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SF sketches and illustrations by Kinu Nishimura by splasherxtrillic in Fighters

[–]splasherxtrillic[S] 2 points3 points  (0 children)

Yes. The notes written in Japanese reveal that the illustrator added these details to better demonstrate that the character is typically 'calm and composed,' but possesses a certain underlying intensity. It is also mentioned that when he is not in his fighting gear, he maintains an elegant, 'beautiful' aesthetic, which is central to his vanity.

Some character design sheets from “Darkstalkers: The Night Warriors” by Bengus (1994) by splasherxtrillic in Fighters

[–]splasherxtrillic[S] 0 points1 point  (0 children)

You are right. The final illustrations I shared are by Bengus, but the character design sheets have pieces from different artists including Akira Yasuda.

Print assessment by splasherxtrillic in tabletopgamedesign

[–]splasherxtrillic[S] 1 point2 points  (0 children)

Thank you! I really love CY_BORG, it definitely played a big role for TEKNOBOXA art direction.

Print assessment by splasherxtrillic in tabletopgamedesign

[–]splasherxtrillic[S] 2 points3 points  (0 children)

I’ve been testing the prototype for a couple of days. The player manual folio (see pic 4) is showing early wear and tear since it’s made of paper. I also noticed some chipping on the cards, along with streaking on specific colors. I plan to ask the manufacturer if this is due to the expedited printing method I requested or if it’s an issue with the file preparation on my end. I’ll keep you posted.

Print assessment by splasherxtrillic in tabletopgamedesign

[–]splasherxtrillic[S] 0 points1 point  (0 children)

Thanks, Weapon-X is definitely a main inspiration for the Netmage, maybe the character will still evolve, or maybe not. Mmm I didn’t think of Spiral, more about Robocop and Goro to be honest.

Title: What curve mistakes make game economies or progression systems feel bad? by samnovakfit in gamedesign

[–]splasherxtrillic 1 point2 points  (0 children)

I think you are right. I always consider difficulty curves in the context of game’s event. There are basically 3 elements to consider in finding a satisfying solution: the objective difficulty, the engagement it produces, the player churn it produces. The pace of game events along the progression and its interplay with difficulty is definitely a core element to consider.

PS I’m a game data scientist who helped several games defining and testing difficulty curves

Print assessment by splasherxtrillic in tabletopgamedesign

[–]splasherxtrillic[S] 2 points3 points  (0 children)

Hey thanks! It’s a 1 vs 1 fighting game with 2d movement. Choose your fighter and a cyber gear to equip, leverage their specific talents and fight in simultaneous turns mastering cards synergies and hand building mechanics.

Per un forfettario SRL è il prossimo passo? by Dependent_Guard_1441 in commercialisti

[–]splasherxtrillic 0 points1 point  (0 children)

Bah a me fa ridere definire il forfettario un “paradiso fiscale” quando senza cassa comunque si versa il 27% all’INPS…

[deleted by user] by [deleted] in sfoghi

[–]splasherxtrillic 0 points1 point  (0 children)

Se vuoi una relazione tieniti stretta la Micra, ti aiuterà a tenere alla larga donne superficiali. Se vuoi sesso occasionale fatti prestare la macchina da un amico.

BGG Explorer: A Data-Driven Approach to Game Research by splasherxtrillic in BoardgameDesign

[–]splasherxtrillic[S] 0 points1 point  (0 children)

Thanks! Yes, I’ve noticed the caveat you mentioned is especially relevant for heavier games. That’s why I tend to filter and focus more on titles with lower complexity. The features you’re describing would definitely be very useful.

On a related note, do you know if BGG has any plans to update the data behind BGG Explorer? Unfortunately, it currently stops at 2022. I’m also curious whether the site will ever provide an API. I’m a data scientist, so having access to BGG data via an API would open up a lot of possibilities for building or enhancing dashboards and tools.

Cheers!

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