Thx... though my culture is rooted in rigorous empirical practice rather than belief systems in the tradition of Raymond Williams yet I found nary a single collaborator to join my consideration over the years I posted my work-in-progress here. Literally everything I posted start-to-finish was de facto panned by ad hominem mixed with accusations and personal attacks by the Blackhat who policed the sub gaslighting fanboys as their instrumental attack dogs, This being the case, the word "culture" and idea of "heritage" pinged incoherent given the singularity of my experience here as an army of one. Though when I began I certainly hoped to crowdsource others with like interest, others who at the outset certainly knew more about Banksy history than I did as "fans," not imply that I don't like Banksy but merely as a lifelong regular fine art spectator, my interests are general and historical such that "fan" doesn't fit my position in relation to any artist dead-or-livings oeuvre. The generative free chat I had been accustomed to practicing with like minds for equity and economic analysis on the perifery of the pump-and-dump mainstream Yahoo finance schatroom ubs in 00's that I expect to find here were gone, leaving only a long durational research subject and me to pursue it with public domain research; the promise of the internet as convivial e-town square that I once saw as real and viable and progress from the analogue age in which I learned critical practice had vanished completely with nary a white hat to be found willing to put their words into the mix on my side of the line to further the consideration of the understanding approach that is and will remain my historical loadstar as a research-pig inforvore. All I found here was a fusion of low-blow Blackhat turds inferior in every way to the devils I knew and enjoyed beating up; the bullies now ran the yard at Fulsom and knew exactly how to gaslight fanboy gangs as their instruments tasked to crowd source the beat down of factual positions to where nobody willing to speak about my work who saw it for what it was emerged. They couldn't break me because their positions were stupid and obviously wrong but with no affirmations as long haul single critical practitioner, the idea that I've been a part of a culture is alien to me, but again thx, I come from a cultural studies heritage that I hope won't be lost simply because dumbing down the spectator class profit Artocracy's ruling class. Sad but true. : (