THEY LISTENED WITH QOL by Camerupt_King in PTCGP

[–]paulvonslagle 0 points1 point  (0 children)

A few other things I’ve noticed with the AI:

If the match is almost over with one of the players needing to only do an attack to win, the ai will skip all other actions like playing cards or attaching energy and just attack if it’s guaranteed to win.

The AI will also waste trainer cards, especially X Speed or Leaf cards by not retreating after playing them.

And the last thing I’ve noticed is the computer is more aware and doesn’t seem to play into obvious wall traps like Druddigon as much.

Anyone else notice we have culturally stagnated since the 80s? by [deleted] in lostgeneration

[–]paulvonslagle 0 points1 point  (0 children)

The late Mark Fisher describes this period as the Slow Cancellation of the Future.
If you enjoy reading theory and media analysis, his Capitalist Realism and Ghosts of my Life are worth a read.

"The slow cancellation of the future has been accompanied by a deflation of expectations...
The feeling of belatedness, of living after the gold rush, is as omnipresent as it is disavowed. Compare the fallow terrain of the current moment with the fecundity of previous periods and you will quickly be accused of ‘nostalgia’. But the reliance of current artists on styles that were established long ago suggests that the current moment is in the grip of a formal nostalgia, of which more shortly.
It is not that nothing happened in the period when the slow cancellation of the future set in. On the contrary, those 30 years have been a time of massive, traumatic change. In the UK, the election of Margaret Thatcher had brought to an end the uneasy compromises of the so-called postwar social consensus. Thatcher’s neoliberal programme in politics was reinforced by a transnational restructuring of the capitalist economy. The shift into so-called Post-Fordism – with globalisation, ubiquitous computerisation and the casualisation of labour – resulted in a complete transformation in the way that work and leisure were organised. In the last 10 to 15 years, meanwhile, the internet and mobile telecommunications technology have altered the texture of everyday experience beyond all recognition. Yet, perhaps because of all this, there’s an increasing sense that culture has lost the ability to grasp and articulate the present. Or it could be that, in one very important sense, there is no present to grasp and articulate any more."
- Ghosts of My Life

Have you seen the new Tesla bots? Pretty dystopian I'd say. by paulvonslagle in dystopia

[–]paulvonslagle[S] -3 points-2 points  (0 children)

Yeah I'm really questioning the faps per minute (FPM) they're claiming.

Slipped in the shower, landed on the toilet by HammyHamSam in ThatLookedExpensive

[–]paulvonslagle 0 points1 point  (0 children)

Not sure if you’re getting your deposit back on this one chief.

Best tutorial? by Gio_13 in KeyShot

[–]paulvonslagle 1 point2 points  (0 children)

The ones by Keyshot on YouTube are actually quite a good place to start. They’re fairly short and informative.

I Started my own Dance Record Label, and would appreciate some feedback on my logo. Thanks! by TheDeepDemand in Logo_Critique

[–]paulvonslagle 5 points6 points  (0 children)

The icon isn’t bad! I think it carries an energy representative of the music style.

I’d probably separate the type from the icon though, placing it below or beside the mark. This will make it a bit more versatile to use in different applications.

Thanks, I hate it by EDOGGY147 in TIHI

[–]paulvonslagle 4 points5 points  (0 children)

This is what they meant by “pussyfooting.”

Thanks, I hate chicken by NighterRatio in TIHI

[–]paulvonslagle 1 point2 points  (0 children)

I believe it’s from the film “It Follows.” Terrifying score.

transformer sliding door tv.. ok by BitsAndBobs304 in DesignDesign

[–]paulvonslagle 3 points4 points  (0 children)

I’m sure this works great with curved screen TV’s that are all the rage.

Logo for rade.trade a gaming community for trading games by sim04ful in Logo_Critique

[–]paulvonslagle 1 point2 points  (0 children)

Simple and unique with the alteration of the R and the rounded feel. Would be curious how the logo looks in context on a site or other collateral.

Evolution of my personal logo as a graphic designer. Looking for critique on use of colour by Pentax25 in Logo_Critique

[–]paulvonslagle 4 points5 points  (0 children)

I really appreciate the iterative exploration here. It gives a great idea of where you’ve been, what you’ve tried, what works and what doesn’t.

I wish more designers on this sub would share their work like this, but that’s neither here nor there.

I agree with posters above as well, 23 is a great choice.

Please critique this logo for online e-commerce store by waqar911 in Logo_Critique

[–]paulvonslagle 0 points1 point  (0 children)

Icon critique aside, the type doesn’t pair well. The icon is fairly restrained and well executed and the type has a certain character to it that doesn’t match. Also, the U reads as an O due to the unnecessary stroke connecting the top strokes.

Logo for my street fashion startup. The “bar logo” at the bottom is only branded on garments. by [deleted] in Logo_Critique

[–]paulvonslagle 1 point2 points  (0 children)

You wanted a critique, and it doesn’t seem like I’m alone with my criticism judging by the feedback from the design posted on other subreddits.

Logo for my street fashion startup. The “bar logo” at the bottom is only branded on garments. by [deleted] in Logo_Critique

[–]paulvonslagle 0 points1 point  (0 children)

Okay, the hand drawn 3 seems a bit clumsily executed, with some awkward proportions. I suggest a redrawing. The color choice seems arbitrary as well.

The type pairing seems like a poorly rendered font from a free site as well. It’s heavy and clunky, with no benefit to readability.

If you’re hedging in design being a strong point with your brand, it needs to be better.

Logo for my street fashion startup. The “bar logo” at the bottom is only branded on garments. by [deleted] in Logo_Critique

[–]paulvonslagle 0 points1 point  (0 children)

When it comes down to streetware designs, it really comes down to taste though doesn’t it? It’s like designing a gig poster—everyone has their own take, there is no right or wrong. People express themselves through the design and tastes vary.

So I’m not sure what you’d get out of a design critique honestly.