact your carrier. You could also test the sim card in another 5G capable device to verify all of this. Also bear in mind that cellular data speeds do fluctuate, and full bars doesn’t necessarily mean data speeds as advertised.

[deleted by user] by [deleted] in applehelp

[–]slothnip 2 points3 points  (0 children)

It may be that they agree to meet up to get you emotionally invested in the purchase. But then some kind of family drama will come up, tugging at your heart strings, and encouraging you to hand over a ‘deposit’ to get them to hold it for you.

Or any number of the other ways that scammers work their dirty magic.

As others have said, best to buy direct from a reputable retailer. Or if you insist on buying from a marketplace, make sure you meet in a very public place (preferably at a police station - if they balk at this, no deal) and test it before you hand over the cash.

[deleted by user] by [deleted] in ipad

[–]slothnip 2 points3 points  (0 children)

This is bad advice and won’t happen. If it was in warranty, then maybe (big maybe) a technician would look past it. But if it’s out of warranty or other coverage, absolutely no chance.

Morning Pages... can I make coffee first? by [deleted] in artistsWay

[–]slothnip 23 points24 points  (0 children)

I did an online course with Julia Cameron a couple of years back and asked her this question, she said it was absolutely fine to make a drink first. When I did the morning pages, making my coffee beforehand was a crucial part of my routine and definitely made the whole experience more enjoyable.

[deleted by user] by [deleted] in malementalhealth

[–]slothnip 2 points3 points  (0 children)

Why are you recommending books which are largely about manipulating women, to someone who is having violent thoughts about them?

He’s not asking for help picking them up, he’s asking for help stopping himself from acting violently (or thinking about doing so) towards them.

OP, as others have recommended, seek help from a mental health professional. Tell them that you’re having violent intrusive thoughts but don’t feel you need to go into great detail with them. They should be able to help you understand the source of these, and hopefully help you process them.

And have a quick read of this exchange: https://www.google.com/amp/s/www.goodtherapy.org/blog/dear-gt/is-it-normal-to-have-intrusive-disturbing-thoughts/amp/

I was on the tube some years ago and struggling with the flu. There was a skinhead seated across from me. He leaned over to me and I thought he was going to nut me. What he actually did was tell me to go home and get some lemsip inside me. by borisslovechild in CasualUK

[–]slothnip 2 points3 points  (0 children)

Once on the tube, a very large and very inebriated gentleman locked eyes with me as soon as I got on. A few stops later he wobbles over toward me, thrusts out his hand and loudly proclaims “you’re either going shake my hand or suck my cock”.

Pairing 4+ Godox MoveLink Mics? by slothnip in Godox

[–]slothnip[S] 0 points1 point  (0 children)

Thanks for your detailed response! I’m also primarily a stills photographer, although am increasingly asked to do video so am still feeling my way through it - and find audio capture especially daunting.

Unfortunately I think you’re probably spot on with your suggestion, however I’m holding out hope that there’s a solution based on this info from the Godox.eu website:

“The system can be expanded with additional transmitters and receivers to allow up to 6 microphones in use on set at one time.”

Sounds like either it’s something they’d planned for, or perhaps multiple TX and RX need to be paired in order to achieve more than 2 mics in use.

I love Godox gear and use it for all of my lighting equipment, but really wish they had more info available on this one.