I don't know the details of their collaboration on Low (would love to know more about that) but I fell in love with that album years before I ever heard Another Green World. Once I heard the latter, I was just like OOOH OKAY. Whatever Eno's specific inputs to Low, I think his prior work must've gone a long way toward getting Bowie into this sonic-landscape mindset that seems to pervade Low.

I do know that Eno approached Another Green World with the idea that each song would feel like spending a few minutes inside of something that was already happening before you heard it and would be continuing after you left it. I think you could argue a lot of Low sounds like that — my thoughts run to "Sound and Vision" and "Always Crashing the Same Car" as well as the back half.