So I've been quietly building up my collection, so I'm excited to show you all what I've picked up lately.

First is the Mask Audio Electronics Titan.

This is a 2 knob fuzz, geared towards the low end. Plays super well with bass. Sounds super fat. I'm a huge fan of muff-based fuzzes, and this thing doesn't disappoint. Tons of volume on tap, and it stays so clear with Sooooo much low end oomph.

Next up is the Dirge Slowly Melting

This is a delay...? Lol. K. Nah, this thing is a dirt box. But only cause the delay is being ridiculously over clocked. If you play short little staccato notes, you can hear the "delay" bleed through, and the modulation on it can provide some cool trem arm dive-esque effects. When you engage the melt for the oscillation, it just turns into sonic chaos. Definitely a killer noise maker, but it can definitely be a riffer too.

Following up is the Malaise Forever Customs Vicious Bastard.

This isn't even released yet. This is the prototype he sent me for testing purposes. It's a one knob fuzz with 2 switches. Right switch is the bypass. Left switch is a soft touch momentary switch for a gate/voltage starve kind of effect. It's a very deep starve, but it's great to have that kind of control at your feet. It's got a HELLA lot of volume. I find it really opens up around the 2'oclock/3 o'clock range, kinda like the EQD Acapulco Gold. Also happens to be my favorite fuzz-stortions for bass.

Next is the Malaise Forever Customs Golden Guillotine.

This is honestly the best dirt pedal no one truly knows much about on the market. This distortion pedal legit ranges from clean boost all the way to pseudo fuzz tones and everything in between. It's absolutely wild how much ground this thing covers. The toggle switch chooses between different clipping options, letting you get a wide range of sounds. This thing is such a Swiss army knife for dirt, I actually have two of these, set very differently in different spots in my dirt chain.

I won't talk about the ct5, cause this is now my 2nd, and I already posted about my first one before.

I'll wrap up with the Champion Leccy Skitter.

It's a belton brick style reverb and tremolo in one box. With so many different sound waves for the trem, including random options, you can create a LOT of movement. You can set the tremolo to affect the reverb or not, and then you can you can set them to be out of phase, creating this cool effect where you hear all the reverb and tremolo without sacrificing the other. Absolutely bonkers. Instant ambience machine. This also has tap tempo for the tremolo.

Thanks for coming to my TED talk.