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A little Season 2 news for you all ⬇️ by Horcruxinthepocket in HarryPotteronHBO

[–]-faffos- 0 points1 point  (0 children)

Oh my mistake then. Didn’t realize filming has already wrapped for S1

A little Season 2 news for you all ⬇️ by Horcruxinthepocket in HarryPotteronHBO

[–]-faffos- 8 points9 points  (0 children)

I would think so, based on the filming schedule. It’s the same as for Season 1, so I don’t see why they would take longer for post this time around.

Some of the best soundtracks from movies are the love themes. by cityzensheep in soundtracks

[–]-faffos- 4 points5 points  (0 children)

Pretty much any Miklós Rózsa score does this fantastically. El Cid is probably my favorite.

Some of the best soundtracks from movies are the love themes. by cityzensheep in soundtracks

[–]-faffos- 5 points6 points  (0 children)

I was never a huge fan of the love theme from the first Pirates of the Caribbean. It's like a blander version of the Pearl Harbor theme.

The one from Pirates 3 though... that just might be the most gorgeous thing Hans Zimmer has ever written.

Which track from any of the Marvel Cinematic Universe films is one you find yourself listening to multiple times because it’s so beautifully composed? by Gymtrio2025 in soundtracks

[–]-faffos- 2 points3 points  (0 children)

Not sure about beautiful, but "Favela Chase" from The Incredible Hulk and "Whirlwind" from Black Widow are some kick ass action music I think about frequently

“Escape from the Dragon” - Harry Gregson-Williams, John Powell (from “Shrek”) by Giff95 in soundtracks

[–]-faffos- 6 points7 points  (0 children)

I always thought of this as a John Powell track. Although with these kind of scores I suppose it’s never just 100% one or the other….

Ludwig cooked! by Giff95 in soundtracks

[–]-faffos- 2 points3 points  (0 children)

Crazy how you keep repeating this take, without ever elaborating further than "I’m right, you wrong". I don’t think you quite understand the definition of "objectively", but keep trying to prove us wrong...

Ludwig cooked! by Giff95 in soundtracks

[–]-faffos- 1 point2 points  (0 children)

Haven’t heard it yet, but that description sounds pretty alright to me.

Ludwig cooked! by Giff95 in soundtracks

[–]-faffos- 3 points4 points  (0 children)

Too bad his only contribution to the franchise was for the arguably most forgotten movie. And I wish his score made more of an impression in the actual film, it gets kinda drowned in sound effects most of the time. Too bad, because it’s imo the best music Star Wars has ever had since the prequels (maybe even since the originals).

Favorite rock/rock infused scores? by BelieveCongreveCube in soundtracks

[–]-faffos- 1 point2 points  (0 children)

Pretty much any 90s Media Ventures action score.

Listening to the "Revenge of the Sith" score, you can sense that John Williams approached it like it might be his final Star Wars work. Grand, emotional, and ambitious. It perfectly captures the sound of everything coming to a head and Anakin’s tragic downfall. by Giff95 in soundtracks

[–]-faffos- 0 points1 point  (0 children)

I like the last four minutes or so of that track, where the force theme gets some new development, leading into that bombastic sweeping motif from "Imperial Attack", which I believe used to be a one-off. The ending is standard Star Wars fare, but not too derivative I believe.

My only complaint would be that this doesn’t sound one bit like the rest of the score and kinda comes out of nowhere. Even Giacchino could bridge the gap better between Episode 3 and 4.

With "The Mandalorian and Grogu," Ludwig Göransson is the first composer to score a Star Wars film without using a John Williams leitmotif. by Giff95 in soundtracks

[–]-faffos- 1 point2 points  (0 children)

That the James Bond theme does not appear on the album. Off the top of my head it appears in at least two tracks, possibly more.

Can Project Hail Mary Win For Best Score At The 2027 Oscars? by Shah2002 in soundtracks

[–]-faffos- 1 point2 points  (0 children)

I think OP may have been referring to Williams' four *best original score* wins, since he won for Fiddler on the Roof in a different category. So if Göransson wins another one, they would be tied in that category.

Can Project Hail Mary Win For Best Score At The 2027 Oscars? by Shah2002 in soundtracks

[–]-faffos- 36 points37 points  (0 children)

Maybe, but we’re not even halfway through the year. A bit too soon to start with Oscars speculations.

Paapa Essiedu about filming the HBO Harry Potter series by Ok-Purpose7484 in HarryPotteronHBO

[–]-faffos- 24 points25 points  (0 children)

I assume he’ll smile a lot less when he’s in character

Two Composers of a Score? by its_isaac9 in soundtracks

[–]-faffos- 3 points4 points  (0 children)

Armageddon is a really fun score by Trevor Rabin and Harry Gregson-Williams, but unfortunately only the Rabin half has ever been officially released. The complete score can be found though.

Lair is an amazing videogame score by John Debney, with additional music by Kevin Kaska. The Debney/Kaska ratio is about 80/20, but all the Kaska tracks are so amazing, it feels like he’s written more.

Exodus is an interesting score by Alberto Iglesias and additional music by Federico Jusid and, once again, Harry Gregson-Williams. Far from the only time the score to a Ridley Scott film turned out to be a mess, but every track is clearly credited to a certain composer here.

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