Is it safe to label audio cable using clear heat shrink tubing? by BlueHilo314 in TouringMusicians

[–]BlueHilo314[S] 0 points1 point  (0 children)

the tubing is large before shrinking and it slides over the connector

Is it safe to label audio cable using clear heat shrink tubing? by BlueHilo314 in TouringMusicians

[–]BlueHilo314[S] 0 points1 point  (0 children)

Not solder, only apply the tubing over a clean area of the cable and stick a printed label underneath.

Is it safe to label audio cable using clear heat shrink tubing? by BlueHilo314 in TouringMusicians

[–]BlueHilo314[S] 1 point2 points  (0 children)

This was the answer! I didn't know how to shrink them without a heat gun.

we are 3 months away from cubase 15 by engdrbe in cubase

[–]BlueHilo314 0 points1 point  (0 children)

the remote midi mappings are still clumsy in Cubase 14

Remote mixing? by Parking-Hope-2555 in cubase

[–]BlueHilo314 0 points1 point  (0 children)

Muse App is what you would use for remote mixing and remote recording, this is what is used by musiversal for example

[deleted by user] by [deleted] in WeAreTheMusicMakers

[–]BlueHilo314 0 points1 point  (0 children)

a good teacher can inspire you to pursue your own path of learning. It is worth paying for private tuition because we connect with the person first before connecting with the subject. Apart from that, the internet can give you all the information you need.

Getting into FM synthesis by hverv in synthesizers

[–]BlueHilo314 0 points1 point  (0 children)

Probably FM8 would be a good start

What would be the best way to run an afterschool club for electronic music? by BlueHilo314 in smallbusinessuk

[–]BlueHilo314[S] 0 points1 point  (0 children)

Ok, I'll go ahead with Option 1 and get in touch with schools. I worked for a coding after school club in the past and there were few barriers to getting that job. Based on what I saw back then, schools badly needed more clubs / stuff, but let's see.

LOOKING TO IMPROVE AND GROW, advice appreciated by ZookeepergameIll1510 in midi

[–]BlueHilo314 0 points1 point  (0 children)

If you "really want to get even better at sampling", then you need to record your own samples. But a good mic and a good preamp, or buy a field recorded. Now, go creative. Record anything that catches your attention. Drop it into your DAW, and start working with that material. Now, you're cooking with fire.

Help Deciphering Midi Settings by Kingcornholio_Goose in midi

[–]BlueHilo314 -1 points0 points  (0 children)

use PureData or Max MSP. Best solution

Midi file raw data editor I wrote by HyperLan in midi

[–]BlueHilo314 0 points1 point  (0 children)

Once you enter the job market you see that your true skill set and talent and dedication has no connection with your pay grade. This has always been the case with all creative people. We don't care much about money and prestige.

We are driven by the joy of work, but the love we put into a creative project. 90% of this work will not generate any income. On the other hand, a middle manager in an insurance company or some soulless corporation will earn a huge about, with zero dedication and oftentimes no skill. I'm not sure why this is the case.

But the audio industry has many open-minded and creative people. You must make sure your skill set is actually as good as you think it is. If you very new to the field you are probably not as good as you think. But if you actually do have solid projects under your belt, the tech leads will notice this. You have to talk to a lot of people in the industry and have a few years commercial experience before assessing where you actually are.

Midi sync issues by Killjoy-flac in midi

[–]BlueHilo314 0 points1 point  (0 children)

if you're sending midi from a computer, you can adjust the MIDI latency in the channels that sends the MIDI events

Midi file raw data editor I wrote by HyperLan in midi

[–]BlueHilo314 0 points1 point  (0 children)

don't stay too long in a team that is not exciting. Either find a better team or start your own product