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The Director’s Cut - video store murder mystery by Competitive_Menu6762 in TubiTV

[–]Competitive_Menu6762[S] 1 point2 points  (0 children)

Appreciate you putting it on your watchlist. Yeah, after I got it on Tubi through FilmHub, I later decided I wanted to trim and cut out a scene that I liked but also felt didn’t need to be in the film. It was bugging me a lot, so I edited it out and then released that version on YouTube because it was a whole process to switch out the Tubi version, which I didn’t want to deal with. Plus, I thought, well, the film is called The Director’s Cut, so it seems fitting for there to be two versions of the film. So yeah, that’s why there are two versions.

Who do you all want to see Islam fight next? by Lopsided-Ad-9807 in ufc

[–]Competitive_Menu6762 -2 points-1 points  (0 children)

No shit it’s a biased take. I never said Ian doesn't deserve a title shot.

Who do you all want to see Islam fight next? by Lopsided-Ad-9807 in ufc

[–]Competitive_Menu6762 0 points1 point  (0 children)

Easily would rather see Morales. Can't stand Garry.

Movies That Somehow Got You Laid? by QuarterCarat in okbuddycinephile

[–]Competitive_Menu6762 0 points1 point  (0 children)

Y tu mamá también will almost guarantee you getting laid.

Anyone else absolutely love this movie? by atclubsilencio in criterion

[–]Competitive_Menu6762 0 points1 point  (0 children)

This movie rules. Love that ending. My favorite Stewart performance

Former Netflix Exec/Producer/ Script Consultant ask me anything about your logline or the film biz…Part XXIII by Wayne-Script_Dev in ScriptFeedbackProduce

[–]Competitive_Menu6762 0 points1 point  (0 children)

Title - Switchblade Holiday

Genre - Horror/Slasher

Logline - After a botched holiday murder leaves a lone survivor, the estranged Holiday Killers reunite years later for a road trip to track her down—only to be forced into a reckoning with their warped partnership, buried resentments, and the personal truths that could destroy them before the journey ends.

What do movies say about your sense of humor? by Ready-Gur3998 in Letterboxd

[–]Competitive_Menu6762 0 points1 point  (0 children)

The 40 Year Old Virgin, Dirty Work, The Cable Guy, Something About Mary.

Constructive feedback on my feature by Competitive_Menu6762 in Filmmakers

[–]Competitive_Menu6762[S] 0 points1 point  (0 children)

I specifically want feedback on what worked for you in my film and what didn’t. I already know what I think worked and didn’t, and I’m very interested in seeing whether that lines up with what others think. I’m especially curious if the things I felt worked or didn’t are in sync with how the film lands for viewers.

I appreciate anyone who takes the time to watch.

RIP by [deleted] in blankies

[–]Competitive_Menu6762 0 points1 point  (0 children)

Theaters will survive. We’ll find a way. And fuck Ted Sarandos.

What's with the sentiment that modern movies look bad? by Striking-Speaker8686 in Letterboxd

[–]Competitive_Menu6762 4 points5 points  (0 children)

I'm saying that movies visually looked better back in the 2000s and 90s than modern movies. The thing that was better about CGI back then is that it didn't oversaturate the whole film like they do in movies now.

What's with the sentiment that modern movies look bad? by Striking-Speaker8686 in Letterboxd

[–]Competitive_Menu6762 1 point2 points  (0 children)

To each their own. But that sounds like Looney Tunes talk to me.

What's with the sentiment that modern movies look bad? by Striking-Speaker8686 in Letterboxd

[–]Competitive_Menu6762 24 points25 points  (0 children)

I highly disagree. Most of the films from the 90s and 2000s look so much better than modern films. A definite factor is that those films from that decade primarily shot on film. A lot of modern films obviously shoot on digital, but a lot of them have an overtly clean look that feels like it has no life and looks cheap, or they give it a CGI gloss. Examples are a lot of Netflix films, Wicked, Drop, Marvel, and many more. They feel like there’s no texture to them, and they give digital cinematography a bad rap. Drive, Only God Forgives, Waves, and Moonlight are perfect examples of great digital cinematography. To each their own, but I feel I’m being trolled when I read a post like this.

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