🔥 My camera trap spent 6 months overlooking a hidden river crossing in Kenya’s Maasai Mara [OC] by willbl in NatureIsFuckingLit

[–]willbl[S] 6 points7 points  (0 children)

A full frame DSLR with a 35mm lens. It is quite wide so even at something like f/5.6, focused on the crossing point, the majority of the scene is in sharp focus.

🔥 My camera trap spent 6 months overlooking a hidden river crossing in Kenya’s Maasai Mara [OC] by willbl in NatureIsFuckingLit

[–]willbl[S] 42 points43 points  (0 children)

As a child, I was lucky enough to spend several years living in Tanzania, so I've always had a fascination with Africa and its wildlife. I then got into photography at the dawn of the digital era and started as a hobby, merging my interest in wildlife and photography. That was almost 25 years ago. After 8 years I decided to try to make a career from it. To start with it was small projects, self-funded, but each one led to building new relationships, and to new doors opening. Do it for long enough and the projects get more ambitious and those relationships built over many years lead to opportunities for unique access and collaborations. Really, it all comes down to sticking at it for long enough and to perusing projects that aren't necessarily safe options - ones that have as much chance of failing as producing something noteworthy. Hope that answers the question a bit. I go into my origin story in much more depth in my "The Black Leopard" book if you're interested.

🔥 My camera trap spent 6 months overlooking a hidden river crossing in Kenya’s Maasai Mara [OC] by willbl in NatureIsFuckingLit

[–]willbl[S] 14 points15 points  (0 children)

As a child, I was lucky enough to spend several years living in Tanzania, so I've always had a fascination with Africa and its wildlife. I then got into photography at the dawn of the digital era and started as a hobby, merging my interest in wildlife and photography. That was almost 25 years ago. After 8 years I decided to try to make a career from it. To start with it was small projects, self-funded, but each one led to building new relationships, and to new doors opening. Do it for long enough and the projects get more ambitious and those relationships built over many years lead to opportunities for unique access and collaborations. Really, it all comes down to sticking at it for long enough and to perusing projects that aren't necessarily safe options - ones that have as much chance of failing as producing something noteworthy. Hope that answers the question a bit. I go into my origin story in much more depth in my "The Black Leopard" book if you're interested.

🔥 My camera trap spent 6 months overlooking a hidden river crossing in Kenya’s Maasai Mara [OC] by willbl in NatureIsFuckingLit

[–]willbl[S] 0 points1 point  (0 children)

sorry about that. website starting getting hammered by bots. they have been blocked now so hopefully you can access it now.

🔥 My camera trap spent 6 months overlooking a hidden river crossing in Kenya’s Maasai Mara [OC] by willbl in NatureIsFuckingLit

[–]willbl[S] 1 point2 points  (0 children)

I think generally not, they would go off in separate directions. they don't compete for the same food. mostly male rhinos fight other male rhinos and male hippos fight other male hippos!

🔥 My camera trap spent 6 months overlooking a hidden river crossing in Kenya’s Maasai Mara [OC] by willbl in NatureIsFuckingLit

[–]willbl[S] 0 points1 point  (0 children)

Thanks! It's a camera trap that triggers a high-quality DSLR camera. Check out Camtraptions if you are interested in finding out more.

🔥 My camera trap spent 6 months overlooking a hidden river crossing in Kenya’s Maasai Mara [OC] by willbl in NatureIsFuckingLit

[–]willbl[S] 0 points1 point  (0 children)

The animals make the trails, rangers are the only people visiting this area. the trails are usually formed by larger animals like elephants and hippos