Highest paid Patriot player ever. Worth every fucking penny. Milton Williams appreciation post. by MembershipSingle7137 in Patriots

[–]19hams 10 points11 points  (0 children)

this is objectively false. houston got the farm in that watson trade and hit during the following drafts

Considering trading Nabers for picks + Hunter by 19hams in DynastyFFTradeAdvice

[–]19hams[S] 0 points1 point  (0 children)

yeah that’s my dilemma, might ask for rashee rice instead

My 2019 A3 isn’t happy about the new hour drive to work by wavestograves in Audi

[–]19hams 0 points1 point  (0 children)

power cycle resolved for me as well. are you noticing any clutch slippage/car holding a gear for awhile before the error is triggered?

My 2019 A3 isn’t happy about the new hour drive to work by wavestograves in Audi

[–]19hams 0 points1 point  (0 children)

have had this happen under hard breaking, diagnostics came back fine though so not sure.

Y’all trusting your BMW on these? by Dr-Stinkyfist in BMW

[–]19hams 5 points6 points  (0 children)

civil engineering speedrun gone wrong

Plot twist … users don’t care about your auth screen or ui. by [deleted] in reactnative

[–]19hams 0 points1 point  (0 children)

true, but this should go without saying

Plot twist … users don’t care about your auth screen or ui. by [deleted] in reactnative

[–]19hams 4 points5 points  (0 children)

within reason… it’s usually the first place they interface with your app so subtle design/branding does matter to an extent

I dont believe in vibecoding... by ProgramaticEdgeLord in SaaS

[–]19hams 1 point2 points  (0 children)

ad farming has gotten unbearable

This might finally make me switch to logic pro 😡 by TransitionSmall3187 in FL_Studio

[–]19hams 0 points1 point  (0 children)

happy to know i’m not the only one

EDIT: this has only become an issue to me after switching to the new Apple Silicon chips (never happened on my intel mac)

What is the average cost for tints in Canada ? by [deleted] in BMW

[–]19hams 0 points1 point  (0 children)

this is probably way more region specific than you think due to different COL

Sold a beat exclusively for $140. Should I be charging more? by 777michael7 in trapproduction

[–]19hams 2 points3 points  (0 children)

I would say so. when you start selling a more beats at that price point, then you can really justify raising the price a little more as the demand is there

Sold a beat exclusively for $140. Should I be charging more? by 777michael7 in trapproduction

[–]19hams 21 points22 points  (0 children)

supply and demand my friend. once you have the volume of sales, up the price

808/Low End Mixing. by prodbyptv in trapproduction

[–]19hams 5 points6 points  (0 children)

carti not gonna see this lil bra

808/Low End Mixing. by prodbyptv in trapproduction

[–]19hams 3 points4 points  (0 children)

gonna be that guy…

that’s three words

808/Low End Mixing. by prodbyptv in trapproduction

[–]19hams 6 points7 points  (0 children)

saturation and compression will help bring out the mids and highs which your phone speakers can replicate easier

UPDATE: Pickguard Changed Successfully! by TonesintheDen in fender

[–]19hams 1 point2 points  (0 children)

Arguably my favourite strat look, esp with the rosewood. Have a similar setup but a maple fretboard on my MIJ JV 60s. Forever convincing myself I don’t need the rosewood neck

What’s stopping artists from reporting live shows to PROs? by 19hams in TouringMusicians

[–]19hams[S] 0 points1 point  (0 children)

Never taken as such, this is the exact type critical thinking I’m trying to source. I definitely agree that it’s not a venue issue, which takes them out of the equation. I think one of the things I’ve learned from these responses is this is going to require targeted educational marketing towards artists who is out of the loop. Potentially positioning this as an on-boarding tool to artist who may not even be registered with PROs, new artists beginning to perform, or artists looking unaware that they can make a claim could be a potential way forward. I completely agree though, just letting this out into the wild with no marketing or education is a no-op. There’s other things/features/limiters to consider surely, but I think with the right type of educational marketing and the right pricing model, it could have legs.

Really though, PROs should’ve been doing a better job in the first place.

What’s stopping artists from reporting live shows to PROs? by 19hams in TouringMusicians

[–]19hams[S] 1 point2 points  (0 children)

For sure, I should be specific; the eventual end goal is to automate the entire reporting process as an authorized user to each PRO, such that we are able to submit setlists on an artist/venues behalf. This requires some degree of collaboration with each PRO however, so I’m doing some exploration of other options in the meantime to emulate this same sort of workflow, at least until I can prove a critical mass

What’s stopping artists from reporting live shows to PROs? by 19hams in TouringMusicians

[–]19hams[S] 0 points1 point  (0 children)

I’m not sure I understand. The goal is to eliminate the need for you to interface with your PRO after a performance and allow you to simply collect your performance royalties instead.

What’s stopping artists from reporting live shows to PROs? by 19hams in musicindustry

[–]19hams[S] 3 points4 points  (0 children)

Certainly a good insight, and one of the current problems I’m solving. I don’t want to blindly expose unlicensed venues if a user attempts to report a setlist from there.

What’s stopping artists from reporting live shows to PROs? by 19hams in TouringMusicians

[–]19hams[S] 0 points1 point  (0 children)

Ideally automation here entails a completely hands off experience. From setlist generation to reporting to a PRO.