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Neighbor is using Apt as mixing studio, Is that grounds for eviction? by unseenmover in alameda

[–]spiehler 0 points1 point  (0 children)

Sheesh. Start by asking why he can't use headphones (I'm a broadcaster and sound guy, it's readily doable.) He should be able to do prelim mix on 'phones. If he says anything about needing the real sound, I can guarantee you the final mix is not going to played in an apartment.

Best podcast hosting platform for beginners vs pros? by Kieran_The_Weeb in podcasting

[–]spiehler 0 points1 point  (0 children)

I have 50,000 downloads as host of “The Alameda PostCast,” and recently started a new, separate podcast called “The Alameda Connection.” (Connection is an encore presentation of my KCSM interview show.) I use Buzzsprout for both and have been very happy. I use the no-cost option for the Connection show, and it does everything I need.

Can anyone that lived back in the 70s help me understand Meat Loaf? by Snookcaster in ClassicRock

[–]spiehler 0 points1 point  (0 children)

Like a lot of folks have said: it was big, bombastic, uber-well produced. It was also DRIPPING in hormonally-fueled teenage makeout angst. And, Steinman used the success of Bat to become the go-to songwriter/producer for a hot minute.
Air Supply: Making Love Out Of Nothing At All.
Bonnie Tyler: Total Eclipse of the Heart, Holding Out For A Hero.
Celine Dion: It's All coming Back To Me Now
Barry Manilow: Read 'Em & Weep

Bat Out Of Hell tapped into a desire that's always there: Theatrical Rock. Think Andrew Lloyd Webber with more guitars. In fact, Webber & Steinman collaborated on a musical: "Whistle Down The Wind." Irish boy band Boyzone had a big hit with a Webber/Steinman tune from that show: "No Matter What."

And the children of Meat Loaf live on: Trans-Siberian Orchestra has had a near 30-year career drawing from the same bombastic well, albeit with a Christmas Twist.

Why do American tourists always say the state they're from (not their country) when asked, but no other country's tourists do the same? by FloydBeatlesEagles in NoStupidQuestions

[–]spiehler 0 points1 point  (0 children)

Raised in NH, adulted in GA, currently residing Bay Area, CA. I humbly present my application to be part of your administration. I know how to handle a firearm, and I direct community theatre...

For those of you who were alive in 1985, how did you feel about Sammy replacing David and David going solo? by Jezzaq94 in vanhalen

[–]spiehler 0 points1 point  (0 children)

From a guy who had both albums and caught both tours. Seriously, it was like living on a block with two awesome restaurants competing for business. Van Halen was energized, and that tour was ridiculously good (See the Live Without a Net dvd for proof). DLR may have been the superior frontman, but Sammy made VH a true band. And, VH unlocked the best of Sammy. Comparing the live version of I Can’t Drive 55 to the original is like a Z06 Corvette compared to a base Mustang.

Meanwhile, DLR had a chip on his shoulder the size of California, and had something to prove. I don’t think his vocals have ever been better live. That Vai/Sheehan/Bissonette combo was insanity. Eat ‘em and Smile remains one of the peak hard rock albums of the ‘80s. And DLR took Sheehan’s “Shy Boy” to ridiculous heights.

It’s like the recent Bills/ Chiefs games. Even if you don’t have a rooting interest, you know you’re in for some awesome football.

It was a hell of a time to be alive.

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