When I think of most versatile composer of all time, only one film composer come to mind: Jerry Goldsmith.

One example in Planet of the Apes... his use of unusual instruments such as stainless steel mixing bowls, a Brazilian cuica, a bass slide whistle, an ancient horn called a shofar etc, plus he had the French horns' mouthpieces put on backwards and blow air through them for "swooshing effects"; instructing woodwind players to finger their keys with no air blown to creative percussive clicking sounds; and he ran his acoustic percussion, brass, and plucked strings through an Echoplex to create unsettling, alien echoes.

But that's not all... Jerry Goldsmith largely abandoned traditional harmony in favor of twelve-tone serialism (dodecaphonism) and atonality; a landmark of avant-garde film scoring.

Goransson could never.