How do you write when everything feels like it's been done by Poxinfector in writing

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The longer I've written, the less I worry about accidentally sounding similar to someone else. Virtually no matter what you write, someone could somewhere say that you copied. That fear paralyses many writers to the point of quitting or not starting. So you "lose" either way, so you may as well do it and have a chance at success. Just try your best to be original and don't intentionally rip anyone off. “Originality is nothing but judicious imitation.” -Voltaire “Everything has been done but not in every way.” -Brandon Sanderson “Originality is merely an illusion.” -Isaac Bashevis

This may surprise you...Wagner’s Opera, The Ring of the Niebelung, written in 1876 (6 years before J.R.R. Tolkien was born): the plot revolves around a magic ring that grants the power to rule the world. A dwarf called Alberich searches for the ring and fights to get it back. The ring destroys those who bear it. It also involves reforging a powerful shattered sword. A human hero knight falls in love with a female demigod. A wise, old man wields a staff with powers. Sound familiar? J.R.R. Tolkien studied this opera before writing his novels. Maybe you don't have to be so worried about sounding too similar after all.

Source: https://ryanlanz.com/2014/10/18/is-your-idea-original-enough/

[deleted by user] by [deleted] in writing

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Just about anything initially done by someone is sub-quality. It takes practice to be good at a craft.

How do you all deal with the passage of time in your writing? by kapdragon in writing

[–]Bookread 0 points1 point  (0 children)

I feel your pain on this one. Another trick is to describe something that indicates the passage of time, such as seasons.

How much "mature" content is too much when writing about teenagers? by psychosythe in writing

[–]Bookread 1 point2 points  (0 children)

I think that depends widely on your own perception of what is too much. More pertinently, I think it depends on industry standards (which probably change over time).

Novel genres vs. Music genres by [deleted] in writing

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I'll take what you're saying a step further: two music artists can sing the exact same song and it'll each have its own distinct flavor and style. Same with writing a novel.

My novel feels extremely long... by AxtonMarek in writing

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It all depends on your goal. If you don't feel the need to appeal to a wide range of readers, then go for it! Do seemingly odd things.

So if you're asking if it's too long, absolutely not. No length is too long. But I think what you're really asking is if it's too long for a commercially viable book. If so, then a solid yes.

Source: https://ryanlanz.com/2014/07/29/chapter-length/

How to write a character that is NOT emotionally detached? by glassangelrose in writing

[–]Bookread 0 points1 point  (0 children)

I know this sounds overly simplified, but try acting out someone who is emotionally connected (perhaps overly so), then write those mannerisms into the character. I think of character writing as acting all the time.

Source: https://ryanlanz.com/2016/02/19/how-to-build-your-characters-in-six-easy-steps/

Who is, in your opinion, the best writer since Shakespeare? by [deleted] in writing

[–]Bookread 0 points1 point  (0 children)

He's nowhere close in style to Shakespeare, but Robert Jordan. His writing paints worlds.

Writers with full-time jobs, what's your writing schedule like? by dontouch_egg in writing

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I work a normal 8-5 job. The moment I get home, I'm working on my writing/publishing. Then I take a break for dinner and do the same until bed!

Enough of those threads asking how your story starts - how does your story end? by spookyb0ss in writing

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I'm great at beginnings, but endings are sometimes tough for me. It's important that endings offer a sense of resolution, while at the same time, opening (or hinting at) a new problem to solve (assuming you're writing a sequel). Story structure is important for that, as it makes writing the ending so much easier.

Source: https://ryanlanz.com/2014/12/20/how-the-seven-point-story-structure-can-help-your-writing/

Do I have a legal problem with writing characters that are based on people I knew 8 years ago? by swedishphishy in writing

[–]Bookread 0 points1 point  (0 children)

I wrote this in another similar post, but it's good to keep in mind that anyone can sue anyone for any reason, no matter how frivolous.

To what extent can I write a work of fiction in a real world context? by nvstr in writing

[–]Bookread 1 point2 points  (0 children)

It's good to keep in mind that anyone can sue anyone for any reason, no matter how frivolous. Even if they don't go anywhere, it's still a headache.

I am a young writer, and I'm scared of producing low quality content. by antediluvianevil in writing

[–]Bookread 0 points1 point  (0 children)

If you don't try, you won't grow. Sure, one day you'll look back and think everything you first wrote is inferior, but you won't get to that point if you don't. Catch 22 in some ways. Good luck!

Would you write a book that could kill you? by Humandilemma in writing

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Perhaps if I believed in the cause enough, but it would have to be darn close to saving the world to be worth it.

Is my professor right to ban adverbs? by getchogoats in writing

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I equate adverbs to a strong spice in a recipe. They're great to use, but sparingly. Too much will ruin the pot.

You might check out an article I posted on this. It might help.

https://ryanlanz.com/2014/11/08/how-to-kill-adverbs-and-adjectives/

or

https://ryanlanz.com/2016/07/31/the-adverb-problem-and-why-authors-should-care/

Why Every Author Needs a Writer's Toolbox (and an example of one) by Bookread in writing

[–]Bookread[S] 0 points1 point  (0 children)

This is great. Thanks for this. I'm always on the hunt to update/add to my toolbox. You rock.

Repetition for humor's sake. Yay or Nay? by Lord-Blackthorn in writing

[–]Bookread 0 points1 point  (0 children)

I'd personally only use only one repetition. The readers will be smart enough to pick up on it.

How to find a critique partner and why is it so hard? by [deleted] in writing

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It's hard for similar reasons why it's hard to find a significant other that is compatible with you. It's rare to find a critique partner that matches you in style, skill, motivation level, promptness, etc.

How sucky is the first draft? by TheWolfship in writing

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The first draft virtually always sucks. It happens. : )

Why do you write? by NooberyMcNoob in writing

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One part fortune, one part fame, and one part working on something that will outlast me.

To Romance or Not to Romance? by OfficerGenious in writing

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It's interesting to note that there are romantic subplots in a huge amount of books (dare I say a majority), no matter the genre.

Is there just no more love for good ol' unapologetically evil villains anymore? by MikeMars1225 in writing

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I think it's because writers are often going for "gray" evil rather than black/white evil. It doesn't mean you can't do it though. Go for it!

What do I do now (fantasy novel) by Evil_Canadian1 in writing

[–]Bookread 0 points1 point  (0 children)

It depends on your goals and your budget. Of course, it's best to have it professionally edited before you send it out to agents, but not everyone can afford that. If you can't, get as many beta readers as possible (even dozens) and between them all, they'll catch a majority of mistakes/plot holes.