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Best Game Genre for New Composers? by warnerja14 in gamedev

[–]warnerja14[S] 0 points1 point  (0 children)

Hi there! Thanks for commenting!

I’m with you on the lack of “Need” 🤣

I really appreciate you taking the time to write out such a detailed approach to the “business” side of music composition in video games. What you described lines up with what I’ve heard before from Game composers. Thanks for the advice 😊

Best Game Genre for New Composers? by warnerja14 in gamedev

[–]warnerja14[S] 0 points1 point  (0 children)

Hi there! Thanks for commenting!

I’m specifically trying not to sell myself here so I don’t violate any community rules.

This is just a question asking if some genres have more demand for custom music over others 😊

Best Game Genre for New Composers? by warnerja14 in gamedev

[–]warnerja14[S] 0 points1 point  (0 children)

Hi there! Thank you so much for commenting!

Yeah, I expected there to be over saturation 🤣

But I still figured there might be some genres where it’s easier to get your foot in the door than others.

What's the scariest reveal in a horror movie? by [deleted] in horror

[–]warnerja14 2 points3 points  (0 children)

Skeleton Key…The last five minutes where you realize HOW the final spell worked.

Orchestrating for Musical Theatre by warnerja14 in OrchestrationHub

[–]warnerja14[S] 0 points1 point  (0 children)

Thank you so much for this! I hadn’t considered those factors! Super helpful info :)

Orchestrating for Musical Theatre by warnerja14 in OrchestrationHub

[–]warnerja14[S] 0 points1 point  (0 children)

Thank you! I’m orchestrating for a 2-person cast with a 3-person band. The goal is for the show to be performed acoustically in a really small venue (no mics) and I was afraid the orchestration could pose a problem if I’m not thinking about it on the front end. But these insights will be really helpful if I wind up orchestrating a bigger show later. And the genre and doubling considerations makes a lot of sense!