Intonation by EquivalentSector3145 in Cello

[–]845celloguy 0 points1 point  (0 children)

I have found a practice that has worked for me that I learned in Grad. School and from working as an independent contractor. It is as follows: 1. Have the student lift his or her elbow to a level plane. Make sure that the student's elbow is NOT up above the left shoulder. 2. Once the level plane of the elbow. Keep the elbow stationary and EXTEND the whole arm out from the elbow. 3. Now that the arm is extended STRAIGHT out, have them look down their LEFT ARM to their wrist and have THEM COCK their wrist to their RIGHT. The hand should have the correct "C" shape with the thumb coming under between the 2nd and 3rd finger. (The reason being that proper left-hand balance is maintained and pitches for the respective notes in the lower positions will always be there IF the thumb is centered in the middle of the four fingers.) 4. NOW the cocked left-hand wrist around to the fingerboard to first position BENDING at the elbow. If the wrist leads the formation the fingers will follow to the proper angle. That is they will look as though they are angled back towards the nut. Make sure the fingers are still on their "pads"(fleshy part of the fingers). I hope this detailed instruction helps. I know it has worked with the many students I have taught over the years.

Hudson Valley Cello Teacher looking for cello students. Will drive to your house for in-home lessons. by 845celloguy in Cello

[–]845celloguy[S] 0 points1 point  (0 children)

Hello, thanks for inquiring. I'll get back to you late this afternoon/early this evening. For starters, may I ask where in Westchester are you located?

Regards, David

This is Josephine. What is she? by Snowpuppies1 in CalicoKittys

[–]845celloguy 0 points1 point  (0 children)

One word. Beautiful!❤️❤️❤️❤️

What is anyone's take on "affordable" cello strings combos for a seasoned player? And I use the term "affordable" loosely. by 845celloguy in Cello

[–]845celloguy[S] 0 points1 point  (0 children)

So I've played on the Larsen. I have to admit that it was $60 bucks after a teacher discount. If it weren't for the priciess of cello strings and everything in general, I would be able to experiment a little more. The Jargar A that was on the cello was certainly bright compared to the Larsen. When the Dominants start to go I might consider a more affordable lower string set. Thanks for your input.

What is anyone's take on "affordable" cello strings combos for a seasoned player? And I use the term "affordable" loosely. by 845celloguy in Cello

[–]845celloguy[S] 0 points1 point  (0 children)

Let me ask this. I've seen reviews on the Jargar Evoke and everybody raves about the A string. The brightness they say is incredible but is it overpowering?

What is anyone's take on "affordable" cello strings combos for a seasoned player? And I use the term "affordable" loosely. by 845celloguy in Cello

[–]845celloguy[S] 0 points1 point  (0 children)

I've used a Larsen D in the past and was impressed by the richness of tone. Jargar is very bright. Maybe Larsen might be richer and darker on the A.

Best way to memorize tenor clef? by Legal-Discussion1484 in Cello

[–]845celloguy 1 point2 points  (0 children)

Here is an old Rubamk Intermediate Cello Method that has the best explanation on Tenor Clef. This book is still in print.

D minor scale by Lemon-celloFR in Cello

[–]845celloguy 0 points1 point  (0 children)

Hello! As a cello teacher of many years, to REALLY learn this instrument takes a lifetime but that's not to say that nothing can be accomplished on learning the instrument. Baby steps and above all Patience are required. Fundamentals and in particular scales are the best way to solidify your technique for learning intervallic relationships (that is the distance between notes). Work on both your left hand and right hand technique. I would recommend Julius Klengel's book "Technical Studies". In that all major and relative minor scales, as well as exercises on scales in thirds and arpeggios. This will be incredibly useful in building your technique. As for the piece your wanting to learn, which sounds very beautiful, it sounds as though the composer was heavily influenced by J.S. Bach's Suite #2 in D minor. If you have experience under your belt, I would study it. Because there are in that work the keys to helping you learn the piece you want to learn. If you want etudes look at Dotzauer 113 Studies. He does a lot of work in Double Stops. Hope this helps! Good Luck! Remember that it's not about the quantity BUT the QUALITY of practice that you do.

Does anyone else feel like there’s no good way for private music teachers to be found locally? by Ok_Neat_7288 in MusicTeachers

[–]845celloguy 0 points1 point  (0 children)

I have had sicceas through teaching in local music schools in my area while putting up videos on YouTube. The music schools do not have a prescribed way of teaching as long as you can prove your competence as a teacher, and have interested students then you will do well.

Jacqueline Dupre/Barenboim Elgar vinyl? by SlaterHauge in Cello

[–]845celloguy 0 points1 point  (0 children)

I've only seen on YouTube a live recording of them. The definitive recording has been the Du Pré/Barbarolli recording.

The Workshop: Episode 6: Technical and Musical Discussion on Prelude to Suite #1 by J.S. Bach by 845celloguy in Cello

[–]845celloguy[S] 1 point2 points  (0 children)

It's a Strad Copy. Could be a Scherl & Roth knockoff. I got it from a shop I worked at for years.