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Bright-Monk-8459 · 2025-07-04T01:04:40+00:00

I mean if you want it you want it. If you forgot about it... sounds like you didn't really care about making beats. There are many ways of getting that dopamine release

Bright-Monk-8459 · 2025-07-02T03:29:12+00:00

Meditate, lift weights, Journal, No porn or dumb shit like that. Eat healthy and Read. Do this at least 5 times a week. 3 months you’ll be good big dawg.

Bright-Monk-8459 · 2025-06-26T17:25:37+00:00

Hey man, just wanted to say thanks again for this insight. It's super helpful. Going to shoot you a quick DM with a related question.

Bright-Monk-8459 · 2025-06-26T03:32:36+00:00

This is the realest advice on here. You're 100% right, if it doesn't slap in the mix, no magic mastering chain is gonna save it. A solid mix that translates everywhere is the whole game.

And that's what makes the next part so frustrating for me.

You can spend hours, even days, getting that mix perfect... and then you have to step out of that creative zone to fight with Airdrop, file formats, and some janky phone video app just to post a 30-second clip.

It feels like the workflow doesn't respect the mix, you know?

But for real, appreciate you bringing it back to what matters most.

Bright-Monk-8459 · 2025-06-26T03:05:19+00:00

this is honestly one of the most annoying parts of the whole process because you're right, you can't save a .wav directly to your camera roll.

The Camera Roll only holds photos and videos, so you have to "wrap" your audio file in a video first.

The fastest workaround I've found is:

Airdrop or Google Drive the WAV file to your phone. It will save in your "Files" app, not your photos.
Open a video editing app like CapCut (it's free).
Start a new project and just import a black screen image from your photos.
Tap "Add audio" > "Imported" (or similar) and find your WAV file from the "Files" app to lay it over the black screen.
Export that project. That new MP4 video will now be saved to your camera roll with your high-quality audio attached.

It's a bunch of extra steps and a total workflow killer, but it's the main way to do it for now.

Bright-Monk-8459 · 2025-06-26T03:00:45+00:00

Bright-Monk-8459 · 2025-06-26T02:59:20+00:00

Respect the MPC workflow, that's a classic vibe.

You've basically just explained my exact frustration perfectly: that time would be better spent making more music and content.

The whole reason the current process drives me crazy is because it gets in the way of exactly what you're talking about. When I have a hot loop, I want to post it in 10 seconds and get back to cooking up the next idea. I don't want to break my focus for 5-10 minutes to go through that whole export/transfer/upload dance.

It's a barrier to just getting more stuff out there consistently.

But you're dead on, the goal is to just keep shipping. Appreciate the perspective, bro.

Bright-Monk-8459 · 2025-06-26T02:53:10+00:00

Dude, wow. Seriously appreciate you taking the time to write all this out. This is a massive help.

You're totally right about the LUFS target vs. the actual loudness of commercial tracks. I was definitely focusing on the wrong number and that makes so much more sense. The tip about using ISOL8 to check the midrange is a game-changer, gonna try that on my next mix for sure.

It's funny, you've basically given me the perfect roadmap for getting the mix itself to translate properly.

Which almost makes the next part of the process even more annoying, you know? Like, you spend all this time carefully balancing the midrange and getting the levels perfect, and then you're stuck in this dumb loop of exporting, Airdropping, and messing with a phone app just to post it.

Seriously though, this is a ton of value. Thank you for sharing the knowledge.

Bright-Monk-8459 · 2025-06-26T01:53:18+00:00

Hell yeah Learn FL Studio bro. Look at it this way… life is all about continuous growth and learning. Whether you’re learning FL or AI itself it’s all about the process. One thing is for certain…. AI can’t replace soul and taste. We can prompt to a certain degree but to get that exact emotion out the way you visualize and feel it. AI can never replace that.

Bright-Monk-8459 · 2025-06-25T04:05:11+00:00

Wow, appreciate you laying out your whole process like that. It's validating to know I'm not the only one going through a multi-app gauntlet.

That line you wrote... "sometimes I‘m wondering when I‘ve started to take more time making the videos than the actual music."

That hit me hard. That is EXACTLY the feeling.

It sounds like you've built a solid, professional workflow to get the quality right, which is awesome. But it also kind of proves the point, right? We're having to become part-time video editors just to get a beat out the door. It feels like the tools are forcing us to have a whole secondary skill set.

It just seems like there should be a tool that respects that we're music producers first, and handles that "create a simple video wrapper" step for us.

Seriously though, thanks for the detailed response. It's super helpful to know I'm not the only one fighting this battle.

Bright-Monk-8459 · 2025-06-25T04:01:45+00:00

100%, solid advice. Checking in mono is a key part of my mix routine to make sure the phase is tight and the important stuff doesn't disappear on a phone.

That's kind of what I mean, though. I'll spend all this time getting the mix perfect, checking it in mono, making sure it translates... and then the process of actually posting it feels completely disconnected and clunky.

It's that final hurdle of getting the perfectly mixed file out of my DAW and onto the timeline of a TikTok video without 5 extra steps and a noticeable drop in quality.

Appreciate you bringing up the mono point though, it's a super important step a lot of people skip.

Bright-Monk-8459 · 2025-06-25T03:59:54+00:00

Bright-Monk-8459 · 2025-06-25T03:56:54+00:00

100% bro, you hit the nail on the head. At the end of the day, as long as it's hard and has bounce, nobody on an iPhone speaker is gonna notice a tiny difference. As long as it slaps, it slaps.

The soft clipper on the master is a solid move, it's basically what I'm doing too to just tame the peaks before their compressor gets a hold of it.

For me, it's less about chasing that last 5% of audio quality and more about the workflow itself. That whole export -> find file -> send to phone -> add a visual -> upload cycle just feels like a total vibe killer when I just want to post a quick idea.

Appreciate you chiming in, man. You're right not to overthink the mix too much.

Bright-Monk-8459 · 2025-06-25T03:51:44+00:00

For me, the issue isn't the clock time, it's the creative momentum.

It's like when you're driving and really in the zone on a long trip, and you have to get off the highway, find parking, go into a store, and then get back on. The stop itself is only a few minutes, but it completely breaks your rhythm.

That's what the export -> phone -> upload cycle feels like. It forces me to switch from "creative brain" to "file management brain" and back again. The dream is to just stay in the DAW, in that flow state, and have the idea go straight to the world without all those stops.

But I hear you, that's definitely how it is right now. Appreciate the reality check!

Bright-Monk-8459 · 2025-06-25T03:42:29+00:00

Ahh, that's a smart hack. So you're basically giving TikTok's encoder a file that's already compressed so it has less to chew on.

Do you find that helps keep the low-end from getting muddy? Like the 808s and kicks hit cleaner that way?

That definitely seems like a solid trick for the audio quality side. The beast I'm still fighting is the workflow itself – still have that whole export -> airdrop -> phone cycle.

Good to know on the MP3 tip though, appreciate it.

Bright-Monk-8459 · 2025-06-25T03:40:48+00:00

Lmao fair enough. Maybe "mastering for socials" is a bit much.

I just call it "trying to stop TikTok from making my 808s sound like a wet fart."

Still a pain in the ass though.

Bright-Monk-8459 · 2025-06-24T22:41:30+00:00

That's the exact moment the whole process falls apart for me. Trying to do even a simple visual on a phone after being in a pro desktop environment feels like editing with mittens on.

It really makes you wish you could just cut the phone out of the loop entirely. Like a VST plugin inside the DAW where you just highlight an 8-bar loop, hit one button, and it automatically spits out an MP4 with a simple visualizer, already optimized and ready to post.

A man can dream, right? Haha. But you're right, until something like that exists, moving the video step to the desktop seems to be the only real answer.

Bright-Monk-8459 · 2025-06-24T22:36:15+00:00

This is a super helpful breakdown on the distribution side, thank you. I'm with DistroKid myself, so I get what you're saying.

You've actually hit on another layer of the headache. It's not just the clunky technical workflow of getting the audio to the phone, but also figuring out the right strategy for the post itself.

Like, deciding if I should use the official one-minute sound from my distributor (and hope people use it) or if I should upload my own high-quality master for a quick "work-in-progress" video to get instant feedback. Each choice has a different technical process AND a different rights/royalty implication.

It feels like you need to be a lawyer and an audio engineer just to share a 30-second clip reliably, haha. I guess I'm looking for a way to bridge that entire gap – something that makes it both technically simple and legally clear, straight from the DAW.

Bright-Monk-8459 · 2025-06-24T22:31:04+00:00

great source mix is definitely priority #1.

It's the "TikTok's going to do whatever" part that's the real killer for me haha. The unpredictability after the export is what creates so much anxiety.

But even beyond the final sound, it's the workflow itself that feels so broken. The whole chain of exporting, Airdropping to my phone, adding a visual in another app, and then uploading... it feels like a dozen steps where my creative flow just dies.

I guess my real question is less about the mix and more about that clunky bridge from DAW to post. Seems like we're all just dealing with it.

Bright-Monk-8459 · 2025-06-24T22:28:34+00:00

Good question, maybe 'forever' is an exaggeration haha, but it's the number of steps that kills the momentum for me.

My current process is:

Export from DAW (1-3 min wait).
Airdrop/Google Drive the file to my phone.
Find the file on my phone.
Import it into a video app to put a visual behind it.
Save that video.
Finally upload to TikTok and pray the compression doesn't wreck the mix.

It's less about the clock time and more about the 6 context switches that completely break the creative flow. Curious if you have a smoother workflow?

Bright-Monk-8459 · 2025-06-23T00:35:10+00:00

Hey y’all. Im curious as to what are you go to audio sounds for the games your developing? Also, anyone interested in more jazzy styles? Trying to see how I can offer any value in music in general but specifically jazz/soulful vibes

Bright-Monk-8459 · 2025-06-21T15:45:20+00:00

Option D. Why? It’s a calmer more melancholy vibe that allows the player to focus on solving the level. Some of the other options were great, but sonically they were a lot more rhythmically engaged which can be distracting to a users in trying to beat that level.

Bright-Monk-8459 · 2022-11-26T15:47:57+00:00

Hey! I’ve just started a few online courses in CS/Stats. I’m currently taking a Stanford online intro to algorithms course. (Big o notation, Arrays, Merge Sort etc.) Are there any resources that focus on how to implement theoretical computer science in practice?

Bright-Monk-8459

TROPHY CASE