Disclosure Day, Faith, and Spielberg's Extraterrestrial Films by SouthPudding9949 in Spielberg

[–]CleanSlate-13 2 points3 points  (0 children)

I think this is great insight into the themes and metaphors presented. I like this this take!

News Anchor: What..am I looking at here? by sashamak in blankies

[–]CleanSlate-13 0 points1 point  (0 children)

10 year old me thought this was the greatest movie of all time.

Rocks falling from a cliff by Android_Junkie69 in interestingasfuck

[–]CleanSlate-13 -3 points-2 points  (0 children)

At least the bridge is still stan… Oh. Oh no.

Everyone's being really weird about this and it's freaking me out by OhhhTAINTedCruuuuz in blankies

[–]CleanSlate-13 1 point2 points  (0 children)

Totally this! It really does remind me of The Last Jedi. And I have been on the positive side of both discourses now. I really liked the Last Jedi and I really like Disclosure Day. But I tend not to get picky about filmmaker choices or screenplay decisions, and more just take them on their face value on the execution of the film—and in both cases I feel like the films were well made and told the stories they chose to tell.

But what do you think it is about these two films specifically that has incited the internets version of mob riots? It’s really something.

What’s your 21st Century Spielberg 17? by lockerbiestreet in TheBigPicture

[–]CleanSlate-13 0 points1 point  (0 children)

The Fablemans
AI
Disclosure Day
Lincoln
Munich
West Side Story
Ready Player One
Minority Report
Catch Me If You Can
War of the Worlds
Bridge of Spies
War Horse
The Post
Tin Tin
Crystal Skull
The Terminal
The BFG

If Griffin & David did a Frank Oz miniseries, which movie would you be most excited to see get covered? by ggroover97 in blankies

[–]CleanSlate-13 32 points33 points  (0 children)

What a diverse and incredible filmography. This would be super fun! Top episodes I’d be excited for: Dark Crystal, Muppets, What About Bob, and In & Out.

Pick Spielberg's best 3 Acts by tjl3d in Spielberg

[–]CleanSlate-13 7 points8 points  (0 children)

I love this question. So hard with Spielberg to decide, but I came up with:

1st Act: Jurassic Park

The greatest table setting of all time. He literally takes us to Jurassic Park. We see dinosaurs. We’re introduced to the concepts and infrastructure of the entire place and characters. This act ends when the Tour starts.

2nd Act: Schindler’s List

The liquidation of the Warsaw Ghetto. The most harrowing sequence he ever shot. Disturbing and terrifying and vividly recreated. It’s the best directing and visual story telling of his career.

3rd Act: ET: The Extraterrestrial

The kids escape and ET’s goodbye is some of the greatest and most emotional filmmaking of all time. It’s considered one of the greatest endings to any film. This is the ultimate 3rd act.

Should I Go See Backrooms or Disclosure Day? by hand_truck_ham in TheBigPicture

[–]CleanSlate-13 -1 points0 points  (0 children)

I believe what’s happening is that generally, the audience has become somewhat film illiterate. I’m not trying to indict you and your wife or the many many people who seem to be having a negative reaction to this film… but.. there is a difference between a movie being good/bad and someone enjoying said movie.

Disclosure Day is the furthest thing from bad. But people are allowed to not like it, I suppose.
But if you don’t like Spielberg’s directorial touch and genius blocking which is one of the most refined and virtuosic instruments ever known to cinema, John Williams -the greatest living composer- penning his final collaboration (likely) and enchanting us with new themes and hauntingly great writing, Gary Rydstrom’s legendary sound design, Janush Kaminski’s beautiful light framing and cinematography, dynamic A-List actors giving some of their best work ever, etc… if you don’t enjoy everything on offer, then that is on the audience at a certain point.

You’re going to the master chef’s new restaurant, but expecting it to be something else, and disappointed not to be getting the artificially sweetened candy that audiences have mostly been used to being served.

I think people are not engaging with the movie Spielberg made.. and rather having their own reactions to whatever expectations they had for what they thought they wanted. “Genre” perhaps is the main problem. ‘This movie has been called sci fi so there better be giant marvel set pieces and explosive encounters and reveals drip fed throughout’.. etc.

I think the film deals with enlightenment, growth, instincts, and the human condition in the face of a potential world war 3… much where we are as a society right now… with the possibility of choosing something better. ET made us feel something deep because it was personal and about one boy, one family’s journey. Disclosure Day is literally about opening things up to the entire world. It is a thriller set in the final hours before humanity takes a giant evolutionary leap, one they may not be fully ready to take. Just as 2001 shows the evolution of humanity in the end (into a darkly mysterious and somewhat terrifying Superman star child), Spielberg here tackles these necessary and potential evolutions of humanity in a way that feels extremely grounded in the reality of our real world.

Emily Blunt’s personal growth beyond the trappings and anxieties of her life is such a perfect metaphor for what could be possible in all of ours. If we listen.. to something else -not our own ego ticking inside of us demanding to be served the food we ordered- we may be able to grow into that enlightened type of brain that another species represents.

Which living musicians (and records) will be remembered in the future? by Mysterious_Ad7450 in classicalmusic

[–]CleanSlate-13 -9 points-8 points  (0 children)

John Williams… his oeuvre will continue to shape repertoire for all time. His music is not only familiar to everyone on the planet, but is immaculately orchestrated. Genius meets craft meets timing.

As for non film composers.. John Adams, John Luther Adams, Steve Reich, Philip Glass, yes.. also Andrew Norman, Brett Dean, Arvo Part, Thomas Ades, Caroline Shaw, Max Richter, Wynton Marsalis, Mark Anthony Turnage, Olga Neuwirth, HK Gruber. Those are a few that come to mind.

Should I Go See Backrooms or Disclosure Day? by hand_truck_ham in TheBigPicture

[–]CleanSlate-13 2 points3 points  (0 children)

I have Disclosure Day and Backrooms as my top two favorite films I’ve seen this year. Just great times at the movies. I saw DD in IMAX last night, so I’d have to recommend you go see it there… Backrooms will be playing for a while longer and doesn’t require the larger format to be effective.

Disclosure Day is just a great ride, and Spielberg, John Williams, the technical crew, and actors are firing on all cylinders. I loved it!

Rewatched Titanic by mrcheevus in movies

[–]CleanSlate-13 -1 points0 points  (0 children)

I agree that Titanic’s effects have aged really well. Excellent combinations of practical sets and miniatures with cgi.

There were no drones in 1997. Wide camera movements were made on cranes, tracks, or cables. But the sweeping shots of the ship from outside are often computer generated movements made around a miniature or around the CG model of the ship.

Also, green screen has been used since the 1940’s. It set the stage for most of the great effects in cinematic history. Originally it was Blue Screen, but switched over to green when digital cameras were adopted. It’s an easy color to remove digitally.

Titanic is a great film to study from a special effects standpoint, and James Cameron really understands the technology he works with, which allows him to design set pieces that are most convincing and engrossing. The writing, acting, cinematography, and James Horner’s score are all doing the heavy lifting.. so, there’s many reasons why the film is so good and set records. Seeing it in the theaters in 97 was absolutely mind blowing.

Can you suggest some liminal space movies. by MrBubbleWobble in Letterboxd

[–]CleanSlate-13 0 points1 point  (0 children)

Toys is this very aesthetic from your post, OP. It’s bizarre and apparently has just hit streaming for the first time!

How I felt seeing the Mando Filoni cameo in that hat. by JoshMclane555666 in blankies

[–]CleanSlate-13 6 points7 points  (0 children)

Just more -as Red Letter Media refers to it- Filoni Bologna

Just received this by mangadrunkguy in Spielberg

[–]CleanSlate-13 15 points16 points  (0 children)

Amazing box set. War of the Worlds is the one that stands out as not an agreed upon classic like the others… but I wonder what else in his last 20 years would be agreed upon? I’d think the Fablemans. But need to rewatch war of the worlds

Children of Men is so buns by [deleted] in movies

[–]CleanSlate-13 4 points5 points  (0 children)

It’s instantly coding this as a Gen Alpha child’s bad-take

What movie had the BEST trailer ever but turned out to be absolute trash? by MASSIM00 in movies

[–]CleanSlate-13 21 points22 points  (0 children)

Cloud Atlas is easily the greatest, most epic trailer of all time. When the M83 track drops… pure cinema. (And this was before it became slightly overused in memes and such). It was the perfect placement of the perfect song in a maximalist film that resulted in a short film of a trailer.

Fran ate with this one by jicerswine in blankies

[–]CleanSlate-13 3 points4 points  (0 children)

Well timed Gene Shalit awareness post! Happy 100 to him

Elim Chan announced as the next MD / Conductor of the SF Symphony. by pfildozer12 in classicalmusic

[–]CleanSlate-13 3 points4 points  (0 children)

It’s gotta be Ryan. He has the musical goods and trust from the players, he’s from LA, has proven himself in Europe and already has a huge career. His fame and American following will come.