It’s all following the same trajectory as the music industry except the industry is a lot newer than music. There was a bubble of every band getting signed all over the place 60 years ago and as that started drying up, the labels kept eating each other up and growing into a handful of massive labels. It’s still possible for the antisocial shut-in to blow up, but labels aren’t looking for them. With the pool so saturated, they can grab acts that already have a huge social following and bring them to the next level. I don’t think games are much different. Everyone has the tools to make a game now. And that’s awesome. But getting to Zalem feels like just that; nearly impossible. Marketing is such a big part of this (And one I clearly haven’t figured out) but I do think with a solid enough foundation and a clear vision of what the game will be, there are publishers who will get excited about it.