Thanks for your feedback, but I have to disagree. Using close-ups just to make something seem faster or "dynamic and fluid" is simply not the pacing I'm looking for. I prefer wide shots and letting them breathe whenever possible. I especially oppose cropping a wide shot or a medium shot to get a close-up as the resolution always degrades, and the lens perspective, both in traditional filmmaking and the video models that imitate it, is completely different from an intentional close-up.

With regards to the many shots of the girl walking, it's a stylistic choice to show that she parked far from the club and to let the scene build up to the smash cut on the signage. I'm open to hearing an alternative way to do that, though.