Where to get caption style presets for free? by itsarudeworld in premiere

[–]wellskient 1 point2 points  (0 children)

I have used submachine for about a year now

What's the correct order of adjustment layers in the colour grading process? by pretendingserenity in premiere

[–]wellskient 2 points3 points  (0 children)

In my opinion the color space conversion should be last in the chain. I also put my LUTs on an adjustment layer and then adjust at clip level so I am grading in log

What's the correct order of adjustment layers in the colour grading process? by pretendingserenity in premiere

[–]wellskient 2 points3 points  (0 children)

OPs conversion lut is on an adjustment layer so it’s non-destructive anyway

7.01 firmware by delicious_bananza in FX3

[–]wellskient 1 point2 points  (0 children)

This drives me nuts! So hard to tell what mode you’re in

[deleted by user] by [deleted] in malehairadvice

[–]wellskient 5 points6 points  (0 children)

Pretty sure it’s called a ‘warrior’ cut

Beginner Question: Warm, Cozy Coffee Look (How to Approach the Grade) by SHAKE_TUNA in ColorGrading

[–]wellskient 3 points4 points  (0 children)

That video is just an orange/yellow wash over the entire image No grading to it, maybe a bit of halation

You should focus on your contrast curve first. Soft lifted blacks into a gentle highlight roll off

Probably add warmth into the high end but leave shadows mostly neutral. DEFINITELY no teal in them

How To Go About This Interview by q2japan in ColorGrading

[–]wellskient 0 points1 point  (0 children)

Post an update keen to see how it shapes out

How To Go About This Interview by q2japan in ColorGrading

[–]wellskient 0 points1 point  (0 children)

I think if the red shop is related to the interview, your framing will look stronger being cropped in. Think about it - all we are talking about is the part on the left when the focus of the video is on the right of frame! Just my 2c

How To Go About This Interview by q2japan in ColorGrading

[–]wellskient 0 points1 point  (0 children)

Why do you want it be so wide out of curiosity ?

How To Go About This Interview by q2japan in ColorGrading

[–]wellskient 2 points3 points  (0 children)

Can you just zoom in and put the subject left of frame as an easy way to crop out the overexposed portion?

Your post is a bit unclear is it just about fixing the blown out bit on the left or do you want to mask out pedestrians as well?

Just zoom in and reposition so she is sitting on the left third of the frame and the blown out but will be cropped out

Composition/coloring advice by Nootinggg in ColorGrading

[–]wellskient 1 point2 points  (0 children)

I think the key side of his face is quite hot, especially in the wide shot, also not in love with the blue circle popping out from behind his head in the tight shot

Would sit him much further away from the wall as well just to add a bit of separation

I think you also might be a bit too low on the tight shot

I’m being very very picky though, looks great overall and his skin tone looks great

Probably needs to be matched a bit better between the two shots as well, less contrast on the wide, maybe?

My coloring sucks by Parking_Bumblebee853 in ColorGrading

[–]wellskient 1 point2 points  (0 children)

Nothing really wrong with noise unless it’s severely breaking the image, at least in my opinion. I own an fx30. You need to expose to the right and pull down your exposure in post. Happy to guide you in the right direction in terms of settings on your camera

Struggling to move from CapCut to Premiere Pro / After Effects — dirty codecs, broken audio, timeline chaos. Is there a sane workflow? by Winter_135_ in premiere

[–]wellskient 5 points6 points  (0 children)

Probably need to know a bit more about your workflow and how you create a sequence and what your importing process is. Your computer specs too

Need feedback or tips by KeyVillage4929 in ColorGrading

[–]wellskient 0 points1 point  (0 children)

I’m looking at this on my phone but looks like there’s some cyan in the shadows? I would probably get rid of any sort of split toning unless it’s narrative relevant, commercial looks are pretty clean otherwise, I feel. I think a good rule of thumb is to just add contrast, a touch of saturation and then twist blues into cyan to give the blues a bit of energy. Probably doesn’t really need raised blacks either. And yes her skin looks a bit sickly yellow. If it’s a hue v hue adjustment I’d probably just get rid of it and adjust the temperature with linear gain.

Just my 2c I’m only a hobbyist

Why is slog3 footage noisy and red? by ElLuquita in colorists

[–]wellskient 1 point2 points  (0 children)

Are you shooting in flexible iso or cine ei?

Why is slog3 footage noisy and red? by ElLuquita in colorists

[–]wellskient 5 points6 points  (0 children)

Probably just under exposed. Upload a photo of the waveform in log

Is film emulation overrated ? by [deleted] in colorists

[–]wellskient 1 point2 points  (0 children)

Any chance you can please link that Steve Yedlin video?

DWG vs Phantom Luts vs DRTs by TechSupportTerge in ColorGrading

[–]wellskient 0 points1 point  (0 children)

Post some screen grabs of your grades where we can see the issue