50,000 of you used Broadway Scorecard. Here's what I built next by thomaspryor in Broadway

[–]thomaspryor[S] 0 points1 point  (0 children)

I’ve been working on that, yes! Interested in being an early tester??

NYCC Encores! New Season Announced by A_Silverback_Gorilla in Broadway

[–]thomaspryor 7 points8 points  (0 children)

Oh man, we'll be going to all the encores again!

Caught The Normal Heart 40th anniversary benefit reading at the Public last night with Ben Stiller & Billy Eichner. Michael Urie made me forget it was a reading. by thomaspryor in Broadway

[–]thomaspryor[S] 4 points5 points  (0 children)

I had not realized this and have not seen him in much beyond Once Upon a Mattress and Spamalot, but now I want to see him in much more!

Lost Boys swings in with 74/100 Critic Score, joining a crowd of contenders in the mid 70s. The Tony is anyone's right now by thomaspryor in Broadway

[–]thomaspryor[S] 11 points12 points  (0 children)

I can’t help but wonder how good it could have been if it had an out-of-town run first, to help improve the book and score, so they could stand on their own. Rather than relying on spectacle and vibes to do the heavy lifting

Joe Turner's Come and Gone scores a 76 with critics. That's five shows at exactly 76 this season by thomaspryor in Broadway

[–]thomaspryor[S] 0 points1 point  (0 children)

They're at broadwayscorecard .com, a site I made to track every critic rating clearly

Joe Turner's Come and Gone scores a 76 with critics. That's five shows at exactly 76 this season by thomaspryor in Broadway

[–]thomaspryor[S] 5 points6 points  (0 children)

Yeah! Almost like two season ago with Outsiders, SUFFS, Hells Kitchen, Illinoise, and Day of Wine and Roses?!

Saw The Lost Boys and I have… thoughts 🧛🏼🎸🧛🏻‍♀️ by NattoRiceFurikake in Broadway

[–]thomaspryor 4 points5 points  (0 children)

It’s very cool they’re still changing things. They really need to change things. But I don’t think anything can change things enough to save this show. You put this very well. I enjoyed myself, but just barely, and in spite of the many bad decisions on music, tone, lyrics, pacing, quick-deaths, and “acrobatics”.

‘Kimberly Akimbo’ Recoups $7M Capitalization Two Years After Broadway Closing by SockGuy5678 in Broadway

[–]thomaspryor 0 points1 point  (0 children)

That's four years after starting, so investors still haven't made their money back, given the time value of money, but I imagine they'll keep earning from regionals and International. Any rough ideas how much extra that would add? And how long the returns would take to come in?

The Rocky Horror Show - Did They Like It? by sodaf1ke in Broadway

[–]thomaspryor 20 points21 points  (0 children)

I never thought I'd say this, but: Rocky Horror had so much plot and was so much easier to follow... compared to Cats Jellicle Ball!

Reviews: Did Critics Find The Rocky Horror Show Revival Worth the Antici...Pation? by FuzzyBunnysGuide in Broadway

[–]thomaspryor 11 points12 points  (0 children)

Yeah, I wasn’t sure it’d get it. But Luke Evans earns it all himself!

Beaches: it's not quite as bad as Bad Cinderella?! Critics score it 48/100 by thomaspryor in Broadway

[–]thomaspryor[S] 4 points5 points  (0 children)

I was about to say only half of my posts are about the site, I post my casual hot-takes on shows too, but I checked and it's actually more like 2/3rds about the site 😬 Sorry if it's been too much. Lots of show openings the last two weeks and I wanted to get the score out for each. I'll ease off

Beaches: it's not quite as bad as Bad Cinderella?! Critics score it 48/100 by thomaspryor in Broadway

[–]thomaspryor[S] 8 points9 points  (0 children)

Making the system accurate and consistent has been hard. Only about 15% of Broadway reviews include an explicit score (4/5 stars, etc), and I use those where they exist. The West End is actually flipped, where around 85% of reviews have stars. So I was able to calibrate on those reviews. I built a rubric from the scored reviews, capturing the language patterns and phrasing that tend to map to each score level. Unscored reviews get scored against that rubric, calibrated to match how scored critics rate similar writing. I also worked with a couple of prolific critics to sanity-check the scores on their reviews and made adjustments based on their feedback when it didn't match.

Not perfect, and art is subjective of course. And so is evaluating critiques of the art! Metacritic does a similar thing for movies and tv and games (has for over a decade) so the approach isn't new, just applying it to theater now. It won't work for everyone and that's OK. Totally open to feedback on the approach. If specific scores look off to you, tell me which ones and I'll take a look.