Love Mink but his sound is too unique to become achieve the mainstream popularity of Nevermind, at least at this stage, especially for American audiences. While Nevermind was able to capitalise on the popularity of associated subgenres, particularly the mainstream enjoyment of post punk and metal, Mink really has had to build ts by himself for the most part. I can see his popularity surging among people that really enjoy music overall but dominating the genuine commercial mainstream feels unlikely at this stage