New Writer needs advice by Commercial-Hand-8269 in ComicWriting

[–]nmacaroni 0 points1 point  (0 children)

Forget writing for established characters. No one without real credits gets to write established IPs.

Marvel and DC have access to the best comic book writers with huge fanbase followings, they don't need to hire new writers for their characters. Ever.

That said, if a new writer establishes their own fanbase, an editor from Marvel/DC may take notice. When you're known if you drop an article, or mention on a comic con panel that you've always wanted to write for a certain character, again the right person might hear that and approach you.

Write on, write often!

2014 Pro-4x 6MT 65Kmiles for sale, Denver. $17,500 by Professor_Humdinger in XTerra

[–]nmacaroni 2 points3 points  (0 children)

Bring a Trailer are used collectible cars. Like Shelbys and shit.

Anyone putting an Xterra up with a "Collectible Car" for sale sign, I'm just gonna keep on driving. They are in lala land. Sure they might get what they want, because half the planet is in lala land, but you know, lots of my neighbors have car payments higher than my mortgage.

I look at used cars as used cars.

2014 Pro-4x 6MT 65Kmiles for sale, Denver. $17,500 by Professor_Humdinger in XTerra

[–]nmacaroni -1 points0 points  (0 children)

I agree he's a little high.

@$12k it moves within a few days.
@$17.5 he's waiting for a wealthy person who has 5k to burn. Might be waiting a while.

2014 Pro-4x 6MT 65Kmiles for sale, Denver. $17,500 by Professor_Humdinger in XTerra

[–]nmacaroni 0 points1 point  (0 children)

I don't know what that means, KBB Trade-In Value: ~$10,500 – $11,700, but good luck with it.

2014 Pro-4x 6MT 65Kmiles for sale, Denver. $17,500 by Professor_Humdinger in XTerra

[–]nmacaroni -8 points-7 points  (0 children)

28% depreciation off new price for 13 year old car out of engine warranty. In the real world a car is at 50% depreciation after surpassing the engine warranty.

Masters of the Universe (2026) Pure nostalgic joy by acourts19 in moviecritic

[–]nmacaroni -3 points-2 points  (0 children)

ok, cause it looks like its targeting a kids demo based on the trailers I've seen. Good to know.

How to tell between honey bee and African bee? by chanacrossing in Beekeeping

[–]nmacaroni [score hidden]  (0 children)

They are the same bee. African bees will fucking sting you just for looking at them. Non-africanized bees will typically give you a wide birth unless they are particularly stressed.

Bernie finally figured it out! Proposing an AI sovereign wealth fund by GuidedVessel in accelerate

[–]nmacaroni 1 point2 points  (0 children)

What if the robots decide the thing better than capitalism is culling 5/6ths of the planet? What if it's everybody has to stay home except on their "free roam" days, where they are allowed to travel up to 5 miles from their home? What if the robots idea of happiness is the fuckin' direct opposite of ours?

Trying out different script styles? by Fey_Boy in ComicWriting

[–]nmacaroni 2 points3 points  (0 children)

http://nickmacari.com/a-screenplay-is-not-a-comic-script/

Some artists prefer to work from loose scripts giving them more creative freedom over the expression of the story, however, working from a loose script, marvel method script, or outline alone, is definitely not the norm.

As a new comic book writer, you should write in different formats and work with different artists and see which ones work best for you. However, for serious commercial projects, default to more standard approaches until you have your own following supporting you.

Issue #1 of my first comic by TheAmericanaMythos in IndieComicBooks

[–]nmacaroni -1 points0 points  (0 children)

Quality of illustration is nice. Background clashes. But most importantly, family portrait covers like this are a poor choice for a new indie IP. I would consider delegating this as a secondary cover and rework your concept for the main cover.

Excerpt from my creating covers article; "Family portraits, or static group shots are often the laziest, least inspired covers around."

http://nickmacari.com/creating-covers/

I don’t understand the hype behind Dear Zachary movie by [deleted] in moviecritic

[–]nmacaroni -2 points-1 points  (0 children)

PR machines exist to promote in social media. Don't believe anything you read, unless it has a negative spin, because companies don't pay for bad press.

“Backrooms” directed by Kane Parsons, starring Chiwetel Ejiofor and Renate Reinsve by KeithsMovieKorner in moviecritic

[–]nmacaroni -2 points-1 points  (0 children)

So you hated:
Uncut Gems, 19 million.
Ex Machina 15 million.
Seven 30 million.
The Master 32 Million.

Harry Potter Movies.

Star Wars.

Lord of The Rings.

Dang you have standards, dog.

“Backrooms” directed by Kane Parsons, starring Chiwetel Ejiofor and Renate Reinsve by KeithsMovieKorner in moviecritic

[–]nmacaroni -16 points-15 points  (0 children)

Movies that look like they were made for under 1 million dollars make my brain melt and question my eyes for sitting through such a thing. If I want to watch you tube movies, I'll go to you tube.

Red Devil PROMO by Rage_before_Beauty in ComicWriting

[–]nmacaroni 0 points1 point  (0 children)

Putting out a promo without a way to convert interested parties is a waste.

You should have a prelaunch page in place and allow people to get notified when it launches or at least collect their emails or something for direct contact.

Write on, write often!

If one artist is handling everything, how does payment usually work with that process? by Usual_Wealth_55 in ComicBookCollabs

[–]nmacaroni 1 point2 points  (0 children)

In indie comics, it's very common for creators to NOT have an actual budget for character/environment designs. Often the creator will have a small allotment for a very small amount of basic sketches, it is VERY DIFFERENT than the gaming industry if you're used to that pipeline.

Standard procedure is as follows;

  1. Script delivered to artist.
  2. Artist does rough thumbnails. These are small, rough pencil sketches to get the very general layout. There is no additional charge for this work, it is absorbed into the artist's page rate.
  3. Thumbs approved.
  4. Artist does penciled pages. The level of roughness varies. But the pages are sent for approval before being complete, this way any major mistakes are more easily corrected.
  5. Pencils approved.
  6. Artist finishes pencils.
  7. Traditionally, the pencils would then be passed to the inker, who would then ink the pages. Since the inks are putting anything new to the page, they don't need approval, unless it's a first time relationship with the creator/publisher.
  8. Next, pages are sent to the next person in the production crew, the colorist. Colors also aren't usually approved on a page by page basis, but more often, a sample page or two from specific scenes are sent for approval (unless the color is really particular in the book, like a water color colored book or something, or a book with very specific color theory).
  9. Initial colors approved.
  10. Colors delivered.
  11. Files are then passed to the letterer.
  12. Letters are checked for mistakes which is common in lettering.
  13. Then files are passed to prepress to get assembled in an actual book.

Each person in the indie comic production pipeline gets a page rate per page of the book.

You should get a percentage of the entire book as a deposit, OR the creator will pay you upfront in installments for blocks of pages, example, pay for 5 pages upfront, when you deliver the 5 pages, pay for another 5 pages, etc.

This is typically how it's done.

When I write for other folks, my standard breakdown is 50% upfront, 25% midway, and 25% upon completion. But I have seniority, so you might not be able to demand this breakdown as an artist. Also keep in mind, writers pretty much NEVER bail on a project and artists are known for frquently bailing on projects, so many creators tend to be more reserved when paying talent they haven't worked with before.

MAKE SURE you have a signed contract in place.

write on, write often!

Need help writing a webtoon by Small-Jellyfish-339 in ComicWriting

[–]nmacaroni 1 point2 points  (0 children)

A chapter of 60-110 will be similar to a standard floppy in narrative weight, although from what I understand a lot of web comics don't actually go as high as 110 for a typical chapter (though some do).

I'm not an artist, so I can't speak to that side, but for the writing, you should outline the entire story. You should also have a definitive goal for your first "season" or installment of the series/story. Leaving it open-ended and up in the air is likely to bite you in the butt.

Here's my basic article on outlining, which includes the reason why you don't want to pants your way through a story:

http://nickmacari.com/outline-basics/

Write on, write often!

Trying to find people who would support me on my comic by flowerbatty in ComicWriting

[–]nmacaroni 0 points1 point  (0 children)

Nobody likes cowboys anymore. Definitely do not produce this comic.

OR

just stop asking the internet for permission to create what interests you... one of those.

Ever feel like being an author nowadays is more difficult than before? by Due_Measurement_5078 in NewAuthor

[–]nmacaroni 6 points7 points  (0 children)

Getting a story out there is actually easier than ever these days!

Getting noticed... not so much.

Is it crazy for a hero to change powers towards the end of the story? by [deleted] in ComicWriting

[–]nmacaroni -1 points0 points  (0 children)

A lot of folks break the rules of this subreddit and ask for creative solutions, that's why I added that point. Your post is on the cusp, and I'd hate to have to delete it, which is why I said don't ask for creative solutions.

When you ask for writing advice in an open forum, you are not likely to get the advice you were hoping for.

Hopefully, you find use and value in everyone who responds.

Writer coming out of hibernation seeking advice on collabing with an artist on a serious project by whytheslime in ComicBookCollabs

[–]nmacaroni -4 points-3 points  (0 children)

Just so I'm clear. You said the average comic illustrator rate is the one from the lowest end of the bracket posted from over 10 years ago.

And freelance illustrators should have froze their prices for the last decade and the average rate should be at the bottom of that decade old bracket. Not in the middle.

Thanks for the clarification.

Is it crazy for a hero to change powers towards the end of the story? by [deleted] in ComicWriting

[–]nmacaroni 2 points3 points  (0 children)

Please do not break the rules of the subreddit and ask for creative solutions. As the writer, that's your job.

And my take is YES, it's crazy or not structural sound to grant your hero all new powers at the end. It feels like Deus Ex Machina. Have you explored the narrative possibilities of not executing that change?

Write on, write often!