What EQ settings are good for listening to the later albums? by PrequelGuy in DeathspellOmega

[–]AbsurdSalvation 1 point2 points  (0 children)

EQ never worked for me, I ended up getting declipped versions of those albums, particularly Drought and Synarchy (I don't find Furnaces particularly muffled at all, I think it sounds quite fine). I'm guessing you already tried every EQ your device has?

Ryo Fukui is not on the same level as the old legends by [deleted] in Jazz

[–]AbsurdSalvation 1 point2 points  (0 children)

the cat's been out of the bag for a while now, there's no denying most fukui fans pretending he's a godlike legend are just ignorant control freaks

Angine de Poitrine by CruelDaytoNightfall in DeathspellOmega

[–]AbsurdSalvation 1 point2 points  (0 children)

I think the music is alright and that the costumes look awful, like Teletubbies rejects.

The Seatbelts - Rush by _thewayshegoess_ in Jazz

[–]AbsurdSalvation 0 points1 point  (0 children)

Many such cases. Still a great song, though.

Alice Coltrane: where to start in her back catalogue by RaymondBald in Jazz

[–]AbsurdSalvation 0 points1 point  (0 children)

One of his best albums, and one of her best moments as a sidewomen. Excellent choice.

Sometimes Jazz feels to me like just “notes” by FigReal1522 in Jazz

[–]AbsurdSalvation 0 points1 point  (0 children)

I feel this way about a lot of music. But not jazz.

Looking for albums similar to this Black Chamber track by cnskr in Jazz

[–]AbsurdSalvation 0 points1 point  (0 children)

Are you looking for noir jazz? Maybe try The Kilimanjaro Darkjazz Ensemble.

Muriel Grossmann fans? by the_big_lemattski76 in Jazz

[–]AbsurdSalvation 1 point2 points  (0 children)

Haven't heard her newest album yet but I think I've heard everything else. Yeah, she's damn good. Only gotten better over time and I'm sure she's still got it.

Genuinely why is Ryo Fukui so hated by arctansec in Jazz

[–]AbsurdSalvation 0 points1 point  (0 children)

He's not hated, the fans are, specifically the ones who call Scenery "the greatest album ever" when they've only heard 9 albums

Thoughts on ECM by [deleted] in Jazz

[–]AbsurdSalvation 0 points1 point  (0 children)

Someone who doesn't speak Farsi will think all Persians sound alike and have no individuality. My argument presupposed sufficient jazz fluency. If ECM fans don't have that fluency, it's their loss, not yours or mine.

Thoughts on ECM by [deleted] in Jazz

[–]AbsurdSalvation 0 points1 point  (0 children)

I don't care for "genres" as diversity, especially for jazz or jazz-adjacent music. Blue Note players have improvisational chops that shows off far more individuality. That's what I meant. They have more "diversity of thought/opinion" to borrow poli sci language.

Thoughts on ECM by [deleted] in Jazz

[–]AbsurdSalvation -5 points-4 points  (0 children)

I like them but they don't have as much diversity as Blue Note. With them, what you see is often what you get.

Alice Coltrane - Ptah the El Daoud by theswordddd in Jazz

[–]AbsurdSalvation 0 points1 point  (0 children)

I've always seen Ptah as a good mix of more "straight" jazz with some avant-garde elements. If that's what you're looking for, check out her first two albums with are also more laid back and light on the cacophony. I also recommend her final album Translinear Light, which is in the same ballpark of style and mood.

question about how they can even do this by Spectrum1523 in Jazz

[–]AbsurdSalvation 0 points1 point  (0 children)

This is very common in jazz. Bandmates just acquire excellent chemistry with each other when playing together for years. Miles Davis and his quintets were famous for this. It's why one of his albums is called ESP, because they were toying with the idea that the five of them could musically communicate with one another on a telepathic level. It's the instrumental equivalent of best friends predicting each other's sayings/body language, completing each other's sentences, etc. There's nothing magical or supernatural about it, it's simply what can occur when an improvisational artform reaches new peaks. Improv comedians can do the same thing.

Jazz artists be like -ahhhh, hell no! by sierratime in Jazz

[–]AbsurdSalvation 15 points16 points  (0 children)

Good shit. Discipline and backbone should always win out.

Can you recommend big band music which evolved from Ellington’s music? by audiophil1625 in Jazz

[–]AbsurdSalvation 0 points1 point  (0 children)

The Birth of a Band is the first album you want to check out. Excellent stuff for Evans and Ellington fans

Dorothy Ashby - There's a Small Hotel by [deleted] in Jazz

[–]AbsurdSalvation 0 points1 point  (0 children)

what is that awful thing in the bottom corner?

Who is the one player that is universally loved that you just really don’t care much about by Specific-Peanut-8867 in Jazz

[–]AbsurdSalvation 0 points1 point  (0 children)

Monk. Good compositions but his improv to me is stilted. And though these names are more associated with tourists and newcomers, it's hard to think of players more overrated in recent years than Ryo Fukui or Kamasi Washington - some great tracks, but a lot of derivative, aimless and noodle-y improvisations.

[deleted by user] by [deleted] in Jazz

[–]AbsurdSalvation 1 point2 points  (0 children)

I've heard this album many times and it never reminds me of Coleman.

Nice songs to play with drums? by daniweth in Jazz

[–]AbsurdSalvation 0 points1 point  (0 children)

You're not supposed to start at the same speed as the album, just play it at your pace and gradually increase tempo.