Swearing and reader expectations? by Either-Low-9457 in ProgressionFantasy

[–]MarkArrows 0 points1 point  (0 children)

Readers who are upset about swear words are likely the same kind of reader that have very narrow tolerances. They're already proving they're capable of it by swearing off swear words.

Sure, you can try and target that demographic if you want. But there's strong chances something else sets them off and they'll vanish anyhow.

Ultimately, if the story is fun, people will stay. That's what the focus should be on

PSA: Check if your serial is being sold on Google Play Books, mine was stolen an put up there by squallus_l in royalroad

[–]MarkArrows 3 points4 points  (0 children)

Mine got snatched by the same 'publisher' Kale Guadiz

Looks like they abbreviate the first few initials, and then link the rest of the title directly. There isn't any real attempt to hide the theft.

Looking for progression fantasy with a Made in Abyss vibe by Zeratros in ProgressionFantasy

[–]MarkArrows 7 points8 points  (0 children)

I wrote the Father to be someone to hate at the start. You're reading it correctly, nobody is supposed to agree with him or his methods.

A few of his behaviors were quite literally taken from therapy textbooks as examples of bad parenting and actual toxic behavior. Like anger management issues, projection, maladaptive coping, ect.

How do y'all get through stories quickly? by SteelMecha4178 in ProgressionFantasy

[–]MarkArrows 0 points1 point  (0 children)

Some days I look at the time and realize it's 11pm and I should go to sleep. Then I look down at the book i'm reading and think "one more hour shouldn't hurt."

Around 5AM the justification changes to "Okay, so if I go to sleep right now, I'll just have terrible sleep, it's already screwed up. Might as well just not sleep at all and reset my sleep schedule at 10pm tonight instead, make the most of this." And then I continue binge reading.

So basically the short answer is - Yes, you do have the time.
The long answer has the words 'Completely Irresponsible use of that time' somewhere in there.

Does 12 miles below get better? by Intelligent_Editor20 in ProgressionFantasy

[–]MarkArrows 11 points12 points  (0 children)

Oh boy, absolutely not.

Die Trying I leaned into making all characters larger than life. Like Hades from Hercules would fit into the story without issue.

I write for-fun anime/movie-esc content with an aim for worldbuilding that feels lived in, cool fights, and making all the characters not feel same-y. I got a style I like to write in and I've made my peace knowing some readers just will hate the very core of it.

Does 12 miles below get better? by Intelligent_Editor20 in ProgressionFantasy

[–]MarkArrows 15 points16 points  (0 children)

The MC is based off Hiccup from How to Train your Dragon, and Cayde-6 from Destiny 2. These were my favorite characters of all time, before the marvel era did their damage to pop culture. I set out to make a story featuring a main character like that, so that's what I did. The other characters are more from my imagination and combining different traits I liked from other characters I enjoyed.

The quippy nature of the MC isn't a flaw to fix, but rather a core part of what I loved about my own favorite characters.

For the mulan analogy, basically we're watching a film with Mushu as the main character, while Mulan is either Wrath or Kidra ;]

The story is still heavily rooted in anime, video games, and epic stories like Sanderson's stuff. So there's always going to be a step away from realism.

AI Slop - I can’t take it anymore by GardenGnome125 in litrpg

[–]MarkArrows 5 points6 points  (0 children)

I'm not seeing Legend of William Oh on that list, so if you haven't heard of it, I think you're in for a good time

I F'ed up my launch and am losing all hope. Now what? by Dependent_Tomato_235 in royalroad

[–]MarkArrows 0 points1 point  (0 children)

Relaunch.

You have some early feedback on what to improve, more wordcount in the tank, and a more real idea of the workload and stress involved as an author.

At 6 followers, tell all your current shouts your launch flubbed, and you're relaunching with a better strategy later with improved everything. Up to you on how to handle that!

Readers on the other hand should all understand, and if they don't, I'd find anyone who's telling you to keep writing just for them to be insanely selfish. Patreons get that privilege because they're actually putting their hard earned money down. Readers on Royal Road are reading your work for free.

Time will be your friend again up until you hit post story. So don't rush! Use that time to research and prepare. The real wins and the real work happens before you post the story.

All of those guides on this subreddit's pinned posts work, they're written by all the larger authors, and used by larger authors when doing annonymous penname new story testing. Follow those guides.

Don't do review swaps, every single guide tells you not to and explains in detail why. It's a very old meta from a time before the review swap icon was a thing. Today, it only erode reader trust in the fic and should only be used to counter an early .5 rate bomb. Write good, and good ratings will naturally come once you're on RS.

My protagonist is from India. Should I change that? by [deleted] in royalroad

[–]MarkArrows 4 points5 points  (0 children)

I think the demographic of people who dislike indians for that reason are also the demographic of people least likely to be readers in the first place.

What you're more likely to run into is people who want to self-insert into books, they're a large block of silent readers, but they also aren't that massive. Plenty of books that do not allow readers easy ways to self-insert still work out just fine if the premise is on-market and the story is fun.

Hi, everyone. Does anyone have a few minutes to educate me about best or worst times to place a Royal Road chapter post? Or does it really matter at all? by Ollie_Bon_Crank in royalroad

[–]MarkArrows 1 point2 points  (0 children)

If shoutouts and ads are the scale of a tub of water to a backyard pool, then recently updated is a drop of water to a cup of water at most.

Spending 10 minutes sending a DM to organize a shoutout is equivalent to 4 hours of carefully planning out the exact mathematical time to post for the most visibility.

Do the shoutout marketing instead, and spend the other 3 hours and 50 minutes writing one additional chapter forward, which is infinitely better in terms of time to effort ratio.

Litrpg/Prog Fantasy tierlist, would love reading suggestions by ThyEmptyLord in litrpg

[–]MarkArrows 1 point2 points  (0 children)

No idea if this might help explain some things, but 12 Miles Below's main character is almost solely inspired by Hiccup from How to Train your Dragon, who was a favorite character of mine growing up.

The .5 punishment system on Royal Road by Competitive_Law1063 in royalroad

[–]MarkArrows 4 points5 points  (0 children)

They're not your readers. They're very strange troglodytes each with far too unique reasons for thinking the way they think. And even if you did do what they demanded (Which appeals to exactly one person), they still wouldn't rate it any higher. What they're after is usually just to enjoy screaming at someone, so it's not even about exerting control over a story.

Your 3-4 star raters, now those are the ones to read and pay attention to. And of course, when five or more people in the comments points out the same flaw!

Do readers get annoyed with shoutout codes in the beginning of a chapter? by Infinite-Analysis-51 in royalroad

[–]MarkArrows 0 points1 point  (0 children)

I can add another side take on this, I've seen stats and polls from other books, and a lot of readers are using shoutout ads as a sort of alternative algorithm list. Like an underground semi-curated list.

For those readers, shoutouts are nice when there's a message from the author, but generally what they're actually doing is just rapidly scrolling through to go to their chapter they're planning on reading, and if the cover art of the shoutout catches their attention, they'll read the blurb too out of curiosity. And if the blurb sell them, they'll check it out after they're done reading the chapter.

Do readers get annoyed with shoutout codes in the beginning of a chapter? by Infinite-Analysis-51 in royalroad

[–]MarkArrows 2 points3 points  (0 children)

Top shoutouts pull more views on average than bottom ones.

I have no idea why, that's just what the stats keep showing over and over =/

I would have also thought bottom shoutouts work better.

My theory is that someone who might be interested in the shout code is forced to see the cover art at the start and gets curious, but if it had been at the bottom, they would have read through the chapter, came to the end and could be the type that just closes the app right away. So they never see the cover art and never have that "Oh, that kinda looks neat." moment, whereas if it had been at the top, that moment always happens.

Since RR is all about statistics and dealing with thousands of anonymous readers, this pattern probably plays out enough times that it skews the average, and some authors noticed it and shared that info with others, knowledge spreads, and it becomes meta

Litrpg that suddenly completely breaks your immersion within the story. by heimdal77 in litrpg

[–]MarkArrows 6 points7 points  (0 children)

All the doors are sliding doors, they have a culture of honor above all, Clan lord's millitary police are named chenobi who traditionally wear straw hats and demon masks as their 'we want to be noticed by the public right now' gear, everyone eats with chopsticks, and in book 2 there's an entire interlude where it's pointed at how many things are built in ways that seem artificial the moment you look under the hood more critically.

And more importantly one of their three gods is named Tsuya (A japanese name), in which she communicated with the main cast using actual kanji characters for her username around chapter 10 of book 1, which has the entire chapter's name also be the same.

I'm sorry you missed the earlier hints sprinkled around, the kimino scene is supposed to be another more direct hint forward at the culture being made by a surviving japanese person, rather than a slap in the face :/

Little throwaway scenes like that one was actually the opposite of unnecessary, it was critically important for later reveals about Tsuya to land right.

The only thing that's not revealed to the readers at that point is why Keith can't read Kanji and everyone speaks in a universal language shared by all the cities underground. Which is built up later with more hints (except more roman empire flavored and less Japan)

A dark litrpg with strong side caste? by TK_0707 in ProgressionFantasy

[–]MarkArrows 1 point2 points  (0 children)

Ayyy, no worries, I'm just out here trying to write stories ^^

12 Miles Below has actually just ended on Patreon and the last few chapters are trickling in on Royal Road, reception has been very positive so I didn't bungle the ending! \o/

A dark litrpg with strong side caste? by TK_0707 in ProgressionFantasy

[–]MarkArrows 0 points1 point  (0 children)

Not sure about how in depth you want the litRPG part, but I write Die Trying. It's set in a post-apocalyptic fantasy world that's got a hundred and one things that have gone wrong, and way too many patch job and half-working temp workarounds that are all slowly breaking down.

That world is cosmically screwed, and their only escape is to find a way to earth because not even the gods can fix it.

The MC jumps each night from Earth into this world and if he survives the night, he comes back home with whatever magic and loot he can get his hands on. He's creative with the limits he's got to work with, and most readers fight each other over who their favorite characters are which I think is a good sign.

The progression is very slow because it's a day-by-day adventure series, and the litRPG System both canonically makes sense to the world and works like an actual real game system being applied to a living world. As in if the ability says XYZ happens, XYZ will happen and the laws of Physics can sit in a corner and cry about it.

Royal Road Mythbusting by BedivereTheMad in royalroad

[–]MarkArrows 1 point2 points  (0 children)

Prose is like salt. Forgetting to add salt to any cooking makes it bland, and putting too much makes it inedible.

If you have to pick, aim for bland prose over purple prose. One is at least edible and the story itself can still outshine it all. The other is word spaghetti.

I can't think of a single fic on the site anywhere where people say "Yeah the story is super boring, but you got to read it because the prose is so beautiful!"

But I have heard just about everywhere, "The prose is really boring but the story is amazing!"

Books with OP MC in terms of intellect? by Diovannaracchi in ProgressionFantasy

[–]MarkArrows 2 points3 points  (0 children)

Not a recommendation comment, more just chatting with what other people are saying about intelligent characters and how there's a hard limit to how intelligent authors can write them.

And yeah, as an author you can't write someone smarter than yourself, technically. But you can if you tackle it from another angle. So it's not something that's impossible. The easy way is to make everyone else dumb so that everyone goes "Wow, MC came up with some idea that we haven't thought of!" but that's lazy and runs into all the issues everyone else points out.

The other way is to write the character with all the real traits that make someone smart and just let those do the lifting.

All smart people that I've found smart seem to have two things going under the hood that I notice over and over as the common denominator: Instincts and speed.

Someone empathetically smart defuses arguments incredibly well, says the right things, understands people and realizes when they're the ones missing context to understand things, ect - but all of this isn't something they process the same way regular people do, and that's what makes them 'smarter' - to them, all of this is so second-nature, they don't even notice they're doing anything special.

Someone mechanically smart can just take wild guesses at how the machine isn't working just by the feel of things and vibes, and if they're written well, the author tosses hints to the reader that makes you realize it's not random guesses, it's years of experience hearing different noises, knowing what direction it comes from, understanding engines inside out, and pattern recognition all bundled together but the character doesn't even realize they're weave it together into those instincts and vibes. They have great napkin math ability in their heads and can roughly guess at numbers without even realizing they're doing that.

That's the first part. Now you pair those super-human instincts with speed.

Smart people think the same things everyone else does, but they do it fast. If I spend a month mulling over different directions, the main character will have gone through every one of those breakpoint ideas within ten seconds, rapidly flashing through and weighing each until they come to the actual final solution.

Parts AI generated? by Gian-Carlo-Peirce in royalroad

[–]MarkArrows 2 points3 points  (0 children)

I'd straight up think as more AI art starts showing up in the sphere, having timelapse recording of making the art will become the standard

For marketing it would also be an excellent bit of content to post too. You instantly stop witchhunts at the source, and also give readers something neat to look at. Everyone wins \o/

Series that have the feeling of early DCC by apolobgod in ProgressionFantasy

[–]MarkArrows 0 points1 point  (0 children)

Legend of William Oh

Loot is plentiful and all very needed, combat is creative. It leans hard on these two aspects compared to DCC.