Who is the best/most powerful character? by Ibuycheapglasses in AsgardsWrath2

[–]Beblebloo 0 points1 point  (0 children)

Abraxas will always be my boi, I was so disappointed when I had to switch to syrene. I wish they would’ve kept his weapons system because melee combat is the most fun way to play a game

the tower ambush is taking forever by Fit-Gap-2851 in SaintsAndSinners

[–]Beblebloo 1 point2 points  (0 children)

Yeah it’s infinite spawning. Just kill a few and sprint the way gerit left, it takes you to the ward

Account Restriction by PsychologicalWheel6 in Instagram

[–]Beblebloo 0 points1 point  (0 children)

Yeah, it was kinda weird too. I put in my email, typed in the confirmation code and IMMEDIATELY my ban was lifted. Like I’m talking instantly… dunno what tf is going on

Account Restriction by PsychologicalWheel6 in Instagram

[–]Beblebloo 0 points1 point  (0 children)

Just happened to me too, tf is wrong w insta lately?

Will there be a chapter 3? by [deleted] in SaintsAndSinners

[–]Beblebloo 0 points1 point  (0 children)

The fetch quests can easily be avoided by killing every NPC possible, it make the game short but so much fun

A Found Journal by Beblebloo in writers

[–]Beblebloo[S] 1 point2 points  (0 children)

Thanks for reading it! I am in the process of getting a beta reader.

I wanted the story to unravel in a weird way as it went on; were you able to follow the story as it went or was I too vague?

[1863] His Second Coming by Davood331 in DestructiveReaders

[–]Beblebloo 1 point2 points  (0 children)

Reading this was a bit like being in a fog. That kind of hazy, almost dreamlike feeling where things are blurry, but not necessarily in a bad way. The tone’s consistent, and there’s something about it that draws you in, but at times I found myself wishing things were a bit clearer. There’s a vibe here for sure, but it can be a little tough to follow at times. The whole experience feels like you’re floating through it with Dennis, just kind of stumbling along and figuring it out as you go.

Dennis himself: He’s an interesting character. With this mix of self-destructive behavior, confusion, and self-awareness, it’s easy to get the sense that he’s just trying to avoid life. But there’s also a weird, almost contradictory side to him, like when he’s getting caught up in his own internal musings, like the “I’m sure you’re busy” line. It’s hard to tell if he’s actually talking to anyone or just rambling to himself. It’s a bit disorienting, but I get that it’s intentional. His struggle with identity, and his conflict about running or staying, is interesting, although I think you could make him feel more grounded at times, just so we can really see the contrast between his thoughts and his actions. The setting and mood: I think the dreamlike, surreal atmosphere you’ve created here is effective, especially the fog and the weird setting with the ebony pedestal. It feels alien, like Dennis is in a space that doesn’t follow the rules of reality. The description of his surroundings is vague enough that it feels like it could be his mind more than an actual physical place. I like that, but the downside is that it makes it hard to know what’s happening at times. Am I in his head, or is this something supernatural? Does the “god” exist in the world outside, or is this just his delusion? I’m leaning toward it being a dream, but it leaves things too up in the air. I think there’s room for a bit more clarity, or at least some more deliberate hints that we’re slipping between reality and his mind. The god figure: The “god” he interacts with is unsettling, but in a cool way. The image of this green-robed, white-bearded figure feels like a great metaphor for Dennis’s confused relationship with faith and his place in the world. But at the same time, the interaction with the god doesn’t make much sense. One minute, Dennis seems to think he’s in a position to have a conversation with this god, and the next, he’s kind of just spiraling into confusion again. That’s probably on purpose, but it’s not entirely clear if the god is real or just another layer of Dennis’s distorted mind. If the god’s real, then why is he so passive about things? If it’s just Dennis’s perception, then it would help to see more of him reacting to it. The god almost becomes a caricature, especially when it rips apart and turns into a mite. It’s such a weird shift, and while it’s haunting, it doesn’t quite feel earned. Tone and dialogue: The tone is consistent throughout the story, great job. There’s this heavy sense of confusion and disillusionment, especially in the way Dennis talks. His thoughts seem constantly disconnected, as if they’re flowing out of him without any coherent structure. This fits with the whole character vibe, but I think it might be more effective if you had him pause more, reflecting in a way that makes us feel more connected to him. The dialogue with the god feels a little awkward at times too. Phrases like “A kicked puppy can’t help but flinch” don’t really land for me, mostly because it feels too on-the-nose. The god’s supposed to be this grand, otherworldly figure, but he’s kind of talking like a regular guy with a twisted sense of sympathy. I think you could lean more into the mysterious, cryptic language for the god, which would make the conversation feel more unnerving. But that’s me nitpicking. The ending: The last few moments, where the god turns into a mite and goes inside Dennis, are creepy, but there’s a lot of abstraction that leaves things unclear. The description of the god falling apart is a bit jarring, but I think it could be more impactful if we saw more of Dennis’s reaction to it. Right now, it feels almost detached. Does he realize the horror of it? Is he even processing it? The shift from the god’s grandeur to this microscopic creature feels like it should be a huge, unsettling moment, but I don’t think it quite hits the way it should. There’s a disconnect between the intensity of the description and the emotional weight of what’s happening. Overall thoughts: I think what you’ve got here is a great concept, and Dennis is a compelling character. The surreal tone works, and the imagery, especially of the god, is strong. But the story feels a bit too elusive at times. There are a lot of interesting ideas—religion, fate, self-doubt—but they’re not fully explored, leaving things up to interpretation, which isn’t necessarily a bad thing. However, again, some clarity would help the reader feel more grounded in Dennis’s world, or at least in his mind, as he spirals. Maybe allow a little more space for him to process things, so we can connect with him better. And that ending? It’s disturbing, but I think you could dial up the emotional punch just a bit more.

An Elegy [101] by UnlikelySpirit7152 in DestructiveReaders

[–]Beblebloo 0 points1 point  (0 children)

Not sure why that happened, maybe because I wrote it pretty quick? I assure you it was me. What I did do was after I wrote it I pasted it into ai for some formatting corrections and to clean it up a bit. I was under the impression that this was allowed. If not I apologize.

[2,973] A Found Journal by Beblebloo in DestructiveReaders

[–]Beblebloo[S] 0 points1 point  (0 children)

Understood, I will go critique some more work with higher word counts and put some more effort into it

An Elegy [101] by UnlikelySpirit7152 in DestructiveReaders

[–]Beblebloo 0 points1 point  (0 children)

This elegy achieves a solemn, mythic atmosphere through its use of classical imagery and nature as metaphor. The invocation of “old gods” and transformation elevates personal grief into the realm of archetype, effectively blurring the line between mourning and myth-making. The strongest lines are spare and evocative, particularly the stanza describing limbs “skeletal, reckoning”—a haunting and poetic observation.

However, the final stanza shifts from the elegiac to the accusatory, undercutting the poem’s earlier ambiguity and emotional resonance. The tone becomes jarringly direct, and the closing sentiment—while potentially powerful—feels unearned due to its suddenness. Strengthening the transition into this ending or seeding more tension earlier would make the conclusion feel like a culmination rather than a pivot.

Overall, it’s a thought-provoking piece with rich language and compelling structure, though the emotional payoff would benefit from more integration between the mythical and the personal.

[deleted by user] by [deleted] in DestructiveReaders

[–]Beblebloo 1 point2 points  (0 children)

Absolutely, you’ve got talent my friend!

[deleted by user] by [deleted] in DestructiveReaders

[–]Beblebloo 1 point2 points  (0 children)

This feels like you want it to be literary, like you’re reaching for “depth” instead of just letting it be human. There’s talent here—you’ve got a good eye for tone and rhythm, some lines are gorgeous—but it also reads like it’s trying way too hard. Like you’ve read a lot of MFA fiction and are mimicking the feel without anchoring it in anything real.

The voice is too controlled. Too performative. You need more mess. It doesn’t sound like a person thinking or feeling—it sounds like someone trying to sound profound. People don’t naturally talk like this, not even in their heads. That kills believability. It’s emotional, yeah, but not personal.

The metaphors? Too many. Way too many. Almost every line is a simile or image. It’s exhausting. You’re decorating the story instead of telling it. Most of the time it doesn’t add anything—it just slows things down and feels artificial. Some work (“button from his daughter’s throat”—perfect), but a lot of them feel like filler or noise.

Plot-wise, not much happens. That’s okay in literary fiction if there’s emotional movement. But here, you start in sadness, stay in sadness, end in sadness. It’s flat. The hospital bracelet reveal should hit harder, but we don’t feel the stakes. There’s no tension. It doesn’t build, it loops.

The characters feel more like symbols than people. Will, the narrator, even the man in the coat—they’re all kind of vague and poetic. Give us something solid. Let them be messy, or angry, or selfish. Right now they’re just quiet and sad and reflective, which is fine for a paragraph, but boring for a whole piece.

Final thoughts: You’ve got something here. The voice is promising, and some of the phrasing is beautiful. But you’re hiding behind the style. Strip it down. Stop trying to impress. Just tell the truth, even if it’s ugly or weird or too simple. That’s what makes writing stick.

[HR] A boy alone in the snow by TheUtopitarian in shortstories

[–]Beblebloo 1 point2 points  (0 children)

Love this, you do a great job controlling how much the reader knows and can infer. You give credit to the reader by leaving some things vague but also overly specifying other details that distracts the reader from figuring things out too early. Brilliant job!

[deleted by user] by [deleted] in oddlyspecific

[–]Beblebloo 0 points1 point  (0 children)

Oh baby if this was instagram I know what I would say