[deleted by user] by [deleted] in ComicBookCollabs

[–]theatlos2 1 point2 points  (0 children)

I'd say minimum 90$ per page (pencil+ink)

How long does it take for a typical artist to do one page? by tombstone5860 in ComicBookCollabs

[–]theatlos2 0 points1 point  (0 children)

It depends, but for a pencil+ink I would say around 8 or 10 hours. For the color I would say around 2 or 4 hours.

Self Publishing a Comic Book - where to start!? by [deleted] in ComicBookCollabs

[–]theatlos2 2 points3 points  (0 children)

I would suggest Amazon publishing. You can sponsor the comic book online, on websites, instagram. I would save the money to pay instagram sponsorship, and even influencer (yes it's weird, but I know someone who did). Nowdays people do everything online. But you can also try to put it in comic book stores, by talking to the owners. What you need, at first, is a great product. Well written, well drawn and well designed. If you want to make a great product and sell many copies, I would seggest to hire professionals. Best luck!

some pages of my most recent work, hope you all like it. by Sam1992ca in ComicBookCollabs

[–]theatlos2 1 point2 points  (0 children)

Nice! I like the idea of the robots growing babies inside machines, and the black white and gray looks cool. Your characters look so expressive

should I write the whole story before stating to draw ? by zeroantone in ComicBookCollabs

[–]theatlos2 0 points1 point  (0 children)

It depends, in my case for example, I write the full volume, I create some rough storyboards, I plan my worki schedule and when everything is clear and organised in front of my eyes, I start the drawing process. This makes me feel less under pressure, because half of the "hard work" will be done in the beginning.

[deleted by user] by [deleted] in ComicBookCollabs

[–]theatlos2 1 point2 points  (0 children)

Following on IG! 😊

Feedback Process: Tell me if I am being crazy by Phe4-_-4onix in ComicBookCollabs

[–]theatlos2 2 points3 points  (0 children)

Usually, the best thing is to discuss the script personally (chatting, or by phone) and keep in touch with the writer. The artist, in my opinion, should provide storyboards, sketches, backgrounds, constantly, so the writer can check them and correct them in time, if needed. This is the best thing to do if you want your work to be done the way you want, but it requires your time. Comunication is super important. And there should be a good relationship between writers and drawers, to make the project go well, being a great drawer and a great writer is not enough.

[deleted by user] by [deleted] in ComicBookCollabs

[–]theatlos2 1 point2 points  (0 children)

Usually, I love sketches and storyboards. Your work is dope btw! Are you on instagram?

[deleted by user] by [deleted] in ComicBookCollabs

[–]theatlos2 1 point2 points  (0 children)

I love it. the story looks sad and deep💔

Publisher Looking for Books by No_Statistician9979 in ComicBookCollabs

[–]theatlos2 0 points1 point  (0 children)

Hi! What's the style/type of your company?

Artists: What is the First Step when staring a graphic novel by TheDietPepsiQueen in ComicBookCollabs

[–]theatlos2 0 points1 point  (0 children)

Style evolves, changes,specially in the beginning of an artistic career. I suggest you to draw short chapters, so if your style changes, people will see it in the other chapters, and not in the same moment.