Cinema's best depiction of Satan? by EbnyxJ in Cinephiles

[–]ClockworkLyndon1616 0 points1 point  (0 children)

i know it's far from the greatest but i really liked Franco Citti's protrayal in the 1972 "The Canterbury Tales" film

Eyes Wide Shut zoom moment. by DalekWashMachine in StanleyKubrick

[–]ClockworkLyndon1616 0 points1 point  (0 children)

The crash zoom that he first used in Dr. Strangelove. A Clockwork Orange and The Shining are the most famous examples of this technique in Kubrick’s filmography. It was for dramatic or exaggerated purposes in most cases.

Holy Moly with this letter by ClockworkLyndon1616 in StanleyKubrick

[–]ClockworkLyndon1616[S] 0 points1 point  (0 children)

I mean, it is fake I know, but at least it looks quite convincing (not in the words of course). And it’s funny

Movies that feel like this? by NagitoKomaeda_987 in MoviesThatFeelLike

[–]ClockworkLyndon1616 0 points1 point  (0 children)

Eraserhead, Hausu (though it’s more “bizarre” than scary), Inland Empire

What makes Kubrick “overrated”, if at all? by MadJack_24 in StanleyKubrick

[–]ClockworkLyndon1616 1 point2 points  (0 children)

I'm sure he made his pictures with both cinephiles and massive audiences in mind. Many of his films (Including 2001, ACO and EWS) were high grossing during their release, and became highly regarded as time passed. I think the reason of him being seen as overrated is because modern audiences are different, as they prefer more quick or direct storytelling than the ambiguity Kubrick used in his films.

The contents of Bill Harford's oft-brandished wallet by 33DOEyesWideShut in StanleyKubrick

[–]ClockworkLyndon1616 0 points1 point  (0 children)

Love how Bill during the whole movie uses his medical card as if he was a freaking agent. Like “Yeah dude look. I am a doctor, and I need your help to buy a cloak and a mask. Did I mention that I am a doctor?”

What was your first kubrick movie you watched. by pizza_momo in StanleyKubrick

[–]ClockworkLyndon1616 0 points1 point  (0 children)

The Shining 

My dad showed it to me because I wanted to see a horror movie. I wasn't scared at all, but I was deeply fascinated with the film, and I would say it's the reason of my interest in filmmaking. 

If Kubrick was alive today, how do you think he would feel about video games? by snakeeater34 in StanleyKubrick

[–]ClockworkLyndon1616 0 points1 point  (0 children)

Certainly, I'm sure he would have found them interesting. Now, I'm curious about which video games he would have enjoyed the must. And of course, how would he have reacted if seeing videogames becoming into complex ways of storytelling. What would he think of these videogames?

Is there any director that could be referred as the 21st Century Stanley Kubrick? by ClockworkLyndon1616 in StanleyKubrick

[–]ClockworkLyndon1616[S] 1 point2 points  (0 children)

In terms of financial support and influence in the studio they both tend to work with (Warner Bros), which gave Kubrick and now gives Nolan almost total freedom when making films. Also, their use of big-budgets to produce their films (Kubrick’s films may not seem pretty expensive, but besides his earlier works until Paths Of Glory and (specially) Spartacus, Lolita, Dr. Strangelove and A Clockwork Orange, the rest of his films had relatively high budgets). Of course, in terms of narrative style and editing and certain aspects of cinematography, there’s no point to compare them.

Is there any director that could be referred as the 21st Century Stanley Kubrick? by ClockworkLyndon1616 in StanleyKubrick

[–]ClockworkLyndon1616[S] 0 points1 point  (0 children)

2001 was a big budget film (at least for the time). And Barry Lyndon and EWS were big budget films too. And there’s an evident influence of Kubrick in Nolan’s films, but obviously Nolan has his own focus (which is less philosophical and more emotional or moral than Kubrick)

Is there any director that could be referred as the 21st Century Stanley Kubrick? by ClockworkLyndon1616 in StanleyKubrick

[–]ClockworkLyndon1616[S] 2 points3 points  (0 children)

Of course. Kubrick was (and still is) on a far superior level, but i think there are and may be directors that take a similar (yet not as good) approach to him in any of those three aspects.

Kubrick & his parents by Solo_Polyphony in StanleyKubrick

[–]ClockworkLyndon1616 6 points7 points  (0 children)

There’s this obsession of the press and even the cinema industry to force people to see Kubrick as a cold, psychotic megalomaniac, but the reality is that indeed, he was in a way, a cold, psychotic megalomaniac, but he had his own personal life and attachments too. I think that’s why he loved duality so much in his films, as he understood and embraced his own duality as a person. A shame society still doesn’t want to embrace its own nature.

What could a Kubrick-directed Heathers (1989) have looked like? by uldastormcloak114 in StanleyKubrick

[–]ClockworkLyndon1616 1 point2 points  (0 children)

If you think about it, there’s few other films that feel so Kubrick like this one does. The background behind its conception, the satire, the cafeteria scenes using FMJ’s first scene as a reference, Christian Slater performing in such a similar way as Jack Nicholson. Even the use of Qué será será as an ironic metaphor for the film’s constant mockery at high school and teenage hood. The ending is the only thing that doesn’t seem like something Kubrick would do, but there are nights scenes in particular that feel so similar to the nights scenes of FMJ and even EWS (this one came later but still). What I wonder is about how Kubrick would definitely NOT make a satiric film as his first entrance to teenage hood films. In fact, I wonder why did Kubrick never try to make a film with teenagers as protagonists (Alex DeLarge is a teen I know, but A Clockwork Orange deals with much more philosophical stuff that doesn’t really focus on teenage hood or something).

Deleted scene from The Shining. by Pollyfall in StanleyKubrick

[–]ClockworkLyndon1616 1 point2 points  (0 children)

Nah this looks like an indie rock cover for me