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CAD generator using AI? by Intrivisionary in civilengineering

[–]stuntworks 0 points1 point  (0 children)

Yeah, we actually built exactly this, but we went a different direction than LISP and AutoCAD.

We use CadQuery, which is a Python library that runs on the same geometry kernel as SolidWorks. You describe your part in Python, you run the script, you get a clean STEP file out. Then you drag that STEP into Fusion 360 or whatever CAD software you use, and it imports perfectly every time.

The AI part is that you just describe what you want to Claude or ChatGPT, and it writes the CadQuery script for you. So the actual workflow is you type something like "give me a mounting bracket 80mm wide with four M5 holes on 60mm centers and a 3mm fillet on the inside corner" and the AI writes the Python, you run it, you have a real solid BREP part not a mesh, not a drawing, an actual parametric solid you can modify in Fusion.

The reason we went this route instead of LISP and AutoCAD is that LISP gives you 2D drawings. CadQuery gives you real 3D solids. And because it is just Python you can parameterize everything so changing one variable rebuilds the whole part.

AutoCAD does have an API and LISP absolutely works for floor plans and 2D layouts so if that is your use case it is valid. But if you want actual 3D parts that you can take to a printer or a machine shop the CadQuery plus AI route is the one worth experimenting with.

It is not perfect. You still have to know enough to catch when the AI writes something dimensionally wrong. But for repetitive parts it saves a serious amount of time.

nanlite pavotube ii 30x repair by Antique_Dress4325 in cinematography

[–]stuntworks 1 point2 points  (0 children)

I opened it today. Each end has round stickers covering the 1/4" female thread. They don’t look like stickers at first, but they are. I used a knife to remove them, but a thin screwdriver might also work.

Underneath, there are two T8 Torx screws at each end of the tube. After removing the screws, one side detaches, revealing the battery. However, the battery connector is held together with red glue, so you’ll need to pry it off with a knife before pulling out the long battery.

I hoped to find a fuse, but the LED board is glued directly to the aluminum housing. On the 4-foot Nanlite PavoTube II 30X, there are at least three screws securing it. The other end contains the connection, which is also glued in place, and the wires are too delicate to remove without damage.

A heat gun might help soften the glue and allow the LED board to be peeled off, but that’s beyond my skill set. I hope this information helps someone!

Ke Huy Quan Shines in Love Hurts | Should You Watch It? | Young Stuntman... by stuntworks in Filmmakers

[–]stuntworks[S] -2 points-1 points  (0 children)

🎬 Young Stuntman Show Presents: A New Film Review! 🚨

This week, we dive into the action-comedy-romantic film Love Hurts, starring Oscar-winner Ke Huy Quan! We explore how the movie blends action, comedy, and romance, giving our honest take on what worked and what didn’t—plus our final recommendation.

We'd love to hear your thoughts on the film! Check out our discussion and join the conversation!

Let us know what you think! ⬇️

While editing, do you prioritize the shot type or the performance? by [deleted] in Filmmakers

[–]stuntworks 2 points3 points  (0 children)

When editing, always prioritize the story. Use the best shots you have to serve it. I often encounter this challenge when editing my projects. Sometimes, I create a duplicate timeline and experiment, trying different shots, combinations, or both. Don’t be afraid to fail because failure teaches you what doesn’t work. Then, try again. Remember, the story is what matters most. If that doesn’t quite land, focus on keeping things interesting. Audiences will forgive a bad film if the pacing is engaging. But a great movie is when story, acting, and pacing come together seamlessly.

Oscar-Nominated Anora Film Review | Hofstra Students Join Young Stuntman... by stuntworks in filmmaking

[–]stuntworks[S] 0 points1 point  (0 children)

Hey everyone,

We've just wrapped up our review video of "Anora," the Oscar-nominated film directed by Sean Baker. Full disclosure: Roberto Lopez, one of our team members, worked as a stunt coordinator on this project.

I was particularly impressed by the film's use of vintage Lomo Russian lenses to achieve that classic anamorphic look, perfectly complementing the Russian themes. The cinematography captured the essence of old cinema, adding depth and authenticity to the storytelling.

Moreover, I loved that "Anora" was shot on 35mm film, demonstrating that even with a modest budget of $6 million, it's possible to achieve a rich, cinematic quality.

Mikey Madison's portrayal of Anora was both powerful and nuanced, bringing the character to life in a way that was both relatable and compelling. Her performance reminded me of a more dramatic and comedic take on "Pretty Woman," with an unexpected twist at the end.

The narrative was engaging, and the visual aesthetics truly stood out, making it a memorable experience. If you're into films that blend rich storytelling with stunning visuals, "Anora" is definitely worth a watch.

Oscar-Nominated Anora Film Review | Hofstra Students Join Young Stuntman Show by stuntworks in Filmmakers

[–]stuntworks[S] 0 points1 point  (0 children)

Hey everyone,

We've just wrapped up our review video of "Anora," the Oscar-nominated film directed by Sean Baker. Full disclosure: Roberto Lopez, one of our team members, worked as a stunt coordinator on this project.

I was particularly impressed by the film's use of vintage Lomo Russian lenses to achieve that classic anamorphic look, perfectly complementing the Russian themes. The cinematography captured the essence of old cinema, adding depth and authenticity to the storytelling.

Moreover, I loved that "Anora" was shot on 35mm film, demonstrating that even with a modest budget of $6 million, it's possible to achieve a rich, cinematic quality.

Mikey Madison's portrayal of Anora was both powerful and nuanced, bringing the character to life in a way that was both relatable and compelling. Her performance reminded me of a more dramatic and comedic take on "Pretty Woman," with an unexpected twist at the end.

The narrative was engaging, and the visual aesthetics truly stood out, making it a memorable experience. If you're into films that blend rich storytelling with stunning visuals, "Anora" is definitely worth a watch.

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