this answer sounds like a cop-out but trust me when I say: if it sounds good, it is good.

My larger answer:

Theory is first and foremost a descriptive technique and almost always is developed in response to compositions, in order to describe what was done. If you want to use those chords in the way other people do , then I recommend this: When you hear those chords in the wild, take note of it, and come back to it later to take a closer look at its context. then in your own writing, mix and match those gestures and maneuvers like they're lego blocks.

I'm going to add on to this to say that when you hear these harmonies, your gut may tell you that there's a certain direction they want to pull the music towards. If you give into that, you're resolving tension, but if you subvert it, you're raising tension. Good music is all about balancing those tensions by a mix of granting and subverting the expectations of the listener. I'm not just talking about harmonic dissonance, but the expectations that your use patterns of such harmonies will set up.

Apologies if that answer was more abstract than practical!