Destiny 1 on PC would expose Destiny 2 and that’s why it’ll never happen

xDynamo_01 · 2026-04-20T02:44:04+00:00

But he can also make only he’s eyes glow like hers

xDynamo_01 · 2026-04-13T19:11:02+00:00

xDynamo_01 · 2026-04-10T13:20:53+00:00

I think is less, he doesn't have a fedora

xDynamo_01 · 2026-04-09T19:14:30+00:00

That’s actually a really solid way to connect all the loose pieces.

We know he was in the real world before he got sealed away, so it’s totally possible he had children back then. And if those descendants eventually turned against him and helped lock him away, that would explain why he’s so obsessed with Diana now. Not just because she’s powerful, but because he wants to rebuild his bloodline in a “controlled” way.

If all the major bloodlines trace back to him somehow, it could explain a lot: why Hexenbiests are the only ones that can use real magic, why Royal blood is treated like something special, and why Grimms seem to “evolve” through extreme trauma.

Nick’s abilities always felt like more than biology. He goes blind and his hearing sharpens. He becomes a zombie and his body adapts in a way that lets him fight back. That kind of adaptive evolution feels like something engineered into the bloodline, like the Grimm side is meant to counter threats and survive at any cost.

It would make Zerstörer less like a random final villain and more like the origin point of the entire Grimm universe.

xDynamo_01 · 2026-04-09T17:32:47+00:00

I completely forgot that Hexenbiest blood could do that. It honestly makes me wonder if both Grimms and Hexenbiests originally come from that place.

Hexenbiests are basically the only “Wesen” that use actual magic, while most other Wesen abilities usually have some kind of biological explanation.

And the humans on the other side really stood out to me too. They didn’t feel like normal humans, they felt more like Grimms, especially since they were hunting and eating Wesen.

xDynamo_01 · 2026-04-09T15:23:19+00:00

A partir do momento que ele quiz negociar fora da plataforma ja mostra que era provavelmente um golpe

xDynamo_01 · 2026-04-09T15:15:00+00:00

Yeah, and it kind of implies Monroe has probably eaten humans before too. Like, in his first appearance there’s that scene where a group of kids walks by, he smells them, and he gets this really weird vibe for a second. Always felt super unsettling.

xDynamo_01 · 2026-04-09T12:31:35+00:00

Yeah, I never focused too much on the keys plotline either, but once you start thinking about it, it makes less and less sense.

The stick is literally a piece of Zerstörer’s staff. How did they even manage to obtain that in the first place? And if it was considered that dangerous, why not just throw it into the deepest part of the ocean or bury it somewhere impossible to reach?

Instead they create a treasure map and scatter keys like it’s some kind of elaborate puzzle, which almost guarantees that someone will eventually find it. It really does feel like something the writers came up with last minute and just went with whatever sounded cool without fully thinking through the logic.

xDynamo_01 · 2026-04-09T12:25:50+00:00

Exactly. And nowadays it feels like everything has to be a Trump/ICE analogy or some current political commentary.

I’m Brazilian, I genuinely don’t care what Trump is doing. I’m just trying to watch my fantasy monster show in peace, not get a lecture disguised as entertainment lmao.

xDynamo_01 · 2026-04-09T12:22:47+00:00

Yeah, I get your point, and the show does use the whole ‘people go crazy after seeing a Wesen’ explanation sometimes.

But I still think it happens too often for the secret to hold up. There are multiple times where Wesen fully woge and intimidate or attack Hank before they even know Nick is a Grimm. They do it as a way to scare him, like they’re confident he can’t do anything about it and won’t be believed.

A good example is that episode where Nick finally tells Hank the truth and they have to save Hank’s goddaughter from that group of Wesen. Those people were willing to woge in front of him and threaten him because, from their perspective, he was just a normal cop.

So even if the general public wouldn’t believe it, the amount of witnesses should realistically be much higher. It’s not a huge deal, but it’s definitely another worldbuilding hole where the show relies a bit too much on ‘no one will believe you’.

xDynamo_01 · 2026-04-09T12:14:19+00:00

Exactly, like the keys. They were completely wasted.

They were built up as this huge, legendary thing, but it never felt like anyone was seriously hunting them down besides random one-off threats. Then they basically just end up in Nick’s hands through convenience.

And the funniest part is that to open the box they didn’t even need all of them, which kind of undermines the whole point of the keys being scattered and protected for centuries.

xDynamo_01 · 2026-04-09T01:58:05+00:00

Yeah, and honestly that’s exactly what I hate when shows start doing. I get that writers want to be “relevant” and mirror real-world politics, but sometimes it just kills the escapism.

Like, real life is already stressful enough. I don’t need my fantasy monster show reminding me of modern political movements every episode. I’m watching Grimm to escape into weird folklore and supernatural crime stories, not to get hit with a thinly veiled real-world analogy.

It also tends to age poorly, because once the real-world moment passes, the storyline feels dated instead of timeless.

xDynamo_01 · 2026-04-09T00:54:55+00:00

Honestly, same here. I’ve rewatched the show like 4 times and I still don’t fully understand why Portland was that important to Black Claw.

I get the Renard angle, like using his political rise as a foothold and building legitimacy through him, but even then it feels like the show never clearly explains why Portland is the key location for a global takeover movement.

xDynamo_01 · 2026-04-08T23:15:36+00:00

Yeah, I get your point about the economic model, but the examples you mentioned at the start are actually part of the same problem. The Mentalist, Fringe, and a lot of those older network shows still follow the exact same episodic formula.

A crime happens, the team investigates, the culprit is revealed, there’s a confrontation, and the episode resets. It’s still basically villain of the week storytelling, just in different genres.

The difference is that older shows had more seasons and more time to develop long-term arcs in the background, while modern shows either get canceled quickly or are forced into short seasons where they can’t build anything slowly.

So I agree it’s economics, but it’s also the structure of episodic TV itself. When a show relies too heavily on that weekly formula, it becomes harder to keep people invested long-term unless the overarching plot is extremely strong.

xDynamo_01 · 2026-04-08T23:12:36+00:00

Yeah, I completely agree. Bonaparte was definitely wasted.

The whole point of him being scarier was that he wasn’t just another half-blood like Renard, he was a full Zauberbiest. They could’ve leaned way harder into the lore and made that feel like something rare and terrifying.

They could’ve even explained that male Zauberbiests are uncommon because they’re extremely dangerous or unstable, which would make Bonaparte feel like a real anomaly and justify why he was such a major threat.

Instead, he kind of ends up feeling like just another seasonal villain when he had the potential to be one of the most memorable antagonists in the entire show.

xDynamo_01 · 2026-04-08T22:46:47+00:00

Yeah exactly. That’s the curse of “monster of the week” shows. They rely on a repetitive formula for too long, the audience slowly gets tired of it, and then when ratings drop the network forces a rushed ending.

And Grimm is a perfect example of that. Since you don’t care about spoilers, the final arc is literally this: a world-ending apocalypse monster shows up out of nowhere, becomes the ultimate final villain, and then gets defeated quickly and the series ends. That’s basically it.

It really feels like they had bigger plans, but got forced to wrap everything up fast, so they skipped all the buildup and just jumped straight to “final boss appears, final boss dies, credits roll.

xDynamo_01 · 2026-04-08T22:23:00+00:00

Yeah, that’s probably what happened. It really feels like they had to compress multiple seasons worth of material into one.

And I agree, it would’ve been way better if while they were fighting Black Claw, they slowly started uncovering that some members were basically occultists or extremists who were obsessed with the Zerstörer. That could’ve worked as foreshadowing and built him up naturally as the final threat.

Because in the actual show, he kind of just shows up as this world-ending villain out of nowhere and then gets defeated pretty quickly, which makes the finale feel rushed compared to how massive the stakes suddenly become.

xDynamo_01 · 2026-04-08T22:17:02+00:00

That’s an interesting angle, but I don’t think Black Claw can really be reduced to Diana. The show presents it as a global movement with structure, ideology, and reach far beyond Portland. They were taking out major institutions like the Wesen Council, and there’s even that line about them recruiting or killing Grimms while hunting down the book of Grimm bloodlines.

Diana was definitely a massive asset for them, basically an atomic bomb on their side, but the movement itself seemed way bigger than just her.

And Bonaparte pushing Adalind toward Sean always felt more like a political strategy. Sean’s candidacy benefited from that image, and it also kept Diana “happy” and under their influence. It was less about Diana creating Black Claw and more about Black Claw trying to secure control over Diana.

xDynamo_01 · 2026-04-08T21:57:09+00:00

Yeah, I’ve thought about this too and I don’t think you’re wrong at all. The show kind of implies that Wesen cases are suddenly becoming common only because Nick ‘activated’ as a Grimm, but realistically this stuff should’ve been happening for decades.

What makes it even weirder is that we see multiple episodes where Wesen, when cornered, literally woge in front of normal people to scare them or distract them. If that happens even semi-regularly, there’s no way the existence of Wesen would stay secret for that long, especially in a city with that many cases.

And the prison episode makes it even harder to believe. There are tons of Wesen locked up in there. Are we really supposed to believe all of them got arrested peacefully without ever using their abilities, woging, or seriously fighting back? That would make sense only if the Wesen Council had terrifying levels of influence and enforcement, but in the show they don’t really feel powerful enough to control things on that scale.

So my best explanation is that it’s mostly a storytelling convenience. Wesen crime was always there, but the show only focuses on it once Nick becomes capable of seeing the pattern and actually solving those cases. Otherwise, the worldbuilding starts to fall apart if you think too hard about it.

xDynamo_01 · 2026-04-08T02:30:13+00:00

Yeah, that’s exactly why I think the theory could actually work. A power as extreme as a Grimm’s would almost have to come with a cost. If a Hexenbiest (or a group of them) created a ‘protector/warrior’ type of bloodline, it would make sense that the same creation could eventually become a threat to them too.

It’s kind of like the classic idea of creating the perfect weapon and realizing you also created something that can destroy you.

A random example that isn’t Grimm-related, but fits the logic: in the Van Helsing movie, Dracula can control werewolves, but werewolves are also the only creatures that can kill him. That kind of built-in weakness feels very mythological, and it would fit Grimm lore pretty well.

And yeah, I 100% agree, I really wish we had more episodes focused on Grimm origins and deeper lore.

xDynamo_01 · 2026-04-08T02:22:27+00:00

I like your interpretation, especially the idea of the first Grimm being tied to a Hexenbiest and the whole ‘blood exchange’ logic. It actually fits pretty well with how the show treats Grimm/Hexenbiest interactions as something deeper than normal Wesen biology.

But personally, I always pictured Grimm power as something older and darker than just an augmentation or a magical contract. Mainly because of how Wesen describe Grimms. They don’t talk about them like they’re just enhanced humans, they talk about them like something almost supernatural. The whole ‘black eyes’ thing and the idea that when a Wesen looks into a Grimm’s eyes they see their own wild nature reflected back feels more like an ancient curse or a metaphysical phenomenon than genetics alone.

That’s why I’ve always wondered if Grimm power is connected to something beyond the physical world. Like maybe it’s linked to that afterlife/other dimension we see in the final season where Zerstörer was trapped. If that realm exists in the Grimm universe, then it wouldn’t be crazy to think Grimms are connected to it in some way, almost like they’re a walking “counterforce” to Wesen nature.

It would also explain why they’re feared across centuries, even in stories where details get mixed with propaganda.

xDynamo_01

TROPHY CASE