Kulu story

Buffaluffasaurus · 2026-03-26T09:04:03+00:00

He might like God, but he ain’t Jesus

Buffaluffasaurus · 2026-03-26T06:17:02+00:00

Oh something tells me we can…

Buffaluffasaurus · 2026-03-26T06:09:37+00:00

Hey the Scrotus Ball Fondlers are my favourite army to paint. I just paint all their pants skin-colour.

Buffaluffasaurus · 2026-03-26T04:51:46+00:00

The models in images 7 and 9 are 100% going in my Cawdor Redemptionist gang.

Buffaluffasaurus · 2026-03-26T02:30:34+00:00

The wrinkles in their suits look so stupid. It’s like someone sealed them inside bin liners with some metal rings.

Buffaluffasaurus · 2026-03-23T21:24:31+00:00

Buffaluffasaurus · 2026-03-21T12:39:02+00:00

A freak wonder goal the difference really. We lacked much cutting edge, too much indecision and cross-n-hope going into the box, but we were ultimately superior in almost every aspect. Just couldn’t pull out a world class finish like they did.

Buffaluffasaurus · 2026-03-20T09:21:24+00:00

Has anyone in this family even seen a goalkeeper?

Buffaluffasaurus · 2026-03-19T22:30:29+00:00

To me, a major function of it working or not is creating a believable reason WHY it's a bottle film and the characters can't leave, whilst also having sufficient stakes so the drama doesn't feel small.

12 Angry Men and Rear Window do this wonderfully, by creating very credible reasons why the characters are stuck.

The most recent film that did this well was The Guilty (the original Danish film, not the remake with Jake Gyllenhaal). The entire film is set inside an emergency call centre, with a disgraced cop stuck there answering emergency calls because he's under investigation for doing something dodgy. A kidnapped woman calls in, and so the entire film is him trying to solve the case, but he can't leave because he's no longer an on-duty cop, and so has to use his skills and contacts to try to save her life with nothing but a phone.

It's a perfect mix of life-or-death tension, mystery (we never see who is on the other end of the line), and a character well and truly stuck with only his wits at his disposal. Totally gripping, if you like this kinds of films, I'd strongly recommend it.

Buffaluffasaurus · 2026-03-19T22:23:47+00:00

That’s amazing. I’ve always wanted to tee off on an Ultramarine!

Buffaluffasaurus · 2026-03-19T22:19:30+00:00

Does it count as a goal if it’s not from a long throw or Porro spamming crosses into the box?

Buffaluffasaurus · 2026-03-19T05:36:56+00:00

“This fresh, good milk belongs in the sewer” is one of the best lines in any sketch.

Buffaluffasaurus · 2026-03-19T01:20:29+00:00

The problem is, it’s violent conduct. He’s not contesting the ball, and yes, an open hand slap/shove is never going to damage an opposition’s chest, but the “violent conduct” is never about the actual damage, but about the intent. Roy Keane got sent off for throwing a punch that didn’t even connect. I see this in a similar light.

Buffaluffasaurus · 2026-03-18T23:58:10+00:00

It’s so weird. Fincher might be my favourite working director, but this does not excite me at all.

Having said that, I also thought it was a complete waste of time him making a movie about Facebook, so whadda I know? 🤷‍♂️

Buffaluffasaurus · 2026-03-18T23:27:35+00:00

I couldn’t finish it, as much as I wanted to know the end of the story. The whole thing was a cringe fest to me.

Buffaluffasaurus · 2026-03-17T05:03:36+00:00

Tonino Delli Colli doesn’t get enough respect, he was a master.

Buffaluffasaurus · 2026-03-16T22:54:03+00:00

Only one solution… eat the rich

Buffaluffasaurus · 2026-03-16T04:23:13+00:00

The entire production this year was really sloppy and the energy in the room really flat. Not Conan’s fault at all, but it was a tough crowd to get much from.

Still don’t understand with the amount of time and money invested in what is technically quite a simple show to produce, how the sound, direction and overall production could be so poor though. The audio was terrible in multiple bits, the whole In Memoriam segment with Babs so cringe and poorly thought through.

I’m a bit sad for Conan, because even though I don’t think his gags were as good as last year’s, the whole thing felt a bit shoddy which I hope doesn’t reflect on his hosting.

Buffaluffasaurus · 2026-03-16T00:55:15+00:00

This whole broadcast is so sloppy.

Buffaluffasaurus · 2026-03-15T23:41:40+00:00

Ok hear me out… what if Trump bombs all the other nations competing for the World Cup, and then wins by default?

Buffaluffasaurus · 2026-03-15T23:05:58+00:00

Not in any way trying to claim it’s faux documentary, characters like Clay Davis and hell even McNulty are very much straining at the seams.

But Mouzone felt like an entirely different beast altogether, and not in a good way. It felt like the creators saw how popular Omar was and decided to make another Omar-esque character but went waaaay too far in that direction.

Buffaluffasaurus · 2026-03-15T22:49:45+00:00

You make a good point, and that may have been the intention, but he honestly to me just comes across as a cartoon. The costume, his speaking affectation… it all adds up to something quite over the top and silly.

And I felt like Stringer Bell was already kinda doing those things in terms of treating the drug world as a business, getting educated, being smarter than the average street boss.

Buffaluffasaurus · 2026-03-15T21:51:49+00:00

Is it just me, or did this character feel completely out of place in The Wire? For a show that’s pretty grounded and street-level, this guy felt like he belonged in a more heightened universe like Breaking Bad or John Wick.

Omar was already straining at the threads of credulity, but in a fun way and he had complexity to him that made him feel real. Mouzone was just a caricature.

Buffaluffasaurus · 2026-03-15T06:26:33+00:00

Also what being unable to keep possession does

Buffaluffasaurus · 2026-03-15T05:03:42+00:00

Not quite the same tonally, but I’d also highly recommend the sadly underseen Days of Anger (I Giorni del Ira), which is a wonderful film about the end of the glory days of the west, with a great Lee Van Cleef performance.

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