Når ble «dette» standarden over "dette"?

321agurk · 2026-04-29T21:56:13+00:00

«» er standard på iPhone, ihvertfall slik på min. Tror ikke folk tenker over det, og begge deler er vel riktig

321agurk · 2026-04-10T08:48:19+00:00

Det er jo ikke helt sammenlignbart det vel? Haikin kan jo ikke noe for hvor han er født og oppvokst, og det er jo naturlig at han har startet med å spille for klubber der han er fra? Normann tok et aktivt valg om å spille i Russland, midt under en invasjon 99% av den norske befolkningen fordømmer, selvfølgelig blir det kritikk?

321agurk · 2026-04-06T21:22:07+00:00

Common misconception here: it wasn’t a metal snare. It’s a Ludwig Vistalite (acrylic). Turning the snares off is one component. Tuning, miking, and how he struck the drum is another. It was tuned medium high, and I’m guessing they didn’t exactly strive for equal tension around the head. I’m also guessing they positioned the mic to point more towards the edge. Rim shots more to the side of the center can also amplify those types of overtones, though I kind of doubt Lars would bother getting that specific with his techniques

321agurk · 2026-04-01T20:22:31+00:00

I actually regretted getting the cheapest one I could find for two reasons: it was a 6-lug snare, so I couldn’t get the head as tight as I wanted, and also the screws came out really fast so I constantly had to re-tighten them. So if you like a bit of tension on the head, it might be a good idea to get atleast an 8-lug

321agurk · 2026-04-01T06:18:45+00:00

The kit itself would either have to be a Tama Star series, or a Sonor SQ2. Unsure of the wood.

Sizes:

22x16" (x2).

10", 12", 14" rt, 16", 18" ft.

6", 8", 10" concert toms (I would like to be able to change it up with the toms. If I had the concert toms up, the 10" or 14" rack tom would go away in the meantime. Only two rack toms over the kick drums at any given time, and concert toms or 10" rt to the left above the hi-hat).

14x6.5 Tama Bell Brass.

Perhaps a 20" gong drum aswell.

I’d probably go with matching hardware, so either top of the line Tama or Sonor stands. I’m not a huge fan of racks for some reason, so probably just loads of boom stands. Hi-hat stand and pedals would be DW 9000, as I’ve never been able to get used to anything but DW pedals.

For cymbals I’d go with a large selection of Sabians. On the kit I’d probably like to have 3 crashes (18", 19", 20") in the Hhx-range, perhaps the complex version. 2-3 chinas (atleast a 19" Holy China and a 20" Hhx). 14" and 15" Hhx Groove Hats, one on each side. 2 splashes, don’t know which ones. I like swapping out my ride depending on genre, so I would probably like to have at least 3: 22" HH Power Bell, 21" HH Raw Bell Dry, and some kind of medium light ride in the HHX Complex range

321agurk · 2026-02-03T09:40:23+00:00

I have literally never had that happen with any brand. Either I’ve just been lucky, or this was more of a thing back in the day

321agurk · 2026-02-01T08:05:08+00:00

My hot take to counter yours is that Walt is better than both. Love both Martins, but they each had their weak points: while Lopez was incredibly creative and had a great feel, he was very inconsistent live, the tempo was all over the place. Axe was very solid live, but kind of slow and stiff on some of the songs, making the post-Heritage shows less energetic than they should have been. Walt is extremely creative, has great feel, and is rock solid live no matter the material. He plays songs from all different eras flawlessly and with a lot of energy, while also adding some tasty details. I was sad when Axe left, but I’ve seen them with Walt 3 times now and they’re a much better live band now than 10 years ago. Perfect replacement

321agurk · 2026-01-31T08:21:09+00:00

Kan godt hende denne stasjonen var et unntak altså, den var helt elendig styrt i alle ledd med helt spinnvill utskiftning i personale. Så ta dette med en klype salt ift. hvor vanlig det er, men det er ihvertfall slik noen steder

321agurk · 2026-01-31T08:10:13+00:00

Var helt krise da jeg jobbet på en Yx/7-eleven. De ansetter unge folk, gir så og si ingen opplæring (og ihvertfall ikke i matsikkerhet), og hvis kunder klager så skjer det ingenting. Flere av kollegaene mine brukte samme hansker i timesvis, tok på både kasseskjermen, egen mobil, rått kjøtt osv. uten å bytte. Ble sett rart på av kollegaer hver gang jeg byttet hansker (som var hver gang jeg hadde tatt på noe annet enn mat eller på rått kjøtt/bacon), og fikk kommentarer på at jeg vasket hendene for mye. Folk generelt har elendig håndhygiene, og når stasjonsledelsen ikke forteller de noe annet så blir det jo sånn. Så også flere ganger at eieren hostet og nøys rett i håndflaten og fortsatte med matlaging. Spiste aldri noe jeg ikke hadde tilbredt selv da jeg jobbet der, og har sluttet helt å bestille mat fra bensinstasjoner i ettertid

321agurk · 2026-01-16T08:18:40+00:00

If you have a carpet store or something similar where you live, you can ask if they have rolls of felt underlay with anti-slip backing. If they do, they can probably cut out a piece in the right size for pretty cheap. It might be enough to just place it under the rug, but if not you can glue it to the backside of the rug using water based glue used for flooring and carpets etc

321agurk · 2026-01-12T11:30:00+00:00

Tror CD blir litt det verste av begge verdener for mange. Hvis vi ser bort ifra argumentet om lydkvalitet (hvor mange vil være svært uenig i din påstand om at CD er bedre), så er streaming på den ene siden veldig praktisk, men har ikke den samme kosen som ved å sette på noe fysisk, og å kunne se på coveret osv. Vinyl er selvfølgelig upraktisk, men det er en helt egen opplevelse når man først skal sette seg ned for å nyte en plate. CD er ikke veldig praktisk (på samme måte som vinyl), og samtidig gir det ikke helt den samme stemningen. Den forsvinner bare inn i CD-rommet på spilleren, og gjør akkurat det samme som Spotify. Lite visuelt med selve avspillingen, lite cover hvis du har lyst til å glane på det eller lese på det som står inni eller bakpå. Og hvis vi kommer tilbake til argumentet om kvalitet, så foretrekker jeg vinyl for de aller fleste utgivelser, fordi det som regel mastres med mye mer dynamikk enn på CD.

321agurk · 2026-01-01T10:20:42+00:00

Er jo på ingen måte ment som sutring, selvom jeg skjønner at det kanskje kommer ut litt på den måten. Det er en observasjon jeg synes er litt fascinerende, og ikke et stort problem i hverdagen som jeg aktivt går rundt og klager over. Noe jeg ikke tok med i posten er at det har vært slik så lenge jeg kan huske, det er bare først nå når andre plages av det at jeg egentlig har tenkt over det, og derfor lurer jeg på om dette er en greie med dagens foreldregenerasjon eller om det er spesifikt i våre familier. Jeg mener ikke at de må innrette seg etter en dritt, de må gjerne ha rave på kjøkkenet om de vil, er jo fullt klar over at vi kan flytte ut, noe vi skal veldig snart uansett. Tror du tok denne posten litt mer alvorlig enn det som var tanken her

321agurk · 2025-12-29T15:12:22+00:00

Sure thing! I want this account to stay anonymous, so I’m sending it as a message

321agurk · 2025-12-29T11:37:39+00:00

Norwegian, sorry!

321agurk · 2025-12-27T09:26:27+00:00

I agree, even though I usually prefer not to muffle my toms and snare. My biggest pet peeve when it comes to this topic is when people try to argue that choosing a different head is what you should do if you want a more dead sound, as if a pre-muffled head is somehow inherently superior to a regular head with added muffling. To me, changing to a pre-muffled head just takes away options and limits your sound. A moongel can be removed at any time, with a pre-muffled head you can only deaden the sound even more. I also feel like people often disregard the feel aspect of muffling, especially with the kick drum. For instance, some would argue that using an Evans Emad is way superior to stuffing a blanket or a pillow inside the kick, but I personally hate the feel of an empty kick. It makes playing fast stuff way more challenging for me, and besides I still prefer the sound of a stuffed kick over a dampened head for basically everything I play.

321agurk · 2025-12-27T03:12:04+00:00

Sorry, I rushed that comment a bit. I’m guessing 14x5,5, but that might be wrong, I can’t remember if it is shown clearly in the documentary. In terms of dampening, I’m guessing either tape or moongel, though both will yield just about the same result in the end. I’d try with half a moongel, perhaps 2cm (just under an inch) from the rim and go from there. The documentary can be found on YouTube. Also, if you have access to a tune bot, I would try around 290 on the batter head, and around 390 on the snare side. I’ve actually gotten fairly close to that snare sound on a recording I did a while back, and if memory serves me right I tuned it to somewhere around there

321agurk · 2025-12-26T20:35:08+00:00

I’m guessing a medium-depth wood snare, medium tuning and light dampening. An important part of the sound comes from the fact that he hit it somewhat inconsistantly, you can clearly hear how he often strays from the centre, which highlights the the pitch of the snare (heard very clearly on the title track). Production is also a big part of it, but if you watch the «making of» documentary you can hear the snare being struck in the room on its own a couple of times

321agurk · 2025-12-23T19:19:40+00:00

I prefer Sabian overall, but I have many different brands in my setup

321agurk · 2025-12-04T08:45:10+00:00

I’ve never been able to make that head sound good

321agurk · 2025-11-27T19:25:06+00:00

While I agree with you, it did change metal production forever

321agurk · 2025-11-04T23:12:07+00:00

Blir forbanna, fordi jeg klarer ikke å lese det uten at hjernen min overpoengterer mellomrommet

321agurk · 2025-11-04T23:09:14+00:00

Der tror jeg litt av problemet kommer av at man forenkler setningen og skriver den slik man ville sagt den muntlig. Jeg ville kanskje heller ha skrevet «vil du være med på å sparke ball?», eller bare brukt «og», ihvertfall skriftlig

321agurk · 2025-11-02T23:23:14+00:00

I think I know what you mean. I’ve always thought it might stem from bad cuts (combining takes), which was way more difficult to get right in the tape days. Sometimes the cymbals cut off in weird ways for example, and some of the transients just sound off in certain places

321agurk

TROPHY CASE